| 1977 |
Sky bridges |
Greg Reading |
|
|
|
|
| 1977 |
Slap Shot |
Universal Pictures Co. Inc. |
119 min |
16mm |
Color |
sound |
| 1977 |
Small body of still water |
Dietmar Fill |
|
|
|
|
| 1977 |
Smoking: How to Stop |
Max Reid |
12:00 |
|
|
|
| 1977 |
Smoking: how to stop |
Max Reid |
|
|
|
|
| 1977 |
Soldier's Home ▶ |
Perspective Films |
|
16mm |
|
sound |
| 1977 |
Soldiers Of Freedom |
The Pentagon |
599 min |
16mm |
Color |
sound |
| 1977 |
Soldier’s Home |
Robert Young |
1600 |
|
|
|
| 1977 |
Solo basic |
Bill Mason |
|
|
|
|
| 1977 |
Sorcerer |
Universal Pictures Co. Inc. |
121 min |
16mm |
Color |
sound |
| 1977 |
Spaceborne |
univ of california regents |
14 min |
16mm |
Color |
sound |
| 1977 |
Spaceborne |
Pyramid Films |
17 |
16mm |
Color |
sound |
| 1977 |
Spaceborne |
Pyramid Films/ Berkeley Film Associates/ NASA |
800 ft. |
|
Color |
|
| 1977 |
Spaceborne |
Philip Dauber |
14 min |
|
Color |
|
| 1977 |
Spartree |
Mercury Pictures |
600 |
|
|
|
| 1977 |
Spartree |
Phillip Borsos |
|
|
|
|
| 1977 |
Spinnolio |
NATL. FILM BOARD OF CANADA |
10 |
16mm |
|
|
| 1977 |
Spinnolio |
John Weldon |
|
|
|
|
| 1977 |
Step style |
Choreometrics Project, Columbia University ; a Choreometric teaching film directed by Alan Lomax and Forrestine Paulay. |
29 |
16mm |
Color |
sound |
| 1977 |
Stonestreet: who killed the centerfold model? |
Russ Mayberry |
2600 |
16mm |
|
sound |
| 1977 |
Strangers at the door |
John Howe |
|
|
|
|
| 1977 |
Strega Nonna |
Gene Deitch |
|
|
|
|
| 1977 |
Strega Nonna |
Gene Deitch |
|
|
|
|
| 1977 |
Stroszek |
West Glen Communications |
108 min |
16mm |
Color |
sound |
| 1977 |
Surreal Estate |
1855 Beloit #6 |
87 min |
16mm |
|
sound |
| 1977 |
Suspiria |
SEDA Spettacoli, S.P.A |
98 min |
|
Color |
sound |
| 1977 |
Swami Shyam |
Chris Noonan |
|
|
|
|
| 1977 |
Swiss Graffiti |
Veuve (Jacqueline) and Renault (Monique) |
6 min |
16mm |
|
sound |
| 1977 |
Tail Gunner Joe |
Universal City Studios, Inc |
159 min |
|
Color |
sound |
| 1977 |
Take the cue train |
Brian Bergin |
|
|
|
|
| 1977 |
Talking about Belonging |
Philip Robertson |
|
|
|
|
| 1977 |
Talking shop: demands on language |
Karl McPhee |
|
|
|
|
| 1977 |
Tallest Tree in Our Forest Part 1 ▶ |
Gil Noble |
1600 |
|
Color |
|
| 1977 |
Tallest Tree in Our Forest Part 2 ▶ |
Gil Noble |
1600 |
|
Color |
|
| 1977 |
Tallest Tree in Our Forest Part 3 ▶ |
Gil Noble |
12:00 |
|
Color |
|
| 1977 |
Tally Brown, New York |
R. von Praunheim |
90 |
16mm |
Color |
sound |
| 1977 |
Teach me what? |
David E. Barrow |
|
|
|
|
| 1977 |
The 3,000 Mile Chase |
Universal |
106 min |
|
Color |
sound |
| 1977 |
The Absent-Minded Waiter |
The Aspen Film Society |
7 min |
|
Color |
sound |
| 1977 |
The American friend |
New Yorker |
127 mi |
16mm |
Color |
sound |
| 1977 |
The American friend. |
Wim Wenders |
121 min |
16mm |
Color |
sound |
| 1977 |
The Awaited Messiah |
Franco Zeffirelli |
|
|
|
|
| 1977 |
The Bad News Bears In Breaking Training |
Paramount Pictures Corporation |
100 min |
|
Color |
sound |
| 1977 |
The Balance sheet barrier: business finance for non-specialists |
Peter Robinson |
|
|
|
|
| 1977 |
The Bead Game ▶ |
National Film Board of Canada. |
6 |
16mm |
Color |
sound |
| 1977 |
The children of Theatre Street |
Corinth |
90 |
16mm |
Color |
sound |
| 1977 |
The Conductor. Pt. 1 |
Milton Ingerson |
|
|
|
|
| 1977 |
The Conductor. Pt. 2 |
Milton Ingerson |
|
|
|
|
| 1977 |
The Detour |
Phoenix Films Caroline Mouris |
13 |
16mm |
Color |
sound |
| 1977 |
The Divided Trail: A Native American Odyssey |
Jerry Aronson |
30 |
16mm |
Color |
|