| 1978 |
Safe Transfer, Storage And Handling Of Organic Chemicals |
author, John C. MacDonald; science editor for CSC Media, Thomas Deacon; science editor for Prentice Hall Media, Lottie E. Mackay; produced by CSC Media, Inc |
1 filmstrip |
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|
|
| 1978 |
Same Time, Next Year |
Universal Pictures Co. Inc. |
119 min |
16mm |
Color |
sound |
| 1978 |
Sapphire Disappears |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton,--[s.l.: s.n.], 1953 |
30 min |
|
|
sound |
| 1978 |
Sapphire's Mysterious Admirer |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
Sapphire's Sister |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
Saving Our Planet |
produced through the worldwide resources of the National Geographic Society by the Special Publications and School Services Division |
2 filmstrips |
|
|
|
| 1978 |
Saving Our Wild Animals |
produced through the worldwide resources of the National Geographic Society by the Special Publications and School Services Division |
2 filmstrips |
|
|
|
| 1978 |
Scott Mcgrout, Inside Out |
producer, Emil E. Carle |
33 min |
|
|
sound |
| 1978 |
Sextette |
producers, Daniel Briggs & Robert Sullivan; director, Ken Hughes |
90 min |
|
|
sound |
| 1978 |
Sharpy Buzzes The Field |
director, Murray King; producer, Murray King |
30 min |
|
|
sound |
| 1978 |
Slima the Dhowmaker: Tanzania |
Coronet Films |
24 min |
|
Color |
|
| 1978 |
Smokey And The Bandit |
Universal Pictures; Rastar Productions |
97 min |
|
Color |
sound |
| 1978 |
Soldier In The Jungle |
Public Arts; produced in association with Universal |
53 min |
|
Color |
sound |
| 1978 |
Steffan the violinmaker (West Germany) |
coronet/perspective |
25 |
16mm |
Color |
sound |
| 1978 |
Step by step |
= Pas à pas = Paso a paso / a Hubley Studio production ; a film by Faith Hubley ; directed and produced by Faith Hubley. |
11 |
16mm |
Color |
sound |
| 1978 |
Strange Fate Of Flight 608 |
produced in association with Glen A. Larson Productions and Universal, an MCA company |
60 min |
|
|
sound |
| 1978 |
Street Edition |
Public Arts; produced in association with Universal |
53 min |
|
Color |
sound |
| 1978 |
Subtraction Of Signed Numbers |
producer, Thomas B. Bennett; director, Thomas B. Bennett |
11 min |
|
|
sound |
| 1978 |
Superfine Brush |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
Switch Hitter |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
Tears For All Who Loved Her |
director, Joel Oliansky; producer, Chester Krumholz |
60 min |
|
|
sound |
| 1978 |
That Sister Ain't No Cousin |
Roy Higgins, Public Arts Productions; produced in association with Universal, an MCA company; created by Stephen J. Cannell |
53 min |
|
Color |
sound |
| 1978 |
The 100,000 Ruble Rumble |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Amazing Howard Hughes |
producer, Herbert Hirschman; director, William A. Graham |
60 min |
|
|
sound |
| 1978 |
The Argonaut Special |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Art Of Crime |
producer, Jules Irving; director, Richard Irving |
72 min |
|
|
sound |
| 1978 |
The Ballet Tickets |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Bionic Dog |
produced in association with Harve Bennett Productions and Universal, an MCA co |
45 min |
|
|
sound |
| 1978 |
The Boys From Brazil |
Twentieth Century-Fox Film Corporation |
2:07:00 |
16mm |
Color |
sound |
| 1978 |
The Broken Clock |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Captain's Brother's Wife |
director, Charles S. Dubin; producer, Chester Krumholz |
60 min |
|
|
sound |
| 1978 |
The Cases Of Detective Duncan |
writer, Nina Link; director, Barbara Castro; producer, Michele Murdock |
|
|
|
|
| 1978 |
The Church In Action, 1975 |
a Brigham Young University production; producer, David K. Jacobs; director, David K. Jacobs |
30 min |
|
|
sound |
| 1978 |
The Church In Action, 1976 |
a Brigham Young University production; producer, David K. Jacobs; director, David K. Jacobs |
32 min |
|
|
sound |
| 1978 |
The Classified Ad |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Creatures Who Came On Sunday |
produced in association with Glen A. Larson productions and Universal, an MCA company |
60 min |
|
|
sound |
| 1978 |
The Dancing lion |
PRODUCERS FILM MARKETING (PTY) LTD |
11 |
16mm |
|
|
| 1978 |
The Deadly Connection |
produced in association with Glen A. Larson Productions and Universal, an MCA company; director, Alex March; producer, Christopher Morgan |
60 min |
|
|
sound |
| 1978 |
The Disappearing Floor |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Eyeglass |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Flickering Torch Mystery |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Formula factor |
Canadian Broadcasting Corporation; producer, Rosalind Farber. |
28 |
16mm |
Color |
sound |
| 1978 |
The Four Horsemen |
produced in association with Glen Larson Productions |
60 min |
|
Color |
sound |
| 1978 |
The Framing Of Perfect Sydney |
a Stephen J. Cannell production [sic] and Bunky Productions, Inc.; produced in association with Universal, an MCA company |
45 min |
|
|
sound |
| 1978 |
The Girl Upstairs |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Girls Next Door |
producers, John Jones & James Hong; director, James Hong |
92 min |
|
|
sound |
| 1978 |
The great American student. |
Coronet Films |
325 |
16mm |
Color |
sound |
| 1978 |
The Halls Of Terror |
director, Edward Abroms; producer, Chester Krumholz |
60 min |
|
|
sound |
| 1978 |
The Happy Stevenses |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
|
|
sound |
| 1978 |
The Hardy Boys And Nancy Drew Meet Dracula |
produced in association with Glen A. Larson Productions and Universal, an MCA company |
60 min |
|
|
sound |