Intolerance
Sign in to track this film in your collection or want list.
Griffith attempted to universalize the theme of intolerance by intercutting four stories from different periods. The Modern Story (Mother and the Law), set in the early twentieth century, depicts the struggle between capitalism and labor. The Judean Story (The Nazarene) recounts the conflict between Christ and the Pharisees. The Medieval Story concerns the massacre of Protestants on St. Bartholomew's Day, 1572. The Babylon Story (The Fall of Babylon) depicts the betrayal of Prince Belshazzar to the Persians. The film advanced the techniques of set design, of large casts, and camera mobility. This copy comes from an original nitrate-tinted print. (Circulates), Four stories of biogtry and intolerance through the ages are rapidly cross-cut through this film directed by D.W. Griffith. Starring Mae Marsh, Robert Harron, Lillian Gish, Miriam Cooper and Eric von Stroheim.
Credits
- Directed by
- D. W. Griffith
- Written by
- D. W. Griffith, Tod Browning, Anita Loos, Frank E. Woods
- Cast
- King Vidor, Tod Browning, Lillian Gish, Harold Lockwood, Mae Marsh, Natalie Talmadge, Colleen Moore, Donald Crisp, Constance Collier, Erich von Stroheim, Sam De Grasse, George Fawcett, Francis McDonald, Elmer Clifton, Walter Long, Alfred Paget, Bessie Love, Mary Alden …
- Produced by
- D. W. Griffith
- Cinematography
- Karl Brown, Billy Bitzer
- Music
- Joseph Carl Breil
- Edited by
- D. W. Griffith, James Smith, Rose Smith
Copyright
Copyright status (Wikidata): public domain
Complete catalog record
Griffith attempted to universalize the theme of intolerance by intercutting four stories from different periods. The Modern Story (Mother and the Law), set in the early twentieth century, depicts the struggle between capitalism and labor. The Judean Story (The Nazarene) recounts the conflict between Christ and the Pharisees. The Medieval Story concerns the massacre of Protestants on St. Bartholomew's Day, 1572. The Babylon Story (The Fall of Babylon) depicts the betrayal of Prince Belshazzar to the Persians. The film advanced the techniques of set design, of large casts, and camera mobility. This copy comes from an original nitrate-tinted print. (Circulates)
, , , , NOTE: Two (or more) records have been merged together to create this data.
, , , , NOTE: Two (or more) records have been merged together to create this data.
Related films
Sources
Original permalink · Record added 2024-05-11 15:39:41