| 1965 |
LOVE AND KISSES. |
Universal Pictures Co. Inc. |
30 min. |
35mm |
Color |
sound |
| 1965 |
Loving couples |
direction, Mai Zetterling. |
113 |
16mm |
B&W |
sound |
| 1965 |
Male Companion. |
Twentieth Century-Fox Film Corp |
92 min |
35mm |
Color |
sound |
| 1965 |
Manushulu Mamathalu |
Kotayya Pratyagatma |
|
|
|
|
| 1965 |
Marketing Games |
Michigan State University, Film Production, Instructional Media Center, East Lansing, Michigan |
10 min |
|
B&W |
|
| 1965 |
Mayhem on A Sunday Afternoon |
William Friedkin |
|
|
Color |
|
| 1965 |
Mchale's Navy Joins The Air Force. |
Universal Pictures Co. Inc. |
|
35mm |
Color |
sound |
| 1965 |
Memória do Cangaço |
pesquisa, estrutura e direção, Paulo Gil Soares. |
26 |
16mm |
B&W |
sound |
| 1965 |
Mentally handicapped children growing up |
Alex Strasser |
|
|
|
|
| 1965 |
Michigan Reports: 1964-1965 |
University of Michigan, Television Center and Film Unit, Audio-Visual Education Center, Ann Arbor, Michigan |
2 min |
|
Color |
|
| 1965 |
Mid-term Grade |
Iowa State University, Film Production Unit, Ames, Iowa |
12 min |
|
B&W |
|
| 1965 |
Mine shaft sinking |
Jack Howells |
|
|
|
|
| 1965 |
Miss Television USA. |
California sponsored by TWA ; a Wolper production ; executive producer, David L. Wolper ; associate producer, Ralph Riskin ; produced by Alan Handley, Bob Wynn ; written by beverly Bailis Karp ; directed by Alan Handley. |
36 |
16mm |
B&W |
sound |
| 1965 |
More homes for more people |
Anthony Short |
|
|
|
|
| 1965 |
Morituri. |
Arcola-Colony Productions Inc. & Twentieth Century-Fox Film Corp. |
118 min |
35mm |
B&W |
sound |
| 1965 |
Morphology Of The Shark. |
Ohio State University |
8 min |
16mm |
Color |
sound |
| 1965 |
Murieta. |
Warner Bros. Pictures Inc. |
107 min |
35mm |
Color |
sound |
| 1965 |
My Blood Runs Cold. |
Warner Bros. Pictures Inc. |
104 min |
35mm |
B&W |
sound |
| 1965 |
My Three Sons |
Charley and the kid ABC ; a Don Fedderson production ; executive producer, Don Fedderson ; produced by Edmund Hartmann ; directed by James V. Kern ; teleplay by George Tibbles. |
29 |
16mm |
B&W |
sound |
| 1965 |
Not On Your Life |
Contemporary Films |
95 min |
16mm |
B&W |
sound |
| 1965 |
Not Reconciled |
New Yorker Films |
53 min |
16mm |
B&W |
sound |
| 1965 |
Nullarbor Hideout |
Australia Consulate-General |
|
16mm |
|
sound |
| 1965 |
Nullarbor hideout |
Tim Burstall |
|
|
|
|
| 1965 |
Obchod na korze |
= Shop on main street / Barrandov Film Studio for Československý Film ; presented by Marie Desmarais, Eurofilm Ltd. ; head of production, Ladislav Hanuš ; screenplay by Ladislav Grosman, Ján Kadár and Elmar Klos ; directed by Ján Kadár and Elmar Klos. |
128 |
16mm |
B&W |
sound |
| 1965 |
Oh Dem Watermelons |
Amer Federation Of Arts |
|
16mm |
|
sound |
| 1965 |
Oh, dem watermelons |
Serious Business |
10 |
16mm |
Color |
sound |
| 1965 |
Ollero Yucateco (Yucatán Potter) |
University of Illinois, Motion Picture Service, Champaign, Illinois |
25 min |
|
Color |
|
| 1965 |
On the Threshold of Greatness |
Michigan State University, Film Production, Instructional Media Center, East Lansing, Michigan |
2 min |
|
B&W |
|
| 1965 |
One Of Our Spies Is Missing |
Metro-Goldwyn-Mayer |
91 min |
|
Color |
sound |
| 1965 |
One Of Them Is Brett |
10019 Derrick Knight And Partners |
|
16mm |
|
sound |
| 1965 |
One Of Them Is Brett |
Society For The Aid Of Thalidomide Children |
12:00 |
|
|
|
| 1965 |
One of them is Brett |
Roger Graef |
|
|
|
|
| 1965 |
One Spy Too Many |
Metro-Goldwyn-Mayer |
101 min |
|
Color |
sound |
| 1965 |
Operation Crossbow |
Collectors Book Store |
1:16 |
16mm |
Color |
sound |
| 1965 |
Our Man Flint. |
Twentieth Century-Fox Film Corp |
108 min |
35mm |
Color |
sound |
| 1965 |
Out shopping |
Eric Marquis |
|
|
|
|
| 1965 |
Painting people |
Tim Burstall |
|
|
|
|
| 1965 |
Paul Tortelier: the cello. Part 1 |
Muir Mathieson |
|
|
|
|
| 1965 |
Paul Tortelier: the cello. Part 2 |
Muir Mathieson |
|
|
|
|
| 1965 |
Peninsular pioneers |
John Kingsford-Smith |
|
|
|
|
| 1965 |
People make papers |
Fred Schepisi |
|
|
|
|
| 1965 |
Peyton Place. |
Episode no. 98 / Twentieth Century Fox Television ; executive producer, Paul Monash ; produced by Felix Feist ; directed by Walter Doniger ; written by Peggy Shaw and Lee Erwin. |
22 |
16mm |
B&W |
sound |
| 1965 |
Photography: the incisive art |
Richard Moore |
|
|
|
|
| 1965 |
Physics and chemistry of water |
Sarah Erulkar |
|
|
|
|
| 1965 |
Pickled Pink. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1965 |
Pictures of France: Roussillon |
Max Sautet |
|
|
|
|
| 1965 |
Pierrot Le Fou |
Contemporary Films |
110 min |
16mm |
Color |
sound |
| 1965 |
Pink Ice. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1965 |
Pink Panzer. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1965 |
Pinkfinger. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |