| 1966 |
Picture Mommy Dead |
unknown |
83 min |
16mm |
Color |
sound |
| 1966 |
Pink, Plunk, Plink. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1966 |
Rasputin, The Mad Monk. |
Hammer Film Productions Ltd. |
91 min |
35mm |
Color |
sound |
| 1966 |
Texas Western College of the University of Texas |
Texas Western College of the University of Texas, School of Journalism, El Paso, Texas |
28 min |
|
B&W |
|
| 1966 |
The Brides of Fu Manchu |
Don Sharp |
94 min |
|
Color |
|
| 1966 |
The Odds Against |
Inst Of Corrections/Vision Associates |
|
16mm |
B&W |
sound |
| 1966 |
The Odds Against |
Video Associates |
1200 ft. |
|
|
|
| 1966 |
The Odds against |
Lee R. Bobker |
|
|
|
|
| 1966 |
The Professionals |
Seven Arts Associated Corp |
117 min |
16mm |
Color |
sound |
| 1966 |
Upward Bound — the War on Talent Waste |
Texas Western College of the University of Texas, School of Journalism, El Paso, Texas |
28 min |
|
B&W |
|
| 1966 |
Watching Them Learn |
Michigan State University, Film Production, Instructional Media Center, East Lansing, Michigan |
2 min |
|
B&W |
|
| 1965 |
A Devilish Homicide |
Lee Yong-min |
93 min |
|
B&W |
|
| 1965 |
Bay of Gold (Part 1 of 2) |
Lee Mendelson Film Productions |
1600 |
|
|
|
| 1965 |
Bay of Gold (Part 2 of 2) |
Lee Mendelson Film Productions |
1600 |
|
|
|
| 1965 |
Beauty Is As Beauty Does |
The CBS Television Network |
30 min |
|
Color |
sound |
| 1965 |
Dracula, Prince Of Darkness. |
Hammer Film Productions Ltd. |
90 min |
35mm |
Color |
sound |
| 1965 |
For a few dollars more. |
Produzioni Europee Associate |
132 min |
16mm |
Color |
sound |
| 1965 |
From The Tropics To The Snow |
Australia News And Information Bureau |
|
16mm |
|
sound |
| 1965 |
King Rat |
Bryan Forbes |
134 min |
|
Color & B&W |
|
| 1965 |
Market |
Lee Man-hee |
|
|
|
|
| 1965 |
My Three Sons |
Charley and the kid ABC ; a Don Fedderson production ; executive producer, Don Fedderson ; produced by Edmund Hartmann ; directed by James V. Kern ; teleplay by George Tibbles. |
29 |
16mm |
B&W |
sound |
| 1965 |
Our Man Flint. |
Twentieth Century-Fox Film Corp |
108 min |
35mm |
Color |
sound |
| 1965 |
Peyton Place. |
Episode no. 98 / Twentieth Century Fox Television ; executive producer, Paul Monash ; produced by Felix Feist ; directed by Walter Doniger ; written by Peggy Shaw and Lee Erwin. |
22 |
16mm |
B&W |
sound |
| 1965 |
Pinkfinger. |
Mirisch-Geoffrey D-F |
|
35mm |
Color |
sound |
| 1965 |
Shenandoah. |
Universal Pictures Co. Inc. |
100 min |
35mm |
Color |
sound |
| 1965 |
Ship Of Fools. |
Columbia Pictures Corp. |
149 min |
35mm |
B&W |
sound |
| 1965 |
The Dreamer |
Massimo Franciosa |
97 min |
|
Color |
|
| 1965 |
The Dreamer |
Massimo Franciosa |
350ft |
|
Color |
|
| 1965 |
The Face Of Fu Manchu |
Ideal Pictures Inc |
95 |
16mm |
Color |
sound |
| 1965 |
The Greatest Story Ever Told. |
George Stevens Productions Inc. & United Artists Corp. |
191 min |
35mm |
Color |
sound |
| 1965 |
The Hallelujah Trail. |
Mirisch-Kappa |
149 min |
35mm |
Color |
sound |
| 1965 |
The Sound of music |
Films inc. |
167 mi |
16mm |
Color |
sound |
| 1965 |
The Sound Of Music. |
Argyle Enterprises & Twentieth Century-Fox Film Corp. |
174 min |
35mm |
Color |
sound |
| 1964 |
Baby The Rain Must Fall. |
Park Place-Solar Productions |
100 min |
35mm |
B&W |
sound |
| 1964 |
Black Like Me |
Carl Lerner |
107 min |
|
B&W |
|
| 1964 |
Bonana, The Pure Truth |
Lee Rich |
1600 |
|
|
|
| 1964 |
Bullet For A Badman. |
Universal Pictures Co. Inc. |
79 min |
35mm |
Color |
sound |
| 1964 |
Diffusion and Osmosis ▶ |
Coronet Films |
11 min |
|
Color |
|
| 1964 |
Dr. Terror's House Of Horrors. |
Amicus Productions Ltd. |
98 min |
35mm |
Color |
sound |
| 1964 |
From the tropics to the snow |
Richard Mason, Jack Lee |
|
|
|
|
| 1964 |
Hollywood and the stars. |
The great directors sponsored by Purex and Timex ; a David L. Wolper production ; United Artists Television ; production executive, Sydney Field ; associate producer, Julian Ludwig ; written and produced by Nicholas Noxon ; series producer-director, Jack Haley, Jr. |
26 |
16mm |
B&W |
sound |
| 1964 |
In song and dance |
Lee Robinson |
|
|
Color |
|
| 1964 |
John Goldfarb, Please Come Home. |
Parker-Orchard Productions & Twentieth Century-Fox Film Corp. |
96 min |
35mm |
Color |
sound |
| 1964 |
Microscope for the unknown |
Norman Ross Lee C. Teng David McElroy Carl Tubbs John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
|
| 1964 |
Ring of Spies |
Robert Tronson |
|
|
|
|
| 1964 |
The Best Man ▶ |
Franklin J. Schaffner |
102 min |
|
B&W |
|
| 1964 |
The Devil-Ship Pirates. |
Hammer Film Productions Ltd. |
86 min |
35mm |
Color |
sound |
| 1964 |
The Escape |
Family Theater Inc. |
25 min |
16mm |
|
sound |
| 1964 |
The Gorgon. |
Hammer Film Productions Ltd. |
83 min |
35mm |
Color |
sound |
| 1964 |
The Killers. |
Revue Productions. |
93 min |
35mm |
Color |
sound |