| 1985 |
Anne of Green Gables: the sequel |
Direct Cinema |
230 mi |
16mm |
Color |
sound |
| 1985 |
Around the Soviet Union |
: In memory of Samantha / Central Documentary Film Studios, Moscow ; commissioned by the Union of Soviet Societies for Friendship and Cultural Relations with Foreign Countries ; directed by Nina Solovieva. |
18 |
16mm |
Color |
sound |
| 1985 |
Bearings |
Sue Brooks |
|
|
|
|
| 1985 |
Black Arrow |
John Hough |
60 min. |
16mm |
|
|
| 1985 |
Broken rainbow. |
Victoria Mudd |
2075 |
16mm |
Color |
sound |
| 1985 |
Camera natura |
Ross Gibson |
|
|
|
|
| 1985 |
CASABLANCA. Casablanca. |
Warner Bros. Pictures Inc. |
109 min |
16mm |
B&W |
sound |
| 1985 |
Choosing children. |
Debra Chasnoff, Margaret Lazarus, Kim Klausner |
1550 |
16mm |
Color |
sound |
| 1985 |
Christopher Columbus ▶ |
National Geographic |
280 min |
16mm |
|
sound |
| 1985 |
Christopher Columbus |
Alberto Lattuada |
280 min |
|
|
|
| 1985 |
Class of promise |
Barbara Sears |
|
|
|
|
| 1985 |
Contrary warriors, a story of the Crow tribe |
Direct Cinema Ltd. |
60 |
16mm |
Color |
sound |
| 1985 |
Count to ten |
Oscar Barney Finn |
100 min |
|
Color |
|
| 1985 |
Cowgirls |
Direct Cinema |
29 |
16mm |
Color |
sound |
| 1985 |
Crime of Innocence |
Michael Miller |
12:00 |
|
|
|
| 1985 |
Critical choice |
Gary Toole |
|
|
|
|
| 1985 |
Dealer’s Choice |
Day and Night Manufacturing Co. |
1200 ft. |
|
|
|
| 1985 |
Delegating |
Peter Jordan |
|
|
|
|
| 1985 |
Empty quarter. |
Raymond Depardon |
87 min |
16mm |
|
sound |
| 1985 |
Even cowboys |
Noellie Taylor |
|
|
|
|
| 1985 |
Faces of women |
New Yorker |
105 mi |
16mm |
Color |
sound |
| 1985 |
Faces of women. |
Desiré Ecaré |
105 min |
16mm |
Color |
sound |
| 1985 |
Forest of bliss |
Arthur Cantor |
90 |
16mm |
Color |
sound |
| 1985 |
God's Country |
Youth Films Inc |
95 min |
16mm |
Color |
sound |
| 1985 |
Goodbye, New York |
Teleculture Inc. |
89 min |
16mm |
|
sound |
| 1985 |
Hackers : Wizards of The Electronic Age. |
Fabrice Florin |
|
|
|
|
| 1985 |
Half life: a parable of the nuclear age |
Direct Cinema |
86 |
16mm |
Color |
sound |
| 1985 |
Hansel and Gretel |
Coronet Film and Video |
17 |
16mm |
Color |
|
| 1985 |
Happy birthday, moon |
Weston Woods presents ; produced by DMI Productions for Weston Woods ; executive producer, Morton Schindel ; produced by Paul Gagne ; directed and animated by Daniel Ivanick. |
7 |
16mm |
Color |
sound |
| 1985 |
Having a go: a look at small business in Australia |
Richard Cassidy |
|
|
|
|
| 1985 |
He Makes Me Feel Like Dancin' |
direct |
38 min. |
16mm |
Color |
sound |
| 1985 |
Heaven help us! |
Michael Dinner |
99 min |
|
Color |
|
| 1985 |
Hold up!! |
Alexandre Arcady |
114 min |
|
Color |
|
| 1985 |
Home of the brave. |
Republic Pictures Corporation |
1750 |
16mm |
|
sound |
| 1985 |
Huey Long |
Ken Burns |
88 min |
|
Color |
|
| 1985 |
I can do it!: Judi Wineland |
Direct Cinema |
20 |
16mm |
Color |
sound |
| 1985 |
I own the racecourse |
Stephen Ramsey |
|
|
|
|
| 1985 |
If you want a girl like me |
Susan Huycke |
|
|
|
|
| 1985 |
In her own time |
Direct Cinema |
60 |
16mm |
Color |
sound |
| 1985 |
Jane Eyre Part 2 |
Julian Amyes |
1600 |
|
|
|
| 1985 |
Joey Runs Away |
Daniel Ivanick |
|
|
|
|
| 1985 |
Joey runs away |
Daniel Ivanick |
|
|
|
|
| 1985 |
Left Out |
NFBC |
|
16mm |
|
sound |
| 1985 |
Left out |
Jim Purdy |
|
|
|
|
| 1985 |
Life In The Desert |
Robert Raymond |
|
16mm |
|
sound |
| 1985 |
Mad Max: beyond thunderdome |
George Miller, George Ogilvie |
107 min |
|
Color |
|
| 1985 |
Molly's Pilgrim |
Jeffrey D. Brown |
24 min |
|
Color |
|
| 1985 |
Molly’s Pilgrim |
Phoenix Films |
600 ft. |
|
Color |
|
| 1985 |
Mongrel's funeral |
Peter Maguire |
|
|
|
|
| 1985 |
Mortimer Griffin And Shalinsky |
beacon |
26 min. |
16mm |
Color |
sound |