| 1943 |
CONQUER BY THE CLOCK |
Office of War Information |
11min |
16mm |
B&W |
Sound |
| 1943 |
Dead Man's Gulch. |
John English |
6 reels |
|
Color |
|
| 1943 |
Death Valley Manhunt. |
John English |
6 reels |
|
Color |
|
| 1943 |
December 7th |
John Ford, Gregg Toland |
12:00 |
|
B&W |
|
| 1943 |
Falling Hare |
Bob Clampett |
8 min |
|
Color |
|
| 1943 |
False Faces. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1943 |
Fires were started |
British Central Office in Internation |
66 |
16mm |
B&W |
sound |
| 1943 |
Fires were started |
Humphrey Jennings |
80 min |
|
B&W |
|
| 1943 |
Flight For Freedom |
Lothar Mendes |
1:02 |
|
B&W |
|
| 1943 |
Flight For Freedom. |
Lothar Mendes |
102 min |
|
B&W |
|
| 1943 |
Footlight Glamour. |
Frank R. Strayer |
7 reels |
|
B&W |
|
| 1943 |
Frontier Fury. |
William Berke |
6 reels |
|
B&W |
|
| 1943 |
Fugitive From Sonora. |
Howard Bretherton |
6 reels |
|
Color |
|
| 1943 |
Girl Crazy. |
Norman Taurog, Busby Berkeley |
10 reels |
|
B&W |
sound |
| 1943 |
GOOD LUCK, MR. YATES. |
Ray Enright |
7 reels |
|
B&W |
|
| 1943 |
GUADALCANAL DIARY |
Lewis Seiler |
93 min |
|
B&W |
|
| 1943 |
GUADALCANAL DIARY |
Films, Inc |
93min |
16mm |
B&W |
Sound |
| 1943 |
Hello, Frisco, Hello. |
H. Bruce Humberstone |
8 939 ft. |
|
Color |
|
| 1943 |
Henry Aldrich Swings It. |
Paramount |
7 reels |
16mm |
B&W |
Sound |
| 1943 |
Here Comes Elmer. |
Joseph Santley |
8 reels |
|
Color |
|
| 1943 |
Herr Sanders lebt gefährlich. |
Tobis Filmkunst GmbH |
85 min |
16mm |
|
sound |
| 1943 |
HERS TO HOLD |
Universal Pictures |
90 min |
16mm |
B&W |
sound |
| 1943 |
High Explosive. |
Frank McDonald |
7 reels |
|
|
|
| 1943 |
Hit Parade Of 1943. |
Albert S. Rogell |
9 reels |
|
B&W |
|
| 1943 |
I Walked With A Zombie. |
Jacques Tourneur |
69 min. |
|
B&W |
|
| 1943 |
It’s A Great Life. |
Raydic Corp. |
30 min. |
16mm |
B&W |
sound |
| 1943 |
Jack London. |
Alfred Santell |
93 min. |
|
B&W |
|
| 1943 |
Journey Into the Past |
Hans Heinz Zerlett |
80 min |
|
|
|
| 1943 |
Lassie Come Home. |
Fred M. Wilcox |
9 reels |
|
Color |
sound |
| 1943 |
Law Of The Northwest. |
William Berke |
6 reels |
|
B&W |
|
| 1943 |
Madame Curie. |
Mervyn LeRoy |
13 reels |
|
B&W |
sound |
| 1943 |
Margin for error |
Otto Preminger |
74 min |
|
B&W |
|
| 1943 |
Meshes of the afternoon |
Maya Deren |
14 min 0:14:00 |
16mm |
B&W |
sound |
| 1943 |
Mexican spitfire's blessed event |
RKO Radio Pictures |
63 min |
16mm |
B&W |
sound |
| 1943 |
Mexican Spitfire's Blessed Event. |
Leslie Goodwins |
63 min. |
|
B&W |
|
| 1943 |
Mission To Moscow. |
warner bros. |
123 min |
16mm |
B&W |
sound |
| 1943 |
MR. LUCKY. |
H. C. Potter |
100 min |
|
B&W |
|
| 1943 |
My Heart Belongs To Daddy. |
Robert Siodmak |
8 reels |
|
B&W |
|
| 1943 |
Mystery Broadcast. |
George Sherman |
7 reels |
|
Color & B&W |
|
| 1943 |
O, My Darling Clementine. |
Republic Pictures Corporation |
7 reels |
16mm |
B&W |
silent |
| 1943 |
Overland Mail Robbery. |
John English |
6 reels |
|
Color |
|
| 1943 |
Petticoat Larceny. |
Ben Holmes |
61 min. |
|
B&W |
|
| 1943 |
Pigs in a Polka |
Friz Freleng |
8 min |
|
Color |
|
| 1943 |
Pride Of The Plains. |
Wallace Fox |
6 reels |
|
Color |
|
| 1943 |
Riders Of The Rio Grande. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1943 |
Riding High. |
George Marshall |
10 reels |
|
Color |
sound |
| 1943 |
Romance In A Minor Key |
Helmut Käutner |
98 |
|
B&W |
|
| 1943 |
Sahara. |
Zoltan Korda |
10 reels |
|
B&W |
|
| 1943 |
Seven Miles From Alcatraz. |
Edward Dmytryk |
62 min. |
|
B&W |
|
| 1943 |
Shadow of a Doubt |
Universal Pictures Company Inc | Universal Pictures Corporation |
108 1:48:00 1:48:00 1:48:00 |
16mm |
B&W |
sound |