| 1993 |
The Nightmare before Christmas |
Henry Selick |
73 min |
|
Color |
|
| 1993 |
The Piano |
Jane Campion |
120 min |
|
Color |
|
| 1992 |
Aladdin |
Ron Clements, John Musker |
91 min |
|
Color |
|
| 1992 |
Daddy and the muscle academy |
Ilppo Pohjola |
55 |
16mm |
Color |
sound |
| 1992 |
Forbidden love: the unashamed stories of lesbian lives |
Women Make Movies |
85 |
16mm |
Color & B&W |
sound |
| 1992 |
Malcolm X |
Spike Lee |
201 min |
16mm |
Color & B&W |
|
| 1992 |
Malcolm X |
Spike Lee |
201 min |
|
Color & B&W |
|
| 1992 |
Romper stomper |
Geoffrey Wright |
89 min |
|
Color |
|
| 1992 |
The Big Dipper |
Birger Larsen |
102 min |
|
Color |
|
| 1992 |
The Hand that rocks the cradle |
Curtis Hanson |
110 min |
|
Color |
|
| 1992 |
Toys |
Barry Levinson |
116 min |
|
Color |
|
| 1992 |
Toys ▶ |
Barry Levinson |
116 min |
|
Color |
|
| 1991 |
A brief history of time |
Errol Morris |
80 min |
16mm |
Color & B&W |
sound |
| 1991 |
A Song for Tibet ▶ |
National Film Board of Canada. |
|
|
|
|
| 1991 |
Daddy and the muscle academy. |
Ilppo Pohjola |
1725 |
16mm |
|
sound |
| 1991 |
Epilogue |
Jens Asbjørn Seehuusen |
600 |
|
|
|
| 1991 |
Epilogue |
Jens Asbjørn Seehuusen |
32 min |
|
|
|
| 1991 |
Grand Canyon |
Colorful World; Josef Boehmer |
15 min |
16mm |
Color |
Silent |
| 1991 |
High heels |
Pedro Almodóvar |
110 min |
|
Color |
|
| 1991 |
Locked-up time. |
Sibylle Schönemann |
3175 |
16mm |
|
sound |
| 1991 |
Nothing But Trouble |
Boston Film Center |
94 min |
16mm |
Color |
sound |
| 1991 |
Van Gogh. |
Maurice Pialat |
158 min |
|
Color |
|
| 1990 |
Arachnophobia |
Frank Marshall |
105 min |
|
Color |
|
| 1990 |
Arrivederci Roma |
Clive Donner |
26 min |
|
Color |
|
| 1990 |
Au Chic Resto Pop ▶ |
Tahani Rached |
85 min |
|
|
|
| 1990 |
Darkness light darkness. |
Jan Švankmajer |
8 min |
16mm |
|
sound |
| 1990 |
Dick Tracy |
Warren Beatty |
103 min |
16mm |
Color |
|
| 1990 |
Everybody wins! |
Karel Reisz |
8:00 |
16mm |
Color |
sound |
| 1990 |
Home Alone |
Barr Films. |
103 min |
|
Color |
|
| 1990 |
Isle of flowers |
First Run/Icarus |
15 |
16mm |
Color |
sound |
| 1990 |
MEMPHIS BELLE ▶ |
to be added |
103 min |
|
Color |
|
| 1990 |
The Ear |
22-2 Kanda Misakicho Chiyoda-Ku |
94 min |
16mm |
B&W |
sound |
| 1990 |
Think big |
Jon Turteltaub |
84 min |
|
Color |
|
| 1990 |
Two lies |
Women Make Movies |
25 |
16mm |
B&W |
sound |
| 1989 |
Dead calm |
Phillip Noyce |
95 min |
|
Color |
|
| 1989 |
Derriere le mur |
la Maison de la culture du Havre, l'Esquisse et La Sept présentent ; un film de Raoul Ruiz ; producteur délégué, Jean-Luc Larguier. |
72 |
16mm |
Color & B&W |
sound |
| 1989 |
Everything's for you |
produced, directed, filmed and edited by Abraham Ravett. |
58 |
16mm |
Color & B&W |
silent and sound |
| 1989 |
Honey, I shrunk the kids |
Joe Johnston |
89 min |
|
Color |
|
| 1989 |
Interrogation |
Ryszard Bugajski |
111 min |
16mm |
Color |
sound |
| 1989 |
Jesus of Montreal |
New Yorker |
119 mi |
16mm |
Color |
sound |
| 1989 |
Juke Bar ▶ |
Barry Martin |
10 min |
16mm |
Color |
sound |
| 1989 |
Let's get lost |
Zeitgeist |
119 mi |
16mm |
B&W |
sound |
| 1989 |
New York stories |
Woody Allen, Francis Ford Coppola, Martin Scorsese |
124 min |
|
Color |
|
| 1989 |
The Delinquents |
Chris Thomson |
101 min |
|
Color |
|
| 1989 |
The Little Mermaid |
Ron Clements, John Musker |
83 min |
|
Color |
|
| 1989 |
The White Dove |
McGraw-Hill Films |
100 min |
16mm |
Color |
sound |
| 1989 |
What Time Is It ? |
Ettore Scola |
11 |
16mm |
Color |
sound |
| 1988 |
A Soldier's Tale |
Arthur Cantor Inc |
96 min |
16mm |
|
sound |
| 1988 |
A World Apart |
Princess Cruise Lines |
600 |
|
Color |
|
| 1988 |
Beaches |
Garry Marshall |
123 min |
|
Color |
|