| 1969 |
TWO GENTLEMEN SHARING. |
American International Productions (England) Ltd. |
|
35 mm |
|
sound |
| 1969 |
Understanding the car |
John Edwards |
|
|
|
|
| 1969 |
Une Bombe Par Hasard ▶ |
Alrand Pierre music |
8 min |
16mm |
|
sound |
| 1969 |
Une Bombe par hasard |
Jean-François Laguionie |
8 min |
|
|
|
| 1969 |
Up Against The System |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1969 |
Up against the system |
Terence Macartney-Filgate |
|
|
|
|
| 1969 |
Up is Down |
Goldsholl (Morton) Design Associates Northfield Ill. |
|
|
|
|
| 1969 |
Up is down |
Millie Goldsholl |
|
|
|
|
| 1969 |
Vote For Brady |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1969 |
Vtr St Jacques |
Natl Film Board Of Canada |
26 min |
16mm |
|
sound |
| 1969 |
VTR St-Jacques |
Bonnie Sherr Klein |
26 min |
|
|
|
| 1969 |
Walls Of Fire |
Mentor Productions |
80 min |
16mm |
Color |
sound |
| 1969 |
Water polo: skills |
Peter Boulton |
|
|
|
|
| 1969 |
Water polo: training practices |
Peter Boulton |
|
|
|
|
| 1969 |
What In The World Is Water |
Natl Film Board Of Canada |
|
16mm |
|
sound |
| 1969 |
What is the big complaint? |
Salvatore Greco |
|
|
|
|
| 1969 |
What should I do: the fight |
Les Clark |
|
|
|
|
| 1969 |
What should I do: the lunch money |
Les Clark |
|
|
|
|
| 1969 |
What should I do?: new girl |
Les Clark |
|
|
|
|
| 1969 |
Wheel On The Chimney ▶ |
Weston Woods |
|
16mm |
|
sound |
| 1969 |
Wheel On The Chimney |
Weston Woods |
7 |
16mm |
|
|
| 1969 |
Wheel on the chimney |
Cynthia Freitag |
|
|
|
|
| 1969 |
Where it's at! |
Garson Kanin |
|
|
Color |
|
| 1969 |
Where's Jack? |
Oakhurst Productions |
120 min |
16mm |
Color |
sound |
| 1969 |
Whom Gods Destroy |
Norway Corporation |
60 min |
|
Color |
sound |
| 1969 |
Why Does Herr R Run Amok |
unknown |
84 min |
16mm |
Color |
sound |
| 1969 |
Wild September snow |
John King |
|
|
|
|
| 1969 |
Winning |
James Goldstone |
123 min |
|
Color |
|
| 1969 |
WINNING. |
Universal Pictures & Newman-Foreman Co. Inc. |
123 min |
35 mm |
Color |
sound |
| 1969 |
Woody's Knight Mare |
Universal Pictures |
1 reel |
|
Color |
sound |
| 1969 |
You're Lying |
Grove Press-Cinema 16 Film Lib |
107 min |
16mm |
B&W |
sound |
| 1969 |
ZUCKERKANDL! |
John Hubley |
|
16mm |
|
sound |
| 1968 |
100 Rifles. |
Twentieth Century-Fox Film Corp |
110 min |
35mm |
Color |
sound |
| 1968 |
2001 : a space odyssey |
Metro-Goldwyn-Mayer Inc. |
143 mi |
35mm |
Color |
sound |
| 1968 |
30 Is A Dangerous Age, Cynthia. |
Walter Shenson Films Ltd. |
|
35mm |
Color |
sound |
| 1968 |
5 Card Stud. |
Paramount Pictures Corp. Hal B. Wallis & Joseph H. Hazen |
103 min |
35mm |
Color |
sound |
| 1968 |
[Commercials. Lipton Soup. Zoopman] |
directed by Bob Kurtz. |
1 |
16mm |
Color |
sound |
| 1968 |
[Execution]. |
Domenico Paolella |
2:00 |
16mm |
Color |
silent |
| 1968 |
[Public service announcements. Coastguard. Joe and Petunia] |
directed by Nicholas Spargo. |
2 |
16mm |
Color |
sound |
| 1968 |
A Bridge in music |
Muir Mathieson |
|
|
|
|
| 1968 |
A Continuing Responsibility ▶ |
Challenge for Change/Société Nouvelle |
1600 |
16mm |
|
sound |
| 1968 |
A Few Notes On Our Food Problem |
U S Information Agency Blue James |
36 min |
16mm |
|
sound |
| 1968 |
A FLEA IN HER EAR. |
Twentieth Century-Fox Film Corp |
|
35mm |
Color |
sound |
| 1968 |
A Lad In Bagdad |
Universal Pictures |
1 reel |
|
Color |
sound |
| 1968 |
A Lovely Way To Die. |
Universal Pictures |
103 min |
35mm |
Color |
sound |
| 1968 |
A Man Called Gannon |
Universal Pictures |
106 min |
|
Color |
sound |
| 1968 |
A Minute To Pray, A Second To Die |
Selmur Pictures Corporation |
100 min |
|
Color |
sound |
| 1968 |
A Place Called Mooroopna |
John Richardson |
|
|
|
|
| 1968 |
A Place For Lovers. |
Metro-Goldwyn-Mayer Inc. |
88 min |
35mm |
Color |
sound |
| 1968 |
A Private Little War |
Norway Corporation |
60 min |
|
Color |
sound |