| 1953 |
Topeka. |
Monogram Pictures Corp. |
69 min. |
35mm |
Color |
sound |
| 1953 |
Treasure Of The Golden Condor. |
Twentieth Century-Fox Film Corp |
93 min. |
35mm |
B&W |
sound |
| 1953 |
Tricky Dicks. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1953 |
Tropic Zone. |
Paramount Pictures Corp. |
94 min. |
35mm |
Color |
sound |
| 1953 |
Trouble in Store |
John Paddy Carstairs |
85 min. |
16mm |
B&W |
|
| 1953 |
Tumbleweed. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
Color |
sound |
| 1953 |
Twelfth Night. |
Yan Frid |
86 min |
16mm |
Color |
sound |
| 1953 |
Unglassed Windows Cast A Terrible Reflection |
Stan Brakhage |
|
16mm |
B&W |
sound |
| 1953 |
Up In Daisy’s Penthouse. |
Columbia Pictures Corp. |
17 min. |
35mm |
B&W |
sound |
| 1953 |
Venom And Eternity. |
Raymond Rohauer & Leon Vickman |
120 min |
16mm |
B&W |
sound |
| 1953 |
Vicki. |
Twentieth Century-Fox Film Corp |
9 reels |
35mm |
B&W |
sound |
| 1953 |
VICTORY AT SEA ▶ |
M. Clay Adams |
|
|
B&W |
|
| 1953 |
VICTORY AT SEA ▶ |
M. Clay Adams |
|
|
B&W |
|
| 1953 |
Vigilante Terror. |
Allied Artists Monogram Pictures Corp. |
70 min. |
35mm |
B&W |
sound |
| 1953 |
Walking My Baby Back Home. |
Universal Pictures Co. Inc. |
95 min. |
35mm |
Color |
sound |
| 1953 |
We The Women ▶ |
CBS News. |
35 30 |
16mm |
Color |
sound |
| 1953 |
Weatherwise |
Bern Gandy |
|
|
|
|
| 1953 |
White Mane ▶ |
fi |
40 min. |
16mm |
B&W |
sound |
| 1953 |
White Witch Doctor. |
Twentieth Century-Fox Film Corp |
95 min. |
35mm |
Color |
sound |
| 1953 |
Wings Of The Hawk. |
Universal Pictures Co. Inc. |
81 min. |
35mm |
Color |
sound |
| 1953 |
Winning Of The West. |
Gene Autry Productions |
57 min. |
35mm |
Color |
sound |
| 1953 |
Working For Peanuts. |
Walt Disney Productions. |
1 reel |
35mm |
Color |
sound |
| 1953 |
World without end |
Producer, Basil Wright ; words, Rex Warner ; directed by, Paul Rotha in Mexico, Basil Wright in Thailand. |
60 |
16mm |
B&W |
sound |
| 1953 |
Zipping Along |
Ideal Pictures Inc |
7 min |
16mm |
|
sound |
| 1952 |
[Okinawa] |
Leigh Jason |
67 min |
|
B&W |
|
| 1952 |
[The importance of being earnest--excerpt. Discussion of marriage proposals] |
written and directed by Anthony Asquith. |
10 |
16mm |
Color |
sound |
| 1952 |
A Communications Primer |
Classroom Film Distributors |
0:22:00 |
16mm |
Color |
sound |
| 1952 |
A Phantasy ▶ |
Norman McLaren; National Film Board of Canada |
8 min |
16mm |
Color |
sound |
| 1952 |
A Yank in Indo-China. |
Columbia Pictures Corp. |
67 min. |
35mm |
B&W |
sound |
| 1952 |
About Face. |
Warner Bros. Pictures Inc. |
94 min. |
35mm |
Color |
sound |
| 1952 |
Aeradio: the pilot's link to the ground |
John Martin-Jones |
|
|
|
|
| 1952 |
African Treasure. |
Monogram Pictures Corp. |
70 min. |
35mm |
B&W |
sound |
| 1952 |
Against All Flags. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
Color |
sound |
| 1952 |
Aladdin And His Lamp. |
Monogram Pictures Corp. |
66 min. |
35mm |
Color |
sound |
| 1952 |
All my babies |
Museum of Modern Art |
54 |
16mm |
B&W |
sound |
| 1952 |
Andalusia. |
Luis Lucia Mingarro, Robert Vernay |
325 |
16mm |
|
sound |
| 1952 |
Apache Country. |
Gene Autry Productions |
62 min. |
35mm |
B&W |
sound |
| 1952 |
April In Paris. |
Warner Bros. Pictures Inc. |
101 min |
35mm |
Color |
sound |
| 1952 |
Army Bound. |
Monogram Pictures Corp. |
61 min. |
35mm |
B&W |
sound |
| 1952 |
Artists must live |
John Read |
|
|
|
|
| 1952 |
At whose door |
Max Anderson |
|
|
|
|
| 1952 |
Australian diary. No. 052 |
Jack S. Allan |
|
|
|
|
| 1952 |
Australian diary. No. 053 |
Jack S. Allan |
|
|
|
|
| 1952 |
Australian diary. No. 054 |
Jack S. Allan |
|
|
|
|
| 1952 |
Australian diary. No. 055 |
Jack S. Allan |
|
|
|
|
| 1952 |
Australian diary. No. 056 |
Jack S. Allan |
|
|
|
|
| 1952 |
Australian diary. No. 058 |
Jack S. Allan |
|
|
|
|
| 1952 |
Australian diary. No. 059 |
Jack S. Allan |
|
|
|
|
| 1952 |
Australian diary. No. 061 |
Jack S. Allan |
|
|
|
|
| 1952 |
Bal Tabarin. |
Republic Pictures Corp |
84 min. |
35mm |
B&W |
sound |