| 1985 |
Vagabond |
Agnès Varda |
100 min |
16mm |
Color |
|
| 1985 |
Vagabond |
Official Films Inc. |
800 ft. |
|
Color |
|
| 1985 |
Vampires In Havana |
Juan Padrón |
69 min |
16mm |
|
sound |
| 1985 |
We were so beloved |
First Run Features/Icarus |
145 mi |
16mm |
Color & B&W |
sound |
| 1985 |
Weekend Warriors ▶ |
Clarfield Gentile Theriault Zaharatos |
90 min |
|
Color |
|
| 1985 |
When father was away on business |
Almi/Krypton |
136 mi |
16mm |
Color |
sound |
| 1985 |
Who should decide? |
Beverly Shaffer |
|
|
|
|
| 1985 |
Witness |
Peter Weir |
112 min |
16mm |
Color |
|
| 1985 |
Working together |
Chris O'Rourke |
21 min |
|
|
|
| 1985 |
Working together |
Chris O'Rourke |
21 min |
|
|
|
| 1985 |
Working together |
Chris O'Rourke |
21 min |
|
|
|
| 1985 |
World of tomorrow |
Direct Cinema |
84 |
16mm |
Color |
sound |
| 1986 |
A Better tomorrow |
John Woo |
94 min |
|
Color |
|
| 1986 |
A New world below |
Mike Mahoney |
|
|
|
|
| 1986 |
A Sense of sound |
Don White |
|
|
|
|
| 1986 |
A Virus knows no morals |
First Run/Icarus |
82 |
16mm |
Color |
sound |
| 1986 |
A Weave of time: the story of a Navajo family 1938-1986 |
Direct Cinema |
60 |
16mm |
Color |
sound |
| 1986 |
An American tail |
SWANK |
80 |
16mm |
Color |
sound |
| 1986 |
Augusta makes herself beautiful |
produced by Hungarofilm. |
5 |
16mm |
Color |
sound |
| 1986 |
Becoming A Family |
Gerber Baby Foods |
|
16mm |
|
sound |
| 1986 |
Chicken Thing |
direct |
12 min. |
16mm |
Color |
sound |
| 1986 |
Cowgirls: Portraits of American ranch |
DIRECT CINEMA LTD |
29 |
16mm |
|
|
| 1986 |
CRITTERS |
Stephen Herek |
83 min |
|
Color |
|
| 1986 |
Der Ohrenwurm |
Jenni Olson |
|
|
|
|
| 1986 |
Designing women |
Ellen Gittelsohn |
|
|
|
|
| 1986 |
Down and out in Beverly Hills |
Paul Mazursky |
99 min |
|
Color |
|
| 1986 |
Drive-in blues |
Direct Cinema |
28 |
16mm |
Color |
sound |
| 1986 |
Flight of the navigator |
Randal Kleiser |
90 min |
|
Color |
|
| 1986 |
Gung ho |
Ron Howard |
112 min |
|
Color |
|
| 1986 |
Halloweenie |
Jenni Olson |
|
|
|
|
| 1986 |
Hellfire: a journey from Hiroshima |
FIRST RUN FEATURES |
58 |
16mm |
Color |
sound |
| 1986 |
Hellfire: A journey from Hiroshima. |
Michael Camerini |
1775 |
16mm |
Color |
sound |
| 1986 |
I can do it!--Ed Lewis |
Direct Cinema Los Angeles Calif. 1986 |
Series:The American entrepreneur series pt. 1 |
|
|
|
| 1986 |
I was a Thanksgiving turkey |
Direct Cinema |
4 |
16mm |
Color |
sound |
| 1986 |
Ikwe ▶ |
National Film Board of Canada. |
12:00 |
|
|
|
| 1986 |
International Sweethearts of Rhythm |
Cinema Guild |
30 |
16mm |
Color |
sound |
| 1986 |
Isaac In America - A Journey With Isaac Bashevis Singer |
direct |
58 |
16mm |
Color |
sound |
| 1986 |
Life in the Desert |
Opus Films.Sony Corporation of America |
|
|
|
|
| 1986 |
Lion with a white mane. |
Jaromil Jireš |
127 min |
16mm |
Color |
sound |
| 1986 |
Looking for spacethings |
John Armstrong |
|
|
|
|
| 1986 |
Loose corner |
A. Thacher |
10 |
16mm |
Color |
sound |
| 1986 |
Luxo Jr. |
Pixar |
2:00 |
|
Color |
|
| 1986 |
Luxo, Jr. |
Direct Cinema |
3 |
16mm |
Color |
sound |
| 1986 |
Mala Noche. |
Gus Van Sant |
2400 |
16mm |
Color & B&W |
sound |
| 1986 |
Murphy's law |
J. Lee Thompson |
100 min |
|
Color |
|
| 1986 |
Nicaragua Was Our Home |
Films Incorporated Video |
60 min |
16mm |
|
sound |
| 1986 |
On the move: the Central Ballet of China |
Direct Cinema |
60 |
16mm |
Color |
sound |
| 1986 |
Perfect Harmony |
Direct Cinema Ltd. |
12:00 |
|
|
|
| 1986 |
Precious images |
Museum of Modern Art |
6 |
16mm |
Color & B&W |
sound |
| 1986 |
Quicksilver! ▶ |
Thomas Michael Donnelly |
105 min |
|
Color |
|