| 1938 |
SUBMARINE PATROL. |
Fox Film Corp |
95 min |
|
B&W |
|
| 1939 |
Confessions of a Nazi spy |
First National: Publisher |
2:00:00 |
16mm |
B&W |
sound |
| 1939 |
Drums Along the Mohawk |
Teaching Film Custodians |
1200 ft. |
|
Color & B&W |
|
| 1939 |
Drums Along The Mohawk. |
John Ford |
9 303 ft. |
|
Color & B&W |
|
| 1939 |
Heaven With A Barbed Wire Fence. |
Ricardo Cortez |
5700 ft. |
|
B&W |
|
| 1939 |
SON OF FRANKENSTEIN. |
Universal Pictures Co. Inc. |
11 reels. |
16mm |
B&W |
sound |
| 1939 |
THE GIRL FROM MEXICO. |
RKO Radio Pictures Inc. |
71 min |
|
B&W |
|
| 1939 |
Union Pacific |
Paramount Pictures Inc. |
2:16:00 |
16mm |
B&W |
sound |
| 1939 |
Young Mr Lincoln |
Twentieth Century-Fox Film Corporation. |
1:00 |
16mm |
B&W |
sound |
| 1939 |
Young Mr. Lincoln |
John Ford |
100 min |
|
B&W |
|
| 1940 |
Bubbling Troubles. |
Edward L. Cahn |
983 ft. |
|
B&W |
sound |
| 1940 |
Kit Carson. |
George B. Seitz |
11 reels. |
|
B&W |
|
| 1940 |
Santa Fe Trail |
Michael Curtiz |
110 min |
|
Color & B&W |
|
| 1940 |
The Grapes Of Wrath. |
John Ford |
1586 ft. |
|
B&W |
|
| 1941 |
MANPOWER |
Raoul Walsh |
103 min |
|
B&W |
|
| 1941 |
Sergeant York |
Warner Bros Pictures Inc |
2:00:00 |
16mm |
B&W |
sound |
| 1941 |
Swamp Water |
Twentieth Century-Fox Film Corporation |
1:28:00 |
16mm |
B&W |
sound |
| 1941 |
Swamp Water. |
Jean Renoir, Irving Pichel |
7935 ft. |
|
B&W |
|
| 1941 |
The Maltese falcon |
Warner Bros. (1941) (USA) (theatrical): Distributor | Warner Bros. (A Warner Bros.-First National Picture): Publisher |
1:00 |
16mm |
B&W |
sound |
| 1941 |
The Maltese Falcon. |
Warner Bros. Pictures Inc. |
100 min |
16mm |
B&W |
sound |
| 1941 |
The Shepherd Of The Hills. |
Henry Hathaway |
10 reels |
|
Color |
|
| 1941 |
Tobacco Road |
McGraw-Hill Films |
84 min |
16mm |
B&W |
sound |
| 1941 |
Tobacco Road. |
John Ford |
7 594 ft. |
|
B&W |
|
| 1942 |
A Desperate Chance For Ellery Queen. |
James P. Hogan |
7 reels |
|
B&W |
|
| 1942 |
Hitler—Dead Or Alive. |
Nick Grinde |
7 reels |
|
B&W |
|
| 1942 |
The Falcon Takes Over. |
Irving Reis |
63 min. |
|
B&W |
|
| 1943 |
Hello, Frisco, Hello. |
H. Bruce Humberstone |
8 939 ft. |
|
Color |
|
| 1943 |
Slightly Dangerous. |
Wesley Ruggles |
10 reels |
|
B&W |
sound |
| 1943 |
They Came To Blow Up America. |
Edward Ludwig |
6586 ft. |
|
B&W |
|
| 1943 |
This Land is Mine |
Jean Renoir |
103 min |
|
B&W |
|
| 1943 |
THIS LAND IS MINE |
Jean Renoir |
103 min |
|
B&W |
|
| 1943 |
This Land Is Mine. |
Jean Renoir |
103 min |
|
B&W |
|
| 1944 |
Tall in the Saddle |
Edwin L. Marin |
87 |
|
B&W |
|
| 1944 |
Tall In The Saddle. |
Edwin L. Marin |
87 min. |
|
B&W |
|
| 1944 |
THIS LAND IS MINE |
Films, Inc |
90min |
16mm |
B&W |
Sound |
| 1945 |
ADJUSTING AND REPAIRING THE THERMO EXPANSION |
Anson Bond Productions |
12 min |
16mm |
B&W |
Optical sound |
| 1945 |
Adjusting Commercial Thermostatic Controls |
20202 Anson Bond Productions |
12 min |
16mm |
B&W |
sound |
| 1945 |
Adjusting Pressure Actuated Temperature Control Devices |
Anson Bond Productions |
15 min |
16mm |
B&W |
sound |
| 1945 |
Servicing Water - Cooled Condensers |
20202 Anson Bond Productions |
12 min |
16mm |
B&W |
sound |
| 1946 |
My Darling Clementine |
Films Incorporated |
97 |
16mm |
B&W |
sound |
| 1946 |
My Darling Clementine. |
John Ford |
97 min. |
35mm |
B&W |
sound |
| 1946 |
The Nativity (1946) ▶ |
anson-bond-production |
|
|
B&W |
sound |
| 1947 |
Nicholas Nickleby |
J. Arthur Rank Organisation |
108 min |
16mm |
B&W |
sound |
| 1947 |
Nocturne. |
Edwin L. Marin |
87 min. |
35mm |
B&W |
sound |
| 1947 |
Unconquered |
Cecil B. DeMille |
12:00 |
|
Color |
|
| 1947 |
Unconquered. |
Paramount Pictures Inc. |
147 min |
35mm |
Color |
sound |
| 1948 |
Fort Apache |
John Ford |
1:28 |
|
B&W |
|
| 1948 |
Fort Apache. |
129 N Vermont |
128 min |
35mm |
B&W |
sound |
| 1948 |
Scott Of The Antarctic. |
Charles Frend |
111 min |
35mm |
Color |
sound |
| 1948 |
Tap Roots. |
George Marshall |
109 min |
35mm |
Color |
sound |