| 1978 |
Xenogenesis |
James Cameron |
12 min |
|
Color |
|
| 1977 |
ABBA: The Movie |
Lasse Hallström |
96 min |
|
Color |
|
| 1977 |
Airport ’77 |
Universal Pictures |
114 min |
|
Color |
sound |
| 1977 |
Albert - Warum |
West Glen Communications |
115 min |
16mm |
Color |
sound |
| 1977 |
An enemy of the people |
Solar Productions: Publisher |
1:30:00 |
16mm |
Color |
sound |
| 1977 |
An Equal Chance Through Title Ix |
Edit Films |
|
16mm |
|
sound |
| 1977 |
Annie Hall |
MGM/UA |
93 |
16mm |
Color |
sound |
| 1977 |
Black Sunday |
John Frankenheimer |
143 min |
|
Color |
|
| 1977 |
Candleshoe |
Norman Tokar |
101 min |
|
Color |
|
| 1977 |
Damnation Alley |
Twentieth Century-Fox Film Corporation |
93 min |
|
Color |
sound |
| 1977 |
Demon and marvels |
Bertrand Langlois |
7 min |
|
|
|
| 1977 |
Demon Seed |
Metro-Goldwyn-Mayer, Inc |
96 min |
|
Color |
sound |
| 1977 |
Fire Sale |
Twentieth Century Fox Film Corporation |
88 min |
|
Color |
sound |
| 1977 |
Fraternity Row |
Paramount Pictures Corporation |
99 min |
|
Color |
sound |
| 1977 |
I'll Find a Way ▶ |
Media Guild |
26 min |
16mm |
Color |
sound |
| 1977 |
I'll Find a Way |
Beverly Shaffer |
12:00 |
|
Color |
|
| 1977 |
I'LL FIND A WAY ▶ |
Beverly Shaffer |
26 min |
|
Color |
|
| 1977 |
Inside out |
H. Danelowitz |
10 |
16mm |
Color |
sound |
| 1977 |
I’ll Find A Way |
Beverly Shaffer |
12:00 |
|
Color |
|
| 1977 |
J.A. Martin Photographer ▶ |
Jean Beaudin |
100 min |
|
Color |
|
| 1977 |
La Menace |
Alain Corneau |
117 min |
|
Color |
|
| 1977 |
Man of marble. |
Andrzej Wajda |
157 min |
16mm |
Color |
sound |
| 1977 |
New York - New York |
Martin Scorsese |
155 min |
|
Color |
|
| 1977 |
Nine Months |
unknown |
88 min |
16mm |
|
sound |
| 1977 |
Number our days |
Direct Cinema |
29 |
16mm |
Color |
sound |
| 1977 |
Operation Thunderbolt |
The Pentagon |
14 min |
16mm |
Color |
sound |
| 1977 |
Padre padrone |
Almi/Krypton |
114 mi |
16mm |
Color |
sound |
| 1977 |
Shock Waves |
Gannett Broadcast Group |
85 min |
16mm |
Color |
sound |
| 1977 |
Silver Bears |
Columbia Picture Corp |
113 min |
16mm |
Color |
sound |
| 1977 |
Slap Shot |
Universal Pictures Co. Inc. |
119 min |
16mm |
Color |
sound |
| 1977 |
Sorcerer |
Universal Pictures Co. Inc. |
121 min |
16mm |
Color |
sound |
| 1977 |
Step style |
Choreometrics Project, Columbia University ; a Choreometric teaching film directed by Alan Lomax and Forrestine Paulay. |
29 |
16mm |
Color |
sound |
| 1977 |
Stroszek |
West Glen Communications |
108 min |
16mm |
Color |
sound |
| 1977 |
Tally Brown, New York |
R. von Praunheim |
90 |
16mm |
Color |
sound |
| 1977 |
The American friend |
New Yorker |
127 mi |
16mm |
Color |
sound |
| 1977 |
The American friend. |
Wim Wenders |
121 min |
16mm |
Color |
sound |
| 1977 |
The Innocent |
M-G-M Television |
60 min |
|
Color |
sound |
| 1977 |
The Last Round |
Gilbert Altschul Productions |
10 |
16mm |
Color |
|
| 1977 |
The Many adventures of Winnie the Pooh |
Wolfgang Reitherman, John Lounsbery |
74 min |
|
Color |
|
| 1977 |
The Rescuers |
Wolfgang Reitherman, John Lounsbery, Art Stevens |
76 min |
|
Color |
|
| 1977 |
The Sand castle |
Co Hoedeman |
14 min |
|
Color |
|
| 1977 |
THE SAND CASTLE ▶ |
Co Hoedeman |
14 min |
|
Color |
|
| 1977 |
The Stationmaster's Wife |
Teleculture Inc. |
201 min |
16mm |
Color |
sound |
| 1977 |
The Turning Point ▶ |
Herbert Ross |
119 min |
|
Color |
|
| 1977 |
The Witness |
unknown |
106 min |
16mm |
Color |
sound |
| 1977 |
Which Way Is Up |
Universal Pictures Co. Inc. |
|
16mm |
|
sound |
| 1977 |
You Light Up My Life |
Columbia Picture Corp |
90 min |
16mm |
Color |
sound |
| 1976 |
All the President's Men |
Alan J. Pakula |
138 min |
16mm |
Color |
|
| 1976 |
And they lived happily ever after |
José Luis García Sánchez |
92 min |
|
|
|
| 1976 |
Countdown At Kusini |
TAN International, Ltd |
101 min |
|
Color |
sound |