| 1988 |
Chocolat |
Cinemanuel : Marin Karmitz-MK2 Productions : Cerito Films : La S.E.P.T. : Wim Wenders Productions-Berlin : Caroline Productions : Le F.O.D.I.C. : T.F.I. Films production |
106 mi |
16mm |
Color |
sound |
| 1988 |
Cocktail |
Roger Donaldson |
99 min |
|
Color |
|
| 1988 |
Frantic |
Roman Polanski |
120 min |
|
Color |
|
| 1988 |
Running on Empty |
Sidney Lumet |
116 min |
|
Color |
|
| 1988 |
SHOOT TO KILL ▶ |
Roger Spottiswoode |
109 min |
16mm |
Color |
|
| 1988 |
The Bear |
Films Incorporated |
92 |
16mm |
Color |
sound |
| 1988 |
The Microscope |
Rudolf Thome |
97 min |
|
Color |
|
| 1988 |
Who framed Roger Rabbit? |
Robert Zemeckis |
100 min |
|
Color & B&W |
|
| 1987 |
Charles and François ▶ |
Co Hoedeman |
|
|
|
|
| 1987 |
Eine Rolle Duschen ▶ |
Detlev Buck |
5 min |
|
Color |
|
| 1987 |
King Size ▶ |
Juliusz Machulski |
105 min |
|
Color |
|
| 1987 |
Like Father Like Son |
Rod Daniel |
600 |
|
Color |
|
| 1987 |
One hundred children waiting for a train |
First Run/Icarus |
57 |
16mm |
Color |
sound |
| 1987 |
Outrageous fortune |
Arthur Hiller |
99 min |
|
Color |
|
| 1987 |
The Untouchables |
Brian De Palma |
119 min |
|
Color |
|
| 1987 |
The Way Things Go |
Hans-Ulrich Jordi |
30 |
16mm |
Color |
|
| 1987 |
Three men and a baby |
Leonard Nimoy |
101 min |
|
Color |
|
| 1987 |
Tin men |
Barry Levinson |
112 min |
|
Color |
|
| 1987 |
UNDER THE SUN OF SATAN |
Maurice Pialat |
93 min |
|
Color |
|
| 1987 |
Yuki Yukite shingun = |
The Emperor's naked army marches on Imamura Productions ; Shisso Production ; Zanzou-sha ; produced by Sachiko Kobayashi ; directed by Kazuo Hara. |
119 |
16mm |
Color |
sound |
| 1986 |
A Better tomorrow |
John Woo |
94 min |
|
Color |
|
| 1986 |
A Virus knows no morals |
First Run/Icarus |
82 |
16mm |
Color |
sound |
| 1986 |
CRITTERS |
Stephen Herek |
83 min |
|
Color |
|
| 1986 |
Down and out in Beverly Hills |
Paul Mazursky |
99 min |
|
Color |
|
| 1986 |
Flight of the navigator |
Randal Kleiser |
90 min |
|
Color |
|
| 1986 |
Gung ho |
Ron Howard |
112 min |
|
Color |
|
| 1986 |
Lion with a white mane. |
Jaromil Jireš |
127 min |
16mm |
Color |
sound |
| 1986 |
Mala Noche. |
Gus Van Sant |
2400 |
16mm |
Color & B&W |
sound |
| 1986 |
Murphy's law |
J. Lee Thompson |
100 min |
|
Color |
|
| 1986 |
Precious images |
Museum of Modern Art |
6 |
16mm |
Color & B&W |
sound |
| 1986 |
Ruthless people |
Jerry Zucker, Jim Abrahams, David Zucker |
91 min |
|
Color |
|
| 1986 |
Street of crocodiles |
First Run/Icarus |
21 |
16mm |
Color & B&W |
sound |
| 1986 |
The Fly |
Perspective Films |
2:00 |
|
Color |
|
| 1986 |
The Fly |
David Cronenberg |
13 min |
16mm |
B&W |
Silent |
| 1986 |
The Gang |
FMS Productions Inc |
82 min |
16mm |
Color |
sound |
| 1986 |
The Gang |
Arvo Kruusement |
82 min |
|
Color |
|
| 1986 |
The Great mouse detective |
Burny Mattinson, David Michener, John Musker, Ron Clements |
75 min |
|
Color |
|
| 1986 |
The Sacrifice |
Andrei Tarkovsky |
149 min |
|
Color |
|
| 1986 |
The Sixth Day |
Paulist Productions |
106 min |
16mm |
Color |
sound |
| 1986 |
Weekend Warriors. |
Bert Convy |
550 |
16mm |
Color |
silent |
| 1985 |
After hours. |
Martin Scorsese |
96 min |
16mm |
Color |
sound |
| 1985 |
Black Arrow |
John Hough |
60 min. |
16mm |
|
|
| 1985 |
Choosing children. |
Debra Chasnoff, Margaret Lazarus, Kim Klausner |
1550 |
16mm |
Color |
sound |
| 1985 |
Christopher Columbus ▶ |
National Geographic |
280 min |
16mm |
|
sound |
| 1985 |
Christopher Columbus |
Alberto Lattuada |
280 min |
|
|
|
| 1985 |
God's Country |
Youth Films Inc |
95 min |
16mm |
Color |
sound |
| 1985 |
Heaven help us! |
Michael Dinner |
99 min |
|
Color |
|
| 1985 |
Hold up!! |
Alexandre Arcady |
114 min |
|
Color |
|
| 1985 |
Mad Max: beyond thunderdome |
George Miller, George Ogilvie |
107 min |
|
Color |
|
| 1985 |
Tangos, the exile of Gardel |
New Yorker |
125 mi |
16mm |
Color |
sound |