| 1983 |
SELF-DEFENSE |
Maura O'Connell, Paul Donovan |
84 min |
|
Color |
|
| 1983 |
Sugar Cane Alley |
New Yorker |
103 mi |
16mm |
Color |
sound |
| 1983 |
Tender mercies |
Bruce Beresford |
89 min |
|
Color |
|
| 1983 |
Two of a kind |
John Herzfeld |
84 min |
|
Color |
|
| 1983 |
When the mountains tremble |
New Yorker |
83 |
16mm |
Color |
sound |
| 1984 |
Bolero |
Pyramid |
104 min |
16mm |
Color |
sound |
| 1984 |
Bolero |
John Derek |
12:00 |
|
Color |
|
| 1984 |
Choosing children |
Cambridge Documentary Films |
45 |
16mm |
Color |
sound |
| 1984 |
Classic Creatures: Return of the Jedi ▶ |
Robert Guenette |
|
16mm |
|
sound |
| 1984 |
Der Schimmelreiter |
West Glen Communications |
96 min |
16mm |
|
sound |
| 1984 |
Gremlins |
Joe Dante |
106 min |
|
Color |
|
| 1984 |
Margaret Atwood: Once in August ▶ |
Michael Rubbo |
|
|
Color |
|
| 1984 |
Nineteen Eighty Four |
unknown |
113 min |
16mm |
Color |
sound |
| 1984 |
POLICE ACADEMY |
Hugh Wilson |
8:00 |
16mm |
Color |
silent |
| 1984 |
Splash |
Ron Howard |
12:00 |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
Splash |
Ron Howard |
111 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
The Frog prince |
Brian Gilbert |
90 min |
|
Color |
|
| 1984 |
The Times of Harvey Milk |
Cinecom |
87 |
16mm |
Color |
sound |
| 1984 |
The Times of Harvey Milk |
Rob Epstein |
90 min |
|
Color |
|
| 1984 |
Your Money Or Your Life |
New York |
94 min |
(14 min.) (14 min.) 3/4 in. |
|
sound |
| 1985 |
After hours. |
Martin Scorsese |
96 min |
16mm |
Color |
sound |
| 1985 |
Black Arrow |
John Hough |
60 min. |
16mm |
|
|
| 1985 |
Choosing children. |
Debra Chasnoff, Margaret Lazarus, Kim Klausner |
1550 |
16mm |
Color |
sound |
| 1985 |
Christopher Columbus ▶ |
National Geographic |
280 min |
16mm |
|
sound |
| 1985 |
Christopher Columbus |
Alberto Lattuada |
280 min |
|
|
|
| 1985 |
God's Country |
Youth Films Inc |
95 min |
16mm |
Color |
sound |
| 1985 |
Heaven help us! |
Michael Dinner |
99 min |
|
Color |
|
| 1985 |
Hold up!! |
Alexandre Arcady |
114 min |
|
Color |
|
| 1985 |
Mad Max: beyond thunderdome |
George Miller, George Ogilvie |
107 min |
|
Color |
|
| 1985 |
Tangos, the exile of Gardel |
New Yorker |
125 mi |
16mm |
Color |
sound |
| 1985 |
Tangos, the exile of Gardel. |
Fernando Solanas |
119 min |
16mm |
Color |
sound |
| 1985 |
The Goonies |
Richard Donner |
112 min |
|
Color |
|
| 1985 |
The Official story |
Almi-Cinema 5 |
112 mi |
16mm |
Color |
sound |
| 1985 |
The purple rose of Cairo |
Woody Allen |
82 min |
|
Color |
|
| 1985 |
Vagabond |
Agnès Varda |
100 min |
16mm |
Color |
|
| 1985 |
Vagabond |
Official Films Inc. |
800 ft. |
|
Color |
|
| 1985 |
Weekend Warriors ▶ |
Clarfield Gentile Theriault Zaharatos |
90 min |
|
Color |
|
| 1985 |
Witness |
Peter Weir |
112 min |
16mm |
Color |
|
| 1986 |
A Better tomorrow |
John Woo |
94 min |
|
Color |
|
| 1986 |
A Virus knows no morals |
First Run/Icarus |
82 |
16mm |
Color |
sound |
| 1986 |
CRITTERS |
Stephen Herek |
83 min |
|
Color |
|
| 1986 |
Down and out in Beverly Hills |
Paul Mazursky |
99 min |
|
Color |
|
| 1986 |
Flight of the navigator |
Randal Kleiser |
90 min |
|
Color |
|
| 1986 |
Gung ho |
Ron Howard |
112 min |
|
Color |
|
| 1986 |
Lion with a white mane. |
Jaromil Jireš |
127 min |
16mm |
Color |
sound |
| 1986 |
Mala Noche. |
Gus Van Sant |
2400 |
16mm |
Color & B&W |
sound |
| 1986 |
Murphy's law |
J. Lee Thompson |
100 min |
|
Color |
|
| 1986 |
Precious images |
Museum of Modern Art |
6 |
16mm |
Color & B&W |
sound |