| 1994 |
Trial By Jury |
Indiana University Audio-Visual Center: Distributor | University of Washington School of Law: Distributor |
0:31:28 |
16mm |
B&W |
sound |
| 1994 |
When a man loves a woman |
Luis Mandoki |
120 min |
|
Color |
|
| 1994 |
Which way is east |
Canyon Cinema |
33 |
16mm |
Color |
sound |
| 1994 |
WHISPERS |
Teaching Film Custodians, Inc |
10 min |
16mm |
Color |
Sound |
| 1994 |
Without Consent |
Pyramid |
|
16mm |
|
sound |
| 1995 |
731 |
Universal Pictures Co. Inc. |
1 reel |
35mm |
|
sound |
| 1995 |
A Little princess |
Alfonso Cuarón |
97 min |
|
Color |
|
| 1995 |
And Baby Makes Two |
Lesli Linka Glatter |
12:00 |
|
|
|
| 1995 |
Big boys don't cry |
Sigve Endresen |
105 min |
|
|
|
| 1995 |
Catherine the Great |
Marvin J. Chomsky |
180 min |
16mm |
|
sound |
| 1995 |
Clockers |
Spike Lee |
128 min |
|
Color |
|
| 1995 |
Crimson tide |
Tony Scott |
111 min |
|
Color |
|
| 1995 |
Cry the Beloved Country |
Darrell Roodt |
106 min |
16mm |
|
|
| 1995 |
Eggs |
Bent Hamer |
86 min |
|
|
|
| 1995 |
Father of the bride. Part II |
Charles Shyer |
101 min |
|
Color |
|
| 1995 |
Free Willy 2: the adventure home |
Dwight H. Little |
95 min |
|
Color |
|
| 1995 |
Graphing Linear Equations |
Carla Cody Weaver |
|
|
|
|
| 1995 |
Hackers |
KQED |
27 |
16mm |
Color |
sound |
| 1995 |
Heads and tails |
Georgiy Daneliya |
83 min |
|
Color |
|
| 1995 |
HEADS AND TAILS |
Georgiy Daneliya |
83 min |
|
Color |
|
| 1995 |
Home Movies |
Darren Doane |
12:00 |
|
Color |
|
| 1995 |
It Takes Two |
Price Vowell Associates |
97 min |
16mm |
Color |
sound |
| 1995 |
Little Red Riding Hood ▶ |
Toshi Hiruma |
49 min |
|
Color |
|
| 1995 |
Miami rhapsody |
David Frankel |
112 min |
|
Color |
|
| 1995 |
Moving the mountain |
Michael Apted |
83 |
16mm |
Color & B&W |
sound |
| 1995 |
Operation dumbo drop |
Simon Wincer |
108 min |
|
Color |
|
| 1995 |
Penguins off the page |
John Rowdon |
|
|
|
|
| 1995 |
Phantasmagoria |
Oplinger Curtis |
|
16mm |
|
sound |
| 1995 |
Pocahontas |
Eric Goldberg, Mike Gabriel |
81 min |
|
Color |
|
| 1995 |
Pride and prejudice |
Simon Langton |
55 min |
|
Color |
|
| 1995 |
Pride and prejudice |
Simon Langton |
55 min |
|
Color |
|
| 1995 |
Shock |
National Audio-Visual Center (NAVC) |
|
|
Color |
|
| 1995 |
The Cure |
Mutual Film Corp |
24 |
16mm |
Color |
sound |
| 1995 |
The Mail |
Laila Pakalniņa |
400 ft. |
16mm |
B&W |
Sound & Silent |
| 1995 |
The Secret sharer |
Thomas Schlamme |
|
|
|
|
| 1995 |
The Surgeon |
Amer College Of Surgeons |
|
16mm |
|
sound |
| 1995 |
The Written Face |
Daniel Schmid |
90 |
16mm |
Color |
|
| 1995 |
Things to do in Denver when you're dead |
Gary Fleder |
112 min |
|
Color |
|
| 1995 |
To die for |
Gus Van Sant |
102 min |
|
Color |
|
| 1995 |
Underground |
United World Films Kinetic Division / Division Of Universal City Studios Inc |
163 min |
16mm |
Color |
sound |
| 1995 |
While you were sleeping |
Jon Turteltaub |
103 min |
|
Color |
|
| 1996 |
Before And After ▶ |
to be added |
103 min |
16mm |
Color |
sound |
| 1996 |
Buckminster Fuller: thinking out loud. |
Karen Goodman |
3250 |
16mm |
|
sound |
| 1996 |
Carried away |
Bruno Barreto |
109 min |
|
Color |
|
| 1996 |
Chain Reaction ▶ |
Handy (Jam) Organization |
106 min |
16mm |
Color |
sound |
| 1996 |
Chain reaction |
Andrew Davis |
106 min |
|
Color |
|
| 1996 |
Compline |
by Nathaniel Dorsky. |
18.5 |
16mm |
Color |
silent |
| 1996 |
Crocodile |
Kim Ki-duk |
99 min |
|
Color |
|
| 1996 |
Daddy's Girl |
Agency for Instructional Television |
95 min |
16mm |
|
sound |
| 1996 |
Dear diary |
David Frankel |
38 min |
|
Color |
|