| 1992 |
Straight Talk |
General Motors Corp Mgmt And Organization Div |
91 min |
16mm |
|
sound |
| 1992 |
The Big Dipper |
Birger Larsen |
102 min |
|
Color |
|
| 1992 |
The Cutting edge |
Paul Michael Glaser |
102 min |
|
Color |
|
| 1992 |
The Magic touch |
Michael Hui |
|
|
Color |
|
| 1992 |
The Oak |
Screenscope |
105 min |
16mm |
Color |
sound |
| 1992 |
The reincarnation of Khensur Rinpoche. |
Ritu Sarin |
2375 |
16mm |
|
sound |
| 1992 |
Toys |
Barry Levinson |
116 min |
|
Color |
|
| 1992 |
Toys ▶ |
Barry Levinson |
116 min |
|
Color |
|
| 1992 |
Troubled paradise |
a Farallon Films production ; produced, written, and directed by Steven Okazaki. |
56 |
16mm |
Color |
sound |
| 1991 |
A brief history of time |
Errol Morris |
80 min |
16mm |
Color & B&W |
sound |
| 1991 |
Black robe |
Bruce Beresford |
100 min |
|
Color |
|
| 1991 |
Don't Be SAD: Holly & Me |
Coronet Films |
10 min |
|
Color |
|
| 1991 |
Don't Be SAD: No Time To Be A Kid |
Coronet Films |
10 min |
|
Color |
|
| 1991 |
Epilogue |
Jens Asbjørn Seehuusen |
600 |
|
|
|
| 1991 |
Epilogue |
Jens Asbjørn Seehuusen |
32 min |
|
|
|
| 1991 |
Grand Canyon |
Colorful World; Josef Boehmer |
15 min |
16mm |
Color |
Silent |
| 1991 |
High heels |
Pedro Almodóvar |
110 min |
|
Color |
|
| 1991 |
How Animals Get Ready For (The) Winter |
Coronet Films |
11 min |
|
Color |
|
| 1991 |
How Animals Live Through the Winter |
Coronet Films |
11 min |
|
Color |
|
| 1991 |
JFK |
Oliver Stone |
189 min |
16mm |
B&W |
sound |
| 1991 |
Matter and Energy For Beginners |
Coronet Films |
27 min |
|
Color |
|
| 1991 |
Nothing But Trouble |
Boston Film Center |
94 min |
16mm |
Color |
sound |
| 1991 |
Post No Bills |
Clay Walker |
9:31 min |
16mm |
B&W |
|
| 1991 |
Pushing Hands |
Ang Lee |
105 min |
16mm |
Color |
|
| 1991 |
The Americans with Disabilities Act: New Access to the Workplace |
Coronet Films |
40 min |
|
Color |
|
| 1991 |
The Country Mouse and the Town Mouse ▶ |
Pajon Arts |
8:54 |
16mm |
Color |
sound |
| 1991 |
The Little Engine That Could |
Dave Edwards |
10:00 |
16mm |
Color |
|
| 1991 |
The Little Red Hen Print #1 ▶ |
Somersaulter-Moats and Somersaulter |
9:35 |
16mm |
Color |
sound |
| 1991 |
The Rapture |
Gospel Films Inc |
100 min |
16mm |
Color |
sound |
| 1991 |
Van Gogh. |
Maurice Pialat |
158 min |
|
Color |
|
| 1991 |
Vatican World |
Tom Palazzolo |
21:08 |
16mm |
Color |
sound |
| 1991 |
White Fang |
Films Incorporated Video |
104 min |
16mm |
Color |
sound |
| 1991 |
Why Animals Live Where They Do |
Coronet Films |
12 min |
|
Color |
|
| 1990 |
Animals Are Different And Alike |
Coronet |
13 min |
16mm |
Color |
sound |
| 1990 |
Arachnophobia |
Frank Marshall |
105 min |
|
Color |
|
| 1990 |
Au Chic Resto Pop ▶ |
Tahani Rached |
85 min |
|
|
|
| 1990 |
Avery Coonley Schoolhorse ▶ |
Lillian Somersaulter Moats |
2:53 |
16mm |
|
|
| 1990 |
Berkeley in the sixties |
Kitchell Films in association with P.O.V. Theatrical Films ; produced & directed by Mark Kitchell ; written by Stephen Most, Mark Kitchell, Susan Griffin. |
117 |
16mm |
Color & B&W |
sound |
| 1990 |
Betsy's wedding |
Alan Alda |
94 min |
|
Color |
|
| 1990 |
Dick Tracy |
Warren Beatty |
103 min |
16mm |
Color |
|
| 1990 |
Everybody wins! |
Karel Reisz |
8:00 |
16mm |
Color |
sound |
| 1990 |
Hey Girls ▶ |
Tom Palazzolo |
3:52 |
16mm |
Color |
sound |
| 1990 |
Home Alone |
Barr Films. |
103 min |
|
Color |
|
| 1990 |
How Many Days To America? A Thanksgiving Day Story ▶ |
Coronet Films |
10 min |
|
Color |
|
| 1990 |
In the shadow of the stars |
First Run/Icarus |
93 |
16mm |
Color |
sound |
| 1990 |
Invertebrates: Sponges, Coelentrates and Worms |
Coronet Films |
19 min |
|
Color |
|
| 1990 |
Kids' animation workshop 1990 |
produced by David Ehrlich. |
21 |
Super 8mm |
Color |
silent |
| 1990 |
MEMPHIS BELLE ▶ |
Office Of War Information |
103 min |
|
Color |
|
| 1990 |
Men at Work |
National Film Board of Canada |
33 |
16mm |
B&W |
sound |
| 1990 |
Men at work |
Emilio Estevez |
88 min |
|
Color |
|