| 1974 |
Eadweard Muybridge, Zoopraxographer |
New Yorker Films |
|
16mm |
|
sound |
| 1974 |
Effi Briest |
New Yorker |
140 mi |
16mm |
B&W |
sound |
| 1974 |
Isaac Singer's nightmare & Mrs. Pupko's beard |
New Yorker |
30 |
16mm |
Color |
sound |
| 1974 |
The Train rolls on |
New Yorker Films |
33 |
16mm |
B&W |
sound |
| 1974 |
Who Does She Think She Is |
New Yorker Films |
|
16mm |
|
sound |
| 1974 |
Xala |
New Yorker |
123 mi |
16mm |
Color |
sound |
| 1974 |
Xala. |
New Yorker Films |
|
16mm |
|
sound |
| 1975 |
Birth without violence |
New Yorker Films |
21 |
16mm |
B&W |
sound |
| 1975 |
Eadweard Muybridge: zoopraxographer |
New Yorker Films |
60 |
16mm |
Color |
sound |
| 1975 |
Funnyman |
New Yorker Films |
|
16mm |
|
sound |
| 1975 |
Furtivos (poachers) |
New Yorker |
88 |
16mm |
Color |
sound |
| 1975 |
Humain trop humain |
New Yorker |
77 |
16mm |
Color |
sound |
| 1975 |
Jeanne Dielman, 23 Quai du commerce, 1080 Bruxelles |
New Yorker |
198 mi |
16mm |
Color |
sound |
| 1975 |
Moses and Aaron |
New Yorker Films |
105 mi |
16mm |
Color |
sound |
| 1975 |
The Great ecstasy of the Sculptor Steiner |
New Yorker |
45 |
16mm |
Color |
sound |
| 1976 |
Jonah who will be 25 in the year 2000 |
New Yorker |
110 mi |
16mm |
Color & B&W |
sound |
| 1976 |
L'Imprint |
New Yorker |
7 |
16mm |
Color |
sound |
| 1976 |
Loving hands |
New Yorker |
23 |
16mm |
Color |
sound |
| 1976 |
Thirty years of fun |
New Yorker Films |
85 |
16mm |
B&W |
silent |
| 1977 |
Dona Flor and her two husbands |
New Yorker |
106 mi |
16mm |
Color |
sound |
| 1977 |
The American friend |
New Yorker |
127 mi |
16mm |
Color |
sound |
| 1978 |
Gates of heaven |
New Yorker |
85 |
16mm |
Color |
sound |
| 1978 |
Word is out |
New Yorker |
45 |
16mm |
Color |
sound |
| 1979 |
Bye bye Brasil |
New Yorker Films |
110 mi |
16mm |
Color |
sound |
| 1979 |
Poto and Cabengo |
New Yorker |
77 |
16mm |
Color |
sound |
| 1979 |
Stalker |
New Yorker |
161 mi |
16mm |
Color |
sound |
| 1980 |
Lotte Eisner in Germany |
New Yorker |
34 |
16mm |
Color |
sound |
| 1981 |
Celeste |
New Yorker |
107 mi |
16mm |
Color |
sound |
| 1981 |
Chan is missing |
New Yorker Films |
80 |
16mm |
B&W |
sound |
| 1981 |
Marianne and Juliane |
New Yorker |
106 mi |
16mm |
Color |
sound |
| 1982 |
Chan is missing |
Wayne Wang Productions ; directed, produced, and edited by Wayne Wang ; narration, Isaac Cronin, Wayne Wang ; script, Terrel Seltzer, Wayne Wang. |
80 |
16mm |
B&W |
sound |
| 1982 |
En rachâchant |
New Yorker |
9 |
16mm |
B&W |
sound |
| 1982 |
Sans soleil |
New Yorker |
100 mi |
16mm |
Color |
sound |
| 1982 |
The Atomic cafe |
New Yorker |
88 |
16mm |
Color & B&W |
sound |
| 1983 |
Biquefarre |
New Yorker Films |
90 |
16mm |
Color |
sound |
| 1983 |
Improper conduct |
New Yorker |
115 mi |
16mm |
Color |
sound |
| 1983 |
Sugar Cane Alley |
New Yorker |
103 mi |
16mm |
Color |
sound |
| 1983 |
When the mountains tremble |
New Yorker |
83 |
16mm |
Color |
sound |
| 1984 |
Quilombo |
New Yorker |
114 mi |
16mm |
Color |
sound |
| 1985 |
Faces of women |
New Yorker |
105 mi |
16mm |
Color |
sound |
| 1985 |
Rosa Luxemburg |
New Yorker |
122 mi |
16mm |
Color |
sound |
| 1985 |
Tangos, the exile of Gardel |
New Yorker |
125 mi |
16mm |
Color |
sound |
| 1988 |
A Day on the Grand Canal with the Emperor of China |
New Yorker |
:46 |
16mm |
Color |
sound |
| 1988 |
Wings of desire |
New Yorker |
130 mi |
16mm |
Color & B&W |
sound |
| 1989 |
Jesus of Montreal |
New Yorker |
119 mi |
16mm |
Color |
sound |
| 1989 |
Yaaba |
New Yorker |
90 |
16mm |
Color |
sound |
| 1992 |
Okoge |
New Yorker |
98 |
16mm |
Color |
sound |
| 1999 |
Women on the verge of a nervous breakdown |
New Yorker |
89 |
16mm |
Color |
sound |
| 2000 |
Pickpocket |
New Yorker Films |
80 |
16mm |
B&W |
sound |
| 2002 |
Babette's feast |
New Yorker Films |
102 mi |
16mm |
Color |
sound |