|
All about Eve. |
Twentieth Century-Fox Film Corp |
138 min |
35mm |
B&W |
sound |
| 1931 |
THE SMILING LIEUTENANT. |
Paramount Publix Corp. |
10 reels |
|
B&W |
|
| 1935 |
O'SHAUGHNESSY'S BOY. |
Metro-Goldwyn-Mayer Corp. |
9 reels |
|
B&W |
|
| 1936 |
[The Plainsman] |
Cecil B. DeMille |
113 min |
16mm |
B&W |
|
| 1937 |
They Won't Forget |
Culver City |
95 min |
16mm |
B&W |
sound |
| 1937 |
WAIKIKI WEDDING. |
Paramount Pictures Inc. |
10 reels |
|
B&W |
|
| 1938 |
Garden Of The Moon |
warner brothers |
94 min |
16mm |
B&W |
sound |
| 1938 |
GARDEN OF THE MOON. |
Warner Bros. Pictures Inc. |
10 reels |
|
B&W |
|
| 1939 |
BLACKWELL'S ISLAND. |
Warner Bros. Pictures Inc. |
8 reels |
|
B&W |
|
| 1939 |
ETERNALLY YOURS |
Tay Garnett |
87 min |
|
B&W |
|
| 1939 |
IT'S THE LITTLE THINGS THAT COUNT |
Bates |
30 min |
16mm |
|
Sound |
| 1939 |
OF MICE AND MEN |
Lewis Milestone |
106 min |
|
B&W |
|
| 1939 |
THE MAD EMPRESS. |
First National. |
8 reels |
|
B&W |
|
| 1940 |
My Favorite Wife. |
Garson Kanin |
88 min. |
|
B&W |
|
| 1941 |
Love Crazy. |
Jack Conway |
10 reels |
|
B&W |
|
| 1941 |
Road Show |
unknown |
87 min |
16mm |
B&W |
sound |
| 1941 |
ROAD SHOW |
Hal Roach |
87 min |
|
B&W |
|
| 1942 |
The Tuttles Of Tahiti. |
Charles Vidor |
91 min. |
|
B&W |
|
| 1943 |
MR. LUCKY. |
H. C. Potter |
100 min |
|
B&W |
|
| 1943 |
My Heart Belongs To Daddy. |
Robert Siodmak |
8 reels |
|
B&W |
|
| 1943 |
Slightly Dangerous. |
Wesley Ruggles |
10 reels |
|
B&W |
sound |
| 1943 |
The Chance Of A Lifetime. |
William Castle |
7 reels |
|
B&W |
|
| 1943 |
The Phantom. |
|
2 reels |
|
|
|
| 1944 |
The Racket Man. |
D. Ross Lederman |
8 reels |
|
B&W |
|
| 1945 |
Salome, Where She Danced. |
B. Reeves Eason, Charles Lamont |
10 reels |
|
Color |
sound |
| 1945 |
San Antonio |
direction, David Butler. |
111 |
16mm |
Color |
sound |
| 1945 |
This Love Of Ours. |
William Dieterle |
90 min. |
|
Color & B&W |
|
| 1946 |
Claudia And David. |
Walter Lang |
7 025 ft. |
35mm |
B&W |
sound |
| 1946 |
Cluny Brown |
Ernst Lubitsch |
1:00 |
|
B&W |
|
| 1946 |
Cluny Brown. |
Ernst Lubitsch |
9100 ft. |
35mm |
B&W |
sound |
| 1946 |
San Antonio. |
Robert Florey, Raoul Walsh, David Butler |
111 min |
|
Color |
sound |
| 1946 |
Saratoga Trunk. |
Sam Wood |
135 min |
|
B&W |
|
| 1946 |
The Diary Of A Chambermaid. |
Jean Renoir |
76 min. |
|
Color & B&W |
|
| 1946 |
The Mask of Diijon |
Western Television |
1:12:00 |
16mm |
B&W |
sound |
| 1946 |
The Mask Of Diijon. |
Lew Landers |
8 reels |
|
B&W |
|
| 1948 |
April Showers. |
James V. Kern |
94 min. |
35mm |
B&W |
sound |
| 1948 |
I Remember Mama |
RKO Radio Pictures Inc. |
2:17:00 |
16mm |
B&W |
sound |
| 1948 |
June Bride. |
Bretaigne Windust |
97 min. |
35mm |
B&W |
sound |
| 1948 |
My Dear Secretary. |
Charles Martin |
94 min. |
35mm |
B&W |
sound |
| 1948 |
Portrait of Jennie |
William Dieterle |
86 min |
16mm |
Color & B&W |
|
| 1948 |
Portrait Of Jennie. |
William Dieterle |
86 min. |
35mm |
B&W |
sound |
| 1948 |
The Inside story |
Allan Dwan |
|
|
B&W |
|
| 1948 |
The Inside Story. |
Allan Dwan |
87 min. |
35mm |
B&W |
sound |
| 1948 |
Winter Meeting. |
Bretaigne Windust |
104 min |
35mm |
B&W |
sound |
| 1949 |
On the town |
Films inc. |
98 |
16mm |
Color |
sound |
| 1949 |
Shockproof ▶ |
Handy (Jam) Organization |
79 min |
16mm |
B&W |
sound |
| 1949 |
Shockproof. |
Douglas Sirk |
79 min. |
35mm |
B&W |
sound |
| 1949 |
THE GIRL FROM JONES BEACH. |
Peter Godfrey |
3200 |
16mm |
B&W |
|
| 1949 |
The Girl From Jones Beach. |
Peter Godfrey |
78 min. |
35mm |
B&W |
sound |
| 1949 |
The Inspector general |
Films inc. |
102 mi |
16mm |
Color |
sound |