| 1939 |
Drums Along the Mohawk |
Teaching Film Custodians |
1200 ft. |
|
Color & B&W |
|
| 1939 |
Drums Along The Mohawk. |
John Ford |
9 303 ft. |
|
Color & B&W |
|
| 1939 |
Ninotchka |
MGM/UA |
110 min |
16mm |
B&W |
sound |
| 1939 |
Young Mr Lincoln |
Twentieth Century-Fox Film Corporation. |
1:00 |
16mm |
B&W |
sound |
| 1939 |
Young Mr. Lincoln |
John Ford |
100 min |
|
B&W |
|
| 1940 |
His Girl Friday |
Howard Hawks |
90 min |
16mm |
B&W |
|
| 1940 |
Kit Carson. |
George B. Seitz |
11 reels. |
|
B&W |
|
| 1940 |
The Shop Around The Corner. |
Ernst Lubitsch |
10 reels |
|
B&W |
sound |
| 1942 |
Spy Ship. |
B. Reeves Eason |
62 min. |
|
Color |
|
| 1942 |
The price of victory |
William H. Pine |
14 min |
|
B&W |
|
| 1942 |
Torpedo Boat. |
John Rawlins |
7 reels |
|
Color & B&W |
|
| 1943 |
High Explosive. |
Frank McDonald |
7 reels |
|
|
|
| 1943 |
Silver Skates. |
Leslie Goodwins |
9 reels |
|
B&W |
|
| 1943 |
Swing Fever. |
Tim Whelan |
8 reels |
|
B&W |
sound |
| 1944 |
3 Men in White |
Willis Goldbeck |
85 min |
|
B&W |
|
| 1944 |
Between Two Women. |
Willis Goldbeck |
8 reels |
|
B&W |
sound |
| 1944 |
Knickerbocker Holiday. |
Harry Joe Brown |
85 min. |
|
Color & B&W |
|
| 1944 |
Storm Over Lisbon. |
George Sherman |
9 reels |
|
B&W |
|
| 1944 |
The Eve Of St. Mark |
Twentieth Century-Fox Film Corp |
11 reels |
|
B&W |
|
| 1944 |
The Navy Way. |
William Berke |
8 reels |
|
B&W |
|
| 1946 |
The Show-Off. |
Harry Beaumont |
9 reels |
35mm |
B&W |
sound |
| 1946 |
Ziegfeld Follies. |
Merrill Pye, Charles Walters, Robert Lewis, George Sidney, Roy Del Ruth, Vincente Minnelli, Norman Taurog |
13 reels |
|
Color |
sound |
| 1947 |
Fear In The Night. |
Maxwell Shane |
72 min. |
35mm |
B&W |
sound |
| 1947 |
High Barbaree ▶ |
Jack Conway |
91 min |
|
B&W |
|
| 1947 |
Summer Holiday. |
Rouben Mamoulian |
93 min. |
35mm |
Color |
sound |
| 1948 |
Black Bart. |
George Sherman |
80 min. |
35mm |
Color |
sound |
| 1948 |
Corridor Of Mirrors. |
Apollo Films |
12 reels |
35mm |
B&W |
sound |
| 1948 |
Daughter Of Darkness. |
Lance Comfort |
91 min. |
35mm |
B&W |
sound |
| 1948 |
Daybreak |
Encyclopedia Britannica Educ. Corp |
9 min |
16mm |
|
sound |
| 1948 |
Joan of Arc |
Victor Fleming |
132 min |
16mm |
Color |
sound |
| 1948 |
Joan of Arc |
Victor Fleming |
132 min |
|
Color |
|
| 1948 |
Joan of Arc |
Victor Fleming |
132 min |
16mm |
Color |
silent |
| 1948 |
Key Largo |
John Huston |
1:00 |
16mm |
B&W |
|
| 1948 |
Race Street |
Edwin L. Marin |
79 |
|
B&W |
|
| 1948 |
Race Street. |
Edwin L. Marin |
79 min. |
35mm |
B&W |
sound |
| 1948 |
Shaggy. |
Ideal Pictures Inc |
72 min. |
35mm |
Color |
sound |
| 1948 |
The Decision Of Christopher Blake. |
Peter Godfrey |
75 min. |
35mm |
B&W |
sound |
| 1949 |
Champion. |
Mark Robson |
100 min |
35mm |
B&W |
sound |
| 1949 |
City Across The River. |
Maxwell Shane |
90 min. |
35mm |
B&W |
sound |
| 1949 |
Daybreak. |
Compton Bennett |
2 reels |
16mm |
B&W |
sound |
| 1950 |
Blackout |
Robert S. Baker |
|
|
|
|
| 1950 |
Key to the City |
George Sidney |
100 min |
|
B&W |
|
| 1950 |
Outside The Wall. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1950 |
The Asphalt Jungle |
Metro-Goldwyn-Mayer Corp |
1:52:00 |
16mm |
B&W |
sound |
| 1950s |
Maxwell House Coffee, 1950s |
Maxwell House D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| 1950s |
Maxwell House Coffee, 1950s |
Maxwell House D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| 1950s |
Maxwell House Coffee, 1950s |
Maxwell House D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| 1950s |
Maxwell House Coffee, 1950s |
Maxwell House D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| 1950s |
Maxwell House Coffee, 1950s |
Maxwell House D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| 1950s |
Maxwell House Coffee, 1950s |
Maxwell House D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|