| 1983 |
Born in flames |
FIRST RUN FEATURES |
90 |
16mm |
Color |
sound |
| 1983 |
Bound for Botany Bay |
John Dollar |
|
|
|
|
| 1983 |
Boys and Girls |
Atlantis Films. |
936 ft. |
|
Color |
|
| 1983 |
Burt Dow, deep-water man |
Vaclav Bedrich |
|
|
|
|
| 1983 |
Burt Dow: Deep Water Man |
Weston Woods |
10 min. |
16mm |
Color |
sound |
| 1983 |
Bush Christmas |
Henri Safran |
91 min |
|
Color |
|
| 1983 |
Cambium / |
a film by Michael Emery. |
3 |
16mm |
B&W |
sound |
| 1983 |
Captive Minds: Hypnosis and Beyond ▶ |
National Film Board of Canada. |
|
16mm |
|
sound |
| 1983 |
Captive minds: hypnosis and beyond |
Pierre Lasry |
|
|
|
|
| 1983 |
Cass: no saucepan diver |
Wayne Barker |
|
|
|
|
| 1983 |
Chemical bonding and atomic structure. - 2nd ed. |
Mel Waskin |
|
|
|
|
| 1983 |
Circles of learning |
Patricia Roy |
|
|
|
|
| 1983 |
Class project: the garbage movie |
Martin Defalco |
|
|
|
|
| 1983 |
Classic creatures: return of the Jedi |
Films inc. |
:48 |
16mm |
Color |
sound |
| 1983 |
Daisy: The Story of a Facelift ▶ |
National Film Board of Canada. |
|
16mm |
|
sound |
| 1983 |
Daisy: the story of a facelift |
Michael Rubbo |
|
|
|
|
| 1983 |
Danton |
SWANK |
136 mi |
16mm |
Color |
sound |
| 1983 |
Deadly Force |
HOUND DOG FILMS PO BOX 22251 SAN FRANCISCO CA 94122 |
94 min |
16mm |
Color |
sound |
| 1983 |
Death Valley |
Kaw Valley Films Inc |
26 |
16mm |
Color |
|
| 1983 |
Destination: science |
Fern Field |
|
|
|
|
| 1983 |
Electric Boogie |
Green Room Productions |
30 |
16mm |
Color |
sound |
| 1983 |
Electric Boogie |
Freke Vuijst |
1200 ft. |
|
|
|
| 1983 |
Enormous Changes At The Last Minute |
Teleculture Inc. |
104 min |
16mm |
|
sound |
| 1983 |
Everyday everynight |
Kathy Mueller |
|
|
|
|
| 1983 |
Fabulous fifties |
Don McLennan |
|
|
|
|
| 1983 |
Feeling yes, feeling no. Parts 1, 2 and 3 |
Moira Simpson |
|
|
|
|
| 1983 |
Fellow Citizen |
Abbas Kiarostami |
12:00 |
|
|
|
| 1983 |
Five famous beaches |
/ Sal Giammona. |
2 |
16mm |
Color |
sound |
| 1983 |
Flamenco at 5:15 ▶ |
Direct Cinema Ltd. |
30 |
16mm |
Color |
sound |
| 1983 |
Fort Apache, The Bronx |
Time-Life Video Distribution Center |
125 min |
16mm |
Color |
sound |
| 1983 |
Fossils: Clues to the Past |
Willis Briley |
|
|
|
|
| 1983 |
Fossils: clues to the past |
Willis Briley |
|
|
|
|
| 1983 |
Getting Physically Fit |
Disney |
|
16mm |
|
sound |
| 1983 |
Getting physically fit |
Richard Miner |
|
|
|
|
| 1983 |
GODS OF METAL |
Maryknoll World Films |
|
16mm |
|
sound |
| 1983 |
Gore Vidal, the man who said no. |
Gary Conklin |
|
16mm |
|
sound |
| 1983 |
He Makes Me Feel Like Dancin' ▶ |
D'Amboise Jacques 1934- |
60 min |
16mm |
Color |
sound |
| 1983 |
Heads 'n' tails |
Jane Oehr |
|
|
|
|
| 1983 |
Hellfire |
Direct Cinema |
27 |
16mm |
Color |
sound |
| 1983 |
High country. |
The New Zealand Nation Film Unit |
5:10 |
16mm |
|
sound |
| 1983 |
Highland winter |
Roger Scholes |
|
|
|
|
| 1983 |
Hitting a brick wall |
James Ricketson |
|
|
|
|
| 1983 |
How to Be a Perfect Person in Just Three Days ▶ |
Learning Corporation of America |
|
16mm |
|
sound |
| 1983 |
I Want To Be An Engineer ▶ |
National Film Board of Canada. |
12:00 |
|
|
|
| 1983 |
Improper conduct |
New Yorker |
115 mi |
16mm |
Color |
sound |
| 1983 |
In the nuclear shadow: what can the children tell us? |
Eric Thiermann |
|
16mm |
Color |
sound |
| 1983 |
Jan Amos Comenius. |
Barrandov Film Studios |
150 min |
16mm |
|
sound |
| 1983 |
Joe's Bed-Stuy barbershop: we cut heads |
FIRST RUN FEATURES |
60 |
16mm |
Color |
sound |
| 1983 |
Le Bal |
Almi-Cinema 5 |
112 mi |
16mm |
Color |
sound |
| 1983 |
Liao Zhongkai: a close friend of Sun Yat-sen |
Tang Xiaodan |
113 min |
|
Color |
|