| 1972 |
Like Other People |
Paul Morrison |
2000 |
|
|
|
| 1972 |
Like Other People |
Paul Morrison |
12:00 |
|
|
|
| 1972 |
Like other people |
Paul Morrison |
|
|
|
|
| 1972 |
Lives Of Performers |
Amer Federation Of Arts |
90 min |
16mm |
|
sound |
| 1972 |
Lives of performers |
American Federation of Arts |
90 |
16mm |
B&W |
sound |
| 1972 |
Looking at animals: cattle |
Peter Boulton |
|
|
|
|
| 1972 |
Looking at animals: elephants |
Peter Boulton |
|
|
|
|
| 1972 |
Looking at animals: pigs and hippos |
Peter Boulton |
|
|
|
|
| 1972 |
Looking at animals: rhinos |
Peter Boulton |
|
|
|
|
| 1972 |
Louisbourg |
Albert Kish |
|
|
|
|
| 1972 |
Louisbourg [French version] |
Albert Kish |
|
|
|
|
| 1972 |
Make-up: aging and hair |
Tony De Zarraga |
|
|
|
|
| 1972 |
Man of La Mancha |
Arthur Hiller |
120 min |
16mm |
Color |
|
| 1972 |
Marjoe |
Sarah Kernochan, Howard Smith |
88 min |
|
Color |
sound |
| 1972 |
Modulations |
Judith Klein |
|
|
|
|
| 1972 |
Muscle: A Study of Integration |
CRM/McGraw-Hill Films; Tom Lazarus |
1200 ft. |
16mm |
|
sound |
| 1972 |
My Fair Opponent |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1972 |
Nevestka |
$6 880-01 $a Nevestka "Turkmenfil'm" ; St︠s︡enariĭ, Khodzhakuli i Khodzhadurdy Narlievy ; rezhissër-postanovshchik, Khodzhakuli Narliev ; rezhisser, Il'murad Bekmiev = Daughter in law / "Turkmenfilm" ; screenplay, Khodzhkuli and Khodzhadurdy Narlievykh ; director-producer, Khodzhakuli Narliev ; director, Ilmurad Bekmiev. |
38 |
16mm |
Color |
sound |
| 1972 |
Night of Fear |
Terry Bourke |
|
|
|
|
| 1972 |
Night Of The Cobra Woman |
New World Pictures, Inc |
77 min |
|
Color |
sound |
| 1972 |
No Place To Run |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1972 |
Nobody Beats The House |
QM Productions |
60 min |
|
Color |
sound |
| 1972 |
Nomad: light utility aircraft |
Stanley Dalby |
|
|
|
|
| 1972 |
Northeast Of Seoul |
RHR |
100 min |
|
Color & B&W |
sound |
| 1972 |
Office Practice: Your Attitude |
Coronet Films |
10 |
16mm |
Color |
sound |
| 1972 |
Office Practice: Your Attitude |
Coronet (CORT) |
|
|
|
|
| 1972 |
Office practice: your attitude |
Nick Smith |
|
|
|
|
| 1972 |
Oni = |
The demon scenario and direction, Kihachiro Kawamoto. |
8 |
16mm |
Color |
sound |
| 1972 |
Operation X-70 |
Raoul Servais |
|
|
|
|
| 1972 |
Our land Australia |
Edwin Moses |
|
|
|
|
| 1972 |
Painters painting |
New Yorker Films |
116 mi |
16mm |
Color & B&W |
sound |
| 1972 |
PANCHO VILLA |
New York Univ Film Library |
92 min |
16mm |
Color |
sound |
| 1972 |
Pancho Villa |
Eugenio Martín |
92 min |
16mm |
Color |
|
| 1972 |
Pass The Tabu |
Redwood Productions, Inc |
30 min |
|
Color |
sound |
| 1972 |
Patterns of time and distance |
Edwin Moses |
|
|
|
|
| 1972 |
Paul Kane goes west |
Encyclopaedia Britannica Educational Corporation: Distributor | Indiana University Audio-Visual Center: Distributor | National Film Board of Canada: Distributor |
0:15:28 |
16mm |
Color |
sound |
| 1972 |
Paul Kane Goes West |
National Film Board of Canada. |
600 Feet |
|
|
|
| 1972 |
Paul Kane Goes West |
Gerald Budner |
|
|
|
|
| 1972 |
Paul Kane goes west |
Gerald Budner |
|
|
|
|
| 1972 |
Pearls In The North |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1972 |
Pearls in the North |
Oliver Howes |
|
|
|
|
| 1972 |
Pecking Holes In Poles |
Walter Lantz |
6 min |
|
Color |
sound |
| 1972 |
Pink 8 Ball |
Mirisch-Geoffrey-DePatie-Freleng |
7 min |
|
Color |
sound |
| 1972 |
Play it again, Sam |
Herbert Ross |
85 min |
|
Color |
|
| 1972 |
Pleasure faire |
Kris Paterson |
|
|
|
|
| 1972 |
Ponies |
Moreland-Latchford Productions. |
525 |
16mm |
|
sound |
| 1972 |
Ponies |
Paramount Communications |
15 |
16mm |
Color |
sound |
| 1972 |
Ponies |
Oxford Films (OXF) |
|
|
|
|
| 1972 |
Ponies |
Hector Lemieux |
|
|
|
|
| 1972 |
Pope Joan |
Command Productions Establishment & Triple Eight Corp |
116 min |
|
Color |
sound |