| 1972 |
We Call Them Killers |
Natl Film Board Of Canada |
16 |
16mm |
Color |
sound |
| 1972 |
We Call Them Killers |
Tom Shandel |
600 |
|
|
|
| 1972 |
We call them killers |
Tom Shandel |
|
|
|
|
| 1972 |
We Can Do It |
ENCYCLOPEDIA BRITANNICA EDUCATIONAL CORP |
|
16mm |
|
sound |
| 1972 |
Welcome Home Soldier Boys |
Marvin Schwartz Productions |
94 min |
|
Color |
sound |
| 1972 |
Welcome Home, Johnny Bristol |
George McCowan |
120 min |
|
Color |
sound |
| 1972 |
Where The Bullets Fly |
Ideal Pictures Inc |
96 min |
16mm |
Color |
sound |
| 1972 |
Whether To Tell The Truth |
Learning Corporation of America |
|
16mm |
|
sound |
| 1972 |
Whether To Tell The Truth |
Learning Corporation of America |
16 |
16mm |
|
|
| 1972 |
Whether to tell the truth |
Elia Kazan |
|
|
|
|
| 1972 |
Who Cares Anyway? |
Lynx Film Production |
27 |
16mm |
Color |
sound |
| 1972 |
Who cares anyway? |
Ron Tanner |
|
|
|
|
| 1972 |
Who's handicapped |
Nigel Evans |
|
|
|
|
| 1972 |
Wingate, I love you |
C B Wismar |
|
|
|
|
| 1972 |
Wm Bligh |
John Croyston |
|
|
|
|
| 1972 |
Women In Chains |
Paramount Television |
74 min |
|
Color |
sound |
| 1972 |
Young People |
Chang Cheh |
|
|
Color |
|
| 1972 |
Young Winston |
Columbia Pictures Industries |
150 min |
|
Color |
sound |
| 1972 |
Your new job |
Quentin Masters |
|
|
|
|
| 1971 |
[Cibernetik 5.3] |
filmmaker, John Stehura. |
7 |
16mm |
Color |
sound |
| 1971 |
[Sesame Street. |
Unidentified episode. 3 Imagination, Inc., San Francisco. |
1 |
16mm |
Color |
sound |
| 1971 |
[Sesame Street. |
Unidentified episode--excerpt. Infinity-- That's about the size of it Imagination, Inc., San Francisco; directed by Bud Luckey. |
2 |
16mm |
Color |
sound |
| 1971 |
[Spotlight] |
directed by Sadao Tsukioka. |
3 |
16mm |
Color |
sound |
| 1971 |
[What Is A ____?] |
Educational Direction |
6 filmstrips |
Filmstrip |
Color |
|
| 1971 |
A Fly In The Pink |
Mirisch-Geoffrey-DePatie-Freleng |
7 min |
|
Color |
sound |
| 1971 |
A Howling In The Woods |
Universal City Studios |
106 min |
|
Color |
sound |
| 1971 |
A Little Game |
A Universal Studios production. Distributor: MCA-TV |
80 min |
|
Color |
sound |
| 1971 |
A Man Called Sledge |
Dino de Laurentiis Cinematografica |
90 min |
|
Color |
sound |
| 1971 |
A Picture For Harold's Room ▶ |
Weston Woods Studios Institutional Media Inst |
6 |
16mm |
Color |
sound |
| 1971 |
A Picture for Harold's room |
Gene Deitch |
|
|
|
|
| 1971 |
A Picture for Harold’s Room |
Gene Deitch |
|
|
|
|
| 1971 |
A Safe place |
Henry Jaglom |
94 min |
|
Color |
|
| 1971 |
A Step Out Of Line |
Cinema Center Films |
120 min |
|
Color |
sound |
| 1971 |
A Talent For Tony |
Franciscan Communications Center |
|
16mm |
|
sound |
| 1971 |
A Touch of Zen |
King Hu |
200 min |
|
Color |
|
| 1971 |
Activity sampling: a training film |
David Stevens |
|
|
|
|
| 1971 |
Adventures in perception |
Han van Gelder |
|
|
|
|
| 1971 |
Albert Camus: A Self-Portrait |
Learning Corporation of America |
|
16mm |
|
sound |
| 1971 |
Albert Camus: a self-portrait |
Georges Rouquier |
|
|
|
|
| 1971 |
Alice’S September Song |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1971 |
An Introduction To Evolution |
Educational Direction |
6 filmstrips |
Filmstrip |
Color |
|
| 1971 |
An Introduction To Genetics |
Educational Direction |
6 filmstrips |
Filmstrip |
Color |
|
| 1971 |
And Now A Word From Our Sponsor |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1971 |
And Now For Something Completely Different |
Python Productions |
88 min |
|
Color |
sound |
| 1971 |
Animated painting |
a film by Jeff Wein. |
4 |
16mm |
Color |
sound |
| 1971 |
Anxious automation |
directed by Richard Serra. |
5 |
16mm |
B&W |
sound |
| 1971 |
Art, People, Feelings ▶ |
Paul Burnford Film Productions |
600 ft. |
16mm/video file |
Color |
sound |
| 1971 |
Assault On The Wayne |
Paramount Television |
74 min |
|
Color |
sound |
| 1971 |
At long last |
John Ralph |
|
|
|
|
| 1971 |
Atomic juggernaut |
Eugene Boyko |
|
|
|
|