| 1984 |
Doctor De Soto |
Schindel Morton |
10 min |
16mm |
Color |
sound |
| 1984 |
Doctor de Soto ▶ |
Weston |
10 min. |
16mm |
Color |
sound |
| 1984 |
Doctor De Soto |
Michael Sporn |
10 min |
|
Color |
|
| 1984 |
Doctor De Soto |
Michael Sporn |
10 min |
|
Color |
|
| 1984 |
Flight To The Planets |
GILBERT ALTSCHUL PRODUCTIONS AND PRODUCER'S GROUP |
11 min |
16mm |
|
sound |
| 1984 |
Garbo Talks |
Sidney Lumet |
103 min |
16mm |
Color |
|
| 1984 |
Getting the Order |
Coronet Films |
17 min |
|
Color |
|
| 1984 |
Going Back |
Virginia Productions |
1872 ft. |
|
|
|
| 1984 |
Goldilocks and the Three Bears ▶ |
Somersaulter-Moats and Somersaulter |
11:31 |
16mm |
Color |
sound |
| 1984 |
Gremlins |
Joe Dante |
106 min |
|
Color |
|
| 1984 |
Harold of Orange |
Film in the Cities presents ; producer, Dianne Brennan ; original screenplay, Gerald Vizenor ; director, Richard Weise. |
32 |
16mm |
Color |
sound |
| 1984 |
Imaging a Hidden World: The Light Microscope |
Coronet Films |
15 min |
|
Color |
|
| 1984 |
Margaret Atwood: Once in August ▶ |
Michael Rubbo |
|
|
Color |
|
| 1984 |
Masters of the wok |
produced by Sue Yung Li ; director and associate producer, Michael Lerner ; written by Sue Yung Li and Michael Lerner |
29 |
16mm |
Color |
sound |
| 1984 |
Mawson Base: face to face |
|
|
|
|
|
| 1984 |
Meeting Strangers: Red Light Green Light |
|
|
|
|
|
| 1984 |
Meeting strangers: red light, green light |
|
|
|
|
|
| 1984 |
Meeting Strangers: Red Light, Green Light |
|
20:00 |
16mm |
Color |
|
| 1984 |
Nature's builders |
EDUCATIONAL MEDIA INTERNATIONAL INC |
8 |
16mm |
Color |
sound |
| 1984 |
Nature’s Builders |
|
|
|
|
|
| 1984 |
Night Court |
|
25 min |
16mm |
|
|
| 1984 |
Orbital Shapes And Paths |
GILBERT ALTSCHUL PRODUCTIONS AND PRODUCER'S GROUP |
11 min |
16mm |
|
sound |
| 1984 |
Out of time out of place |
|
|
|
|
|
| 1984 |
Partners |
MORSE ALLEN INC |
12 |
16mm |
Color |
|
| 1984 |
POLICE ACADEMY |
Hugh Wilson |
8:00 |
16mm |
Color |
silent |
| 1984 |
Principles of Orbit |
GILBERT ALTSCHUL PRODUCTIONS AND PRODUCER'S GROUP |
11 min |
16mm |
|
sound |
| 1984 |
Quilombo |
New Yorker |
114 mi |
16mm |
Color |
sound |
| 1984 |
Scenes and songs from Boyd Webb |
|
|
|
|
|
| 1984 |
Simple Machines - Inclined Planes |
C/O Simon & Schuster Film & Videos |
|
16mm |
Color |
sound |
| 1984 |
Simple Machines - Pulleys |
Coronet |
12 min |
16mm |
Color |
sound |
| 1984 |
Simple Machines - Wheels And Axles |
C/O Simon & Schuster Film & Videos |
12 min |
16mm |
Color |
sound |
| 1984 |
Simple Machines - Working Together |
C/O Simon & Schuster Film & Videos |
12 min |
16mm |
Color |
sound |
| 1984 |
Simple Machines: The Levers |
Coronet Films |
12 min |
|
Color |
|
| 1984 |
Sound of sunshine, sound of rain |
a Hallinan Plus production ; produced by Eda Godel Hallinan ; director, Caroline M. Heyward. |
15 |
16mm |
Color |
sound |
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
16mm |
Color |
|
| 1984 |
The Frog Prince |
Brian Gilbert |
7:00 |
16mm |
Color |
|
| 1984 |
The Marshall Islands: Living with the bomb |
|
|
|
|
|
| 1984 |
The Masculine Mystique ▶ |
National Film Board of Canada. |
|
16mm |
|
sound |
| 1984 |
The Masculine mystique |
Giles Walker, John N. Smith |
|
|
|
|
| 1984 |
The Masculine Mystique ▶ |
Giles Walker, John N. Smith |
|
|
|
|
| 1984 |
The Painted Door ▶ |
Atlantis Films. |
24 min |
16mm/video file |
Color |
|
| 1984 |
The Special Magic Of Herself The Elf |
Perspective Films/Esquire/Simon & Schuster |
24 min |
16mm |
Color |
sound |
| 1984 |
The Statue of Liberty |
Direct Cinema |
58 |
16mm |
Color |
sound |
| 1984 |
The Times of Harvey Milk |
Cinecom |
87 |
16mm |
Color |
sound |
| 1984 |
The Times of Harvey Milk |
Rob Epstein |
90 min |
|
Color |
|
| 1984 |
Threads |
Mick Jackson |
112 min |
|
Color |
|