| 1943 |
Stage Door Canteen |
MANBEK |
87 min. |
16mm |
B&W |
|
| 1943 |
STAGE DOOR CANTEEN |
United Artists |
132min |
16mm |
Color & B&W |
Sound |
| 1943 |
Stage Door Canteen. |
Frank Borzage |
14 reels |
|
Color & B&W |
|
| 1943 |
THE POWERS GIRL. |
Norman Z. McLeod |
|
16mm |
B&W |
sound |
| 1943 |
The Powers Girl. |
Norman Z. McLeod |
93 min. |
|
B&W |
|
| 1943 |
Tiger Fangs |
Sam Newfield |
|
|
B&W |
|
| 1943 |
Tiger Fangs ▶ |
Sam Newfield |
|
|
B&W |
|
| 1943 |
Tonight We Raid Calais. |
John Brahm |
6 313 ft. |
|
B&W |
|
| 1944 |
Belle Of The Yukon. |
William A. Seiter |
84 min. |
|
B&W |
sound |
| 1944 |
Brand Of The Devil. |
Harry L. Fraser |
6 reels |
16mm |
B&W |
sound |
| 1944 |
Cover girl |
Columbia Pictures Corp. (Publisher) |
1:47:00 |
16mm |
Color |
sound |
| 1944 |
Cover Girl. |
Columbia Picture Corp |
107 min |
16mm |
Color |
sound |
| 1944 |
Cowboy And The Senorita. |
Joseph Kane |
8 reels |
|
B&W |
|
| 1944 |
Hell Bent For Election. |
Brandon Films, Inc |
1 reel |
16mm |
Color |
Sound |
| 1944 |
See My Lawyer. |
Edward F. Cline |
8 reels |
|
B&W |
|
| 1944 |
Shadow Of Suspicion. |
William Beaudine |
7 reels |
|
Color & B&W |
|
| 1944 |
Spook town. |
Elmer Clifton |
2148 |
16mm |
B&W |
sound |
| 1944 |
Summer Storm. |
Douglas Sirk |
106 min |
|
B&W |
|
| 1944 |
The Bridge Of San Luis Rey. |
Rowland V. Lee |
107 min |
|
B&W |
|
| 1944 |
The Desert Hawk. |
B. Reeves Eason |
2 reels |
|
B&W |
|
| 1944 |
The Impatient Years. |
Irving Cummings |
9 reels |
|
B&W |
|
| 1945 |
Betrayal From The East. |
William Berke |
82 min. |
|
B&W |
|
| 1945 |
Keep Your Powder Dry. |
Edward Buzzell |
10 reels |
|
B&W |
sound |
| 1945 |
Life With Blondie. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1945 |
Mildred Pierce. |
Michael Curtiz |
111 min |
|
B&W |
|
| 1945 |
Paris underground. |
Gregory Ratoff |
3250 |
16mm |
Color & B&W |
sound |
| 1945 |
Rogues' Gallery. |
Albert Herman |
7 reels |
|
B&W |
|
| 1945 |
She Wouldn't Say Yes. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1945 |
Sing Your Way Home. |
Anthony Mann |
72 min. |
|
B&W |
|
| 1945 |
Stairway to Light |
Metro-Goldwyn-Mayer |
11 |
16mm |
B&W |
|
| 1945 |
The Monster And The Ape. |
Howard Bretherton |
2 reels |
|
B&W |
|
| 1945 |
The story with two endings |
produced by 20th Century-Fox ; screenplay by Harold Buchman and Louis Solomon ; directed by Lee Strasberg. |
10 |
16mm |
B&W |
sound |
| 1945 |
The White Gorilla |
Harry L. Fraser |
|
|
B&W |
|
| 1945 |
The White Gorilla. |
Harry L. Fraser |
6 reels |
|
B&W |
|
| 1945 |
Tonight And Every Night. |
Victor Saville |
9 reels |
|
Color & B&W |
sound |
| 1945 |
Twice Blessed. |
Harry Beaumont |
8 reels |
|
B&W |
sound |
| 1946 |
Bedlam. |
RKO Radio Pictures |
79 min. |
35mm |
B&W |
sound |
| 1946 |
Blondie's Lucky Day. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1946 |
G. I. WAR BRIDES. |
George Blair |
8 reels |
35mm |
Color |
sound |
| 1946 |
Queen Of The Amazons. |
Edward Finney |
61 min. |
35mm |
B&W |
sound |
| 1946 |
Son Of The Guardsman. |
Derwin Abrahams |
2 reels |
35mm |
B&W |
sound |
| 1946 |
The Searching Wind. |
William Dieterle |
12 reels |
35mm |
B&W |
sound |
| 1946 |
The Walls Came Tumbling Down. |
Lothar Mendes |
9 reels |
|
B&W |
sound |
| 1947 |
A Ferry Boat that Has No Owner |
Lee Gyu-hwan |
|
|
|
|
| 1947 |
A Story of the Day after Arirang |
Lee Gu-yeong |
|
|
|
|
| 1947 |
Blondie's Big Moment. |
Abby Berlin |
63 min. |
35mm |
B&W |
sound |
| 1947 |
Duel In The Sun |
unknown |
129 min |
16mm |
Color & B&W |
sound |
| 1947 |
Duel in the Sun |
Selznick International Pictures Inc |
2:10:00 |
16mm |
Color |
sound |
| 1947 |
High Tide. |
John Reinhardt |
70 min. |
35mm |
B&W |
sound |
| 1947 |
Jack Armstrong. |
Wallace Fox |
2 reels |
35mm |
B&W |
sound |