| 1985 |
Tangos, the exile of Gardel. |
Fernando Solanas |
119 min |
16mm |
Color |
sound |
| 1985 |
The Goonies |
Richard Donner |
112 min |
|
Color |
|
| 1985 |
The Official story |
Almi-Cinema 5 |
112 mi |
16mm |
Color |
sound |
| 1985 |
The purple rose of Cairo |
Woody Allen |
82 min |
|
Color |
|
| 1985 |
Vagabond |
Agnès Varda |
100 min |
16mm |
Color |
|
| 1985 |
Vagabond |
Official Films Inc. |
800 ft. |
|
Color |
|
| 1985 |
Weekend Warriors ▶ |
Clarfield Gentile Theriault Zaharatos |
90 min |
|
Color |
|
| 1985 |
Witness |
Peter Weir |
112 min |
16mm |
Color |
|
| 1984 |
Bolero |
Pyramid |
104 min |
16mm |
Color |
sound |
| 1984 |
Bolero |
John Derek |
12:00 |
|
Color |
|
| 1984 |
Choosing children |
Cambridge Documentary Films |
45 |
16mm |
Color |
sound |
| 1984 |
Classic Creatures: Return of the Jedi ▶ |
Robert Guenette |
|
16mm |
|
sound |
| 1984 |
Der Schimmelreiter |
West Glen Communications |
96 min |
16mm |
|
sound |
| 1984 |
Gremlins |
Joe Dante |
106 min |
|
Color |
|
| 1984 |
Margaret Atwood: Once in August ▶ |
Michael Rubbo |
|
|
Color |
|
| 1984 |
Nineteen Eighty Four |
unknown |
113 min |
16mm |
Color |
sound |
| 1984 |
POLICE ACADEMY |
Hugh Wilson |
8:00 |
16mm |
Color |
silent |
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
The Times of Harvey Milk |
Cinecom |
87 |
16mm |
Color |
sound |
| 1984 |
The Times of Harvey Milk |
Rob Epstein |
90 min |
|
Color |
|
| 1984 |
Your Money Or Your Life |
New York |
94 min |
(14 min.) (14 min.) 3/4 in. |
|
sound |
| 1983 |
A Shocking Accident |
Direct Cinema Ltd. |
25 min |
16mm |
Color |
sound |
| 1983 |
Antarctica |
Koreyoshi Kurahara |
143 min |
|
Color |
|
| 1983 |
Antarctica |
Koreyoshi Kurahara |
143 min |
|
Color |
|
| 1983 |
Bush Christmas |
Henri Safran |
91 min |
|
Color |
|
| 1983 |
Classic creatures: return of the Jedi |
Films inc. |
:48 |
16mm |
Color |
sound |
| 1983 |
Danton |
SWANK |
136 mi |
16mm |
Color |
sound |
| 1983 |
Death Valley |
Kaw Valley Films Inc |
26 |
16mm |
Color |
|
| 1983 |
Electric Boogie |
Green Room Productions |
30 |
16mm |
Color |
sound |
| 1983 |
Electric Boogie |
Freke Vuijst |
1200 ft. |
|
|
|
| 1983 |
Flamenco at 5:15 ▶ |
Direct Cinema Ltd. |
30 |
16mm |
Color |
sound |
| 1983 |
FLAMENCO AT 5:15 ▶ |
Cynthia Scott |
29 min |
|
Color |
|
| 1983 |
Fort Apache, The Bronx |
Time-Life Video Distribution Center |
125 min |
16mm |
Color |
sound |
| 1983 |
Jan Amos Comenius. |
Barrandov Film Studios |
150 min |
16mm |
|
sound |
| 1983 |
Joe's Bed-Stuy barbershop: we cut heads |
FIRST RUN FEATURES |
60 |
16mm |
Color |
sound |
| 1983 |
Le Bal |
Almi-Cinema 5 |
112 mi |
16mm |
Color |
sound |
| 1983 |
Merry Christmas, Mr. Lawrence |
Nagisa Ōshima |
116 min |
|
Color |
|
| 1983 |
RIGHT OF WAY |
George Schaefer |
102 min |
|
|
|
| 1983 |
Scarface |
Caddo Co Inc | Howard Hughes |
93 1:33:00 |
16mm |
B&W |
sound |
| 1983 |
SELF-DEFENSE |
Maura O'Connell, Paul Donovan |
84 min |
|
Color |
|
| 1983 |
Sugar Cane Alley |
New Yorker |
103 mi |
16mm |
Color |
sound |
| 1983 |
Tender mercies |
Bruce Beresford |
89 min |
|
Color |
|
| 1983 |
Two of a kind |
John Herzfeld |
84 min |
|
Color |
|
| 1983 |
When the mountains tremble |
New Yorker |
83 |
16mm |
Color |
sound |
| 1982 |
A Shocking accident |
Direct Cinema Ltd. |
25 |
16mm |
Color |
sound |
| 1982 |
A Shocking Accident |
Flamingo Pictures |
25 min |
|
Color |
|