| 1916 |
Intolerance |
Museum of Modern Art |
191 mi |
16mm |
Color |
silent |
| 1916 |
Intolerance |
D. W. Griffith |
197 min |
|
B&W |
|
| 1916 |
Intolerance. |
David Wark Griffith |
13 reels |
16mm |
B&W |
silent |
| 1916 |
THE INTRIGUE. |
Pallas |
5 reels |
|
B&W |
silent |
| 1918 |
Bud's Recruit ▶ |
Judge Willis Brown; Wallace Brennan; Robert Gordon; Thomas Bellamy; Ruth Hampton; King Vidor |
26 min |
|
B&W |
|
| 1919 |
Better Times |
King Vidor |
|
|
B&W |
|
| 1919 |
THE OTHER HALF. |
Brentwood Film Corp. |
2 reels |
|
B&W |
|
| 1919 |
The Turn in the Road |
King Vidor |
50 min |
|
B&W |
|
| 1920 |
The Family Honor |
King Vidor |
50 min |
|
B&W |
|
| 1921 |
Love Never Dies |
King Vidor |
60 min |
|
B&W |
|
| 1922 |
CONQUERING THE WOMAN. |
King Vidor |
60 min |
|
B&W |
|
| 1922 |
DUSK TO DAWN. |
King Vidor |
60 min |
|
B&W |
|
| 1922 |
Peg o' My Heart |
King Vidor |
80 min |
|
B&W |
|
| 1922 |
THE REAL ADVENTURE. |
King Vidor |
50 min |
|
B&W |
|
| 1922 |
WILD ORANGES. |
Goldwyn Pictures Corp. |
7 reels |
|
B&W |
|
| 1922 |
WOMAN, WAKE UP. |
King Vidor |
60 min |
|
B&W |
|
| 1923 |
THE WOMAN OF BRONZE. |
Balcon Freedman & Saville London |
6 reels |
|
B&W |
|
| 1923 |
THREE WISE FOOLS. |
Goldwyn Pictures Corp. |
7 reels |
|
B&W |
|
| 1924 |
Wild Oranges |
King Vidor |
70 min |
|
B&W |
|
| 1925 |
The Big Parade |
King Vidor, George W. Hill |
141 min |
16mm |
B&W |
|
| 1926 |
BARDELYS THE MAGNIFICENT. |
Metro-Goldwyn-Mayer Corp. |
9 reels |
|
B&W |
|
| 1926 |
La Bohème |
King Vidor |
95 min |
|
B&W |
|
| 1928 |
Show People |
Metro-Goldwyn-Mayer Corp |
82 min |
16mm |
B&W |
silent |
| 1928 |
The Crowd |
King Vidor |
98 |
16mm |
B&W |
|
| 1928 |
The Patsy |
King Vidor |
78 |
|
B&W |
|
| 1928 |
The Patsy |
King Vidor |
78 min |
|
B&W |
|
| 1928 |
The patsy. |
Metro-Goldwyn-Mayer Distributing Corp. |
8 reels |
16mm |
B&W |
|
| 1930 |
Billy the kid. |
Metro-Goldwyn-Mayer Distributing Corp. |
11 reels. |
16mm |
B&W |
sound |
| 1930 |
Not So Dumb |
King Vidor |
9 min |
16mm |
B&W |
Sound |
| 1930s |
Not So Dumb ▶ |
King Vidor |
76 min |
|
B&W |
|
| 1932 |
Bird of Paradise |
King Vidor |
|
|
|
|
| 1933 |
THE STRANGER'S RETURN. |
Metro-Goldwyn-Mayer Corp. |
9 reels |
|
B&W |
|
| 1934 |
Our daily bread |
King Vidor |
80 |
|
B&W |
|
| 1934 |
Our daily bread |
King Vidor |
74 min |
|
B&W |
|
| 1934 |
OUR DAILY BREAD |
King Vidor |
74 min |
|
B&W |
|
| 1934 |
OUR DAILY BREAD |
International Harvester Company, Inc |
10 min |
16mm |
B&W |
Sound |
| 1935 |
SO RED THE ROSE. |
Paramount Productions Inc. |
9 reels |
|
B&W |
|
| 1935 |
The Wedding Night |
Howard Productions Inc |
1:23:00 |
16mm |
B&W |
sound |
| 1939 |
The Wizard of Oz |
MGM/UA |
1:02 |
16mm |
Color & B&W |
sound |
| 1940 |
Comrade X. |
King Vidor |
9 reels |
|
B&W |
sound |
| 1940 |
Northwest Passage |
Natl Film Board Of Canada |
125 min |
16mm |
Color |
sound |
| 1940 |
Northwest passage |
W. S. Van Dyke, King Vidor, Jack Conway |
125 min |
|
Color |
|
| 1940 |
Northwest passage |
King Vidor, Jack Conway, W. S. Van Dyke |
125 min |
|
Color |
|
| 1940 |
Northwest Passage. |
W. S. Van Dyke, King Vidor, Jack Conway |
14 reels |
|
Color |
sound |
| 1941 |
H. M. PULHAM, ESQ. |
King Vidor |
12 reels |
|
B&W |
sound |
| 1944 |
An American Romance. |
King Vidor |
16 reels |
|
B&W |
sound |
| 1947 |
Duel In The Sun |
unknown |
129 min |
16mm |
Color & B&W |
sound |
| 1947 |
Duel in the Sun |
Selznick International Pictures Inc |
2:10:00 |
16mm |
Color |
sound |
| 1948 |
On Our Merry Way |
King Vidor |
107 min |
|
B&W |
|
| 1948 |
On Our Merry Way. |
King Vidor, Leslie Fenton |
96 min. |
35mm |
B&W |
sound |