| 1972 |
Uncle Smiley goes planting |
Jim Burroughs |
|
|
|
|
| 1972 |
Uncle Smiley Goes Recycling |
Burroughs Jim |
|
16mm |
|
sound |
| 1972 |
Uncle Smiley Goes Recycling |
Jim Burroughs |
|
|
|
|
| 1972 |
Uncle Smiley goes recycling |
Jim Burroughs |
|
|
|
|
| 1972 |
Uncle Smiley Goes to the Beach ▶ |
Burroughs Jim |
|
16mm |
|
sound |
| 1972 |
Uncle Vanya |
Corinth |
110 mi |
16mm |
Color & B&W |
sound |
| 1972 |
Une job steady - un bon boss |
Ian McLaren |
|
|
|
|
| 1972 |
Unholy Rollers |
American International Pictures |
88 min |
|
Color |
sound |
| 1972 |
Variations On A Cellophane Wrapper |
CANADA |
9 min |
16mm |
|
sound |
| 1972 |
Variations on a cellophane wrapper |
Serious Business |
8 |
16mm |
Color |
sound |
| 1972 |
Vd Blues |
WNET-TV |
|
16mm |
|
sound |
| 1972 |
Vertical roll |
directed by Joan Jonas. |
21 |
16mm |
B&W |
sound |
| 1972 |
Water For A City |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1972 |
We Call Them Killers |
Natl Film Board Of Canada |
16 |
16mm |
Color |
sound |
| 1972 |
We Call Them Killers |
Tom Shandel |
600 |
|
|
|
| 1972 |
We call them killers |
Tom Shandel |
|
|
|
|
| 1972 |
We Can Do It |
ENCYCLOPEDIA BRITANNICA EDUCATIONAL CORP |
|
16mm |
|
sound |
| 1972 |
Welcome Home Soldier Boys |
Marvin Schwartz Productions |
94 min |
|
Color |
sound |
| 1972 |
Welcome Home, Johnny Bristol |
George McCowan |
120 min |
|
Color |
sound |
| 1972 |
Where The Bullets Fly |
Ideal Pictures Inc |
96 min |
16mm |
Color |
sound |
| 1972 |
Whether To Tell The Truth |
Learning Corporation of America |
|
16mm |
|
sound |
| 1972 |
Whether To Tell The Truth |
Learning Corporation of America |
16 |
16mm |
|
|
| 1972 |
Whether to tell the truth |
Elia Kazan |
|
|
|
|
| 1972 |
Who Cares Anyway? |
Lynx Film Production |
27 |
16mm |
Color |
sound |
| 1972 |
Who cares anyway? |
Ron Tanner |
|
|
|
|
| 1972 |
Who's handicapped |
Nigel Evans |
|
|
|
|
| 1972 |
Wingate, I love you |
C B Wismar |
|
|
|
|
| 1972 |
Wm Bligh |
John Croyston |
|
|
|
|
| 1972 |
Women In Chains |
Paramount Television |
74 min |
|
Color |
sound |
| 1972 |
Young People |
Chang Cheh |
|
|
Color |
|
| 1972 |
Young Winston |
Columbia Pictures Industries |
150 min |
|
Color |
sound |
| 1972 |
Your new job |
Quentin Masters |
|
|
|
|
| 1973 |
200,000 reasons |
Eric Fullilove |
|
|
|
|
| 1973 |
[Mr. Corbett's holiday] |
David Lee |
|
|
|
|
| 1973 |
A Charlie Brown Thanksgiving |
Lee Mendelson & Bill Melendez in cooperation with United Feature Syndicate, Inc |
1 reel |
|
Color |
sound |
| 1973 |
A Cold Night’S Death |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1973 |
A Day In Perth |
Film Australia |
|
16mm |
|
sound |
| 1973 |
A Man Called Tiger |
Lo Wei |
|
|
Color |
|
| 1973 |
A Name For Evil |
Penthouse Production |
85 min |
|
Color |
sound |
| 1973 |
A Stitch In Crime |
Universal City Studios, Inc |
80 min |
|
Color |
sound |
| 1973 |
A Story, A Story ▶ |
Weston Woods Studios Institutional Media Inst |
10 min |
16mm |
|
sound |
| 1973 |
A Story, a story |
Weston Woods |
10 |
16mm |
Color |
sound |
| 1973 |
A Story, A Story |
Weston Woods |
10 min |
|
|
|
| 1973 |
A Story, a story |
Gene Deitch |
10 min |
|
|
|
| 1973 |
A very merry cricket. |
Chuck Jones |
30 min |
16mm |
Color |
sound |
| 1973 |
A Well Remembered Terror |
QM Productions |
60 min |
|
Color |
sound |
| 1973 |
Aangan |
Nasir Hussain |
|
|
|
|
| 1973 |
Ace Eli And Rodger Of The Skies |
Twentieth Century Fox Film Corporation |
93 min |
|
Color |
sound |
| 1973 |
Adios, Johnny Bravo |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1973 |
Adventures In Perception ▶ |
BFA |
|
16mm |
|
sound |