| 1929 |
Bulldog Drummond. |
Samuel Goldwyn |
10 reels |
16mm |
B&W |
silent |
| 1929 |
Disraeli. |
Vitaphone Corp. |
1 reel |
16mm |
|
sound |
| 1930 |
Moby Dick |
Lloyd Bacon |
|
|
|
|
| 1930 |
SCOTLAND YARD. |
Fox Film Corp |
75 min |
|
B&W |
|
| 1931 |
Doctors' wives. |
Fox Film Corp |
80 min |
16mm |
B&W |
sound |
| 1931 |
HUSH MONEY. |
Fox Film Corp |
5 reels |
|
B&W |
|
| 1931 |
MANY A SLIP. |
Universal Pictures Corp. |
8 reels |
|
B&W |
|
| 1932 |
CARELESS LADY. |
Fox Film Corp |
|
|
B&W |
|
| 1932 |
ME AND MY GAL. |
Fox Film Corp |
5 reels |
|
B&W |
|
| 1932 |
SHE WANTED A MILLIONAIRE. |
Fox Film Corp |
80 min |
|
B&W |
|
| 1932 |
THE TRIAL OF VIVIENNE WARE. |
Fox Film Corp |
56 min |
|
B&W |
|
| 1932 |
WILD GIRL. |
Fox Film Corp |
78 min |
|
B&W |
|
| 1933 |
ARIZONA TO BROADWAY. |
Fox Film Corp |
66 min |
|
B&W |
|
| 1934 |
THE MAN WHO RECLAIMED HIS HEAD. |
Universal Pictures Corp. |
9 reels |
|
B&W |
|
| 1935 |
Mississippi. |
Paramount Productions Inc. |
8 reels |
16mm |
|
sound |
| 1935 |
SHE COULDN'T TAKE IT. |
Columbia Pictures Corp. |
8 reels |
|
|
|
| 1935 |
THE MAN WHO BROKE THE BANK AT MONTE CARLO. |
Fox Film Corp |
87 min |
|
B&W |
|
| 1935 |
TWO FOR TONIGHT. |
Paramount Productions Inc. |
7 reels |
|
B&W |
|
| 1936 |
TWO IN A CROWD. |
Universal Productions Inc. |
9 reels |
|
|
|
| 1936 |
WEDDING PRESENT. |
Paramount Pictures Inc. |
9 reels |
|
B&W |
|
| 1938 |
THE TEXANS. |
Paramount Pictures Inc. |
10 reels |
16mm |
B&W |
Sound |
| 1939 |
Green Hell. |
James Whale |
10 reels |
16mm |
B&W |
Sound |
| 1939 |
THE HOUSEKEEPER'S DAUGHTER. |
Hal Roach Studios Inc. |
8 reels |
|
|
|
| 1939 |
The man in the iron mask. |
Edward Small Productions Inc. |
12 reels |
16mm |
|
sound |
| 1941 |
Confirm Or Deny. |
Wire Service Inc. |
6585 ft. |
16mm |
B&W |
sound |
| 1941 |
Man Hunt |
Fritz Lang |
1:05 |
|
|
|
| 1941 |
She Knew All The Answers. |
Richard Wallace |
9 reels |
|
|
|
| 1941 |
Wild Geese Calling. |
John Brahm |
7 100 ft. |
|
|
|
| 1942 |
Girl Trouble. |
Harold D. Schuster |
7 350 ft. |
|
|
|
| 1942 |
Twin Beds. |
Tim Whelan |
83 min. |
|
|
|
| 1943 |
Margin For Error. |
Otto Preminger |
6691 ft. |
|
|
|
| 1945 |
Colonel Effingham's Raid. |
Irving Pichel |
6 360 ft. |
|
|
|
| 1949 |
The Reckless Moment |
Columbia Pictures Corporation |
|
|
|
|
| 1950 |
Father Of The Bride. |
Loew's Inc. |
93 min. |
35mm |
B&W |
sound |
| 1951 |
The Guy Who Came Back. |
Twentieth Century-Fox Film Corp |
91 min. |
35mm |
B&W |
sound |
| 1954 |
Highway dragnet. |
Allied Artists Pictures Corp. |
70 min. |
35mm |
B&W |
sound |
| 1955 |
There’s Always Tomorrow. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
B&W |
sound |
| 1955 |
We’re No Angels. |
Paramount Pictures Corp. |
103 min |
35mm |
Color |
sound |
| 1956 |
NAVY WIFE. |
Allied Artists Pictures Corp. |
83 min. |
35mm |
B&W |
sound |
| 1960 |
Desire In The Dust. |
Twentieth Century-Fox Film Corp |
102 min |
35mm |
B&W |
sound |