| 1962 |
Blues for trumpet and koto |
a Geoffrey Selden Associates production ; in association with TBA, Tokyo Broadcasting System ; production, Geoffrey Selden, Domei Suzuki, Allan Lawrence, Tatsuro Komatsu ; direction, Ken Buckridge, Keiich Ogiwara, Harunosuke Nakagawa, Hajime Tsuburaya, Akira Namiki. |
51 |
16mm |
B&W |
sound |
| 1962 |
The Kiss Of The Vampire. |
Universal Pictures Co. Inc. |
88 min |
35mm |
Color |
sound |
| 1961 |
Radio |
Black Filmmaker Foundation |
|
16mm |
|
sound |
| 1959 |
Felix and King Neptune |
BLACK |
10 min. |
16mm |
B&W |
|
| 1956 |
Boy of the Seminoles: Indians of the Everglades |
Coronet Instructional Films |
11 |
16mm |
B&W |
sound |
| 1952 |
[Trailers--TV. 1952-1968] |
. |
36 |
16mm |
Color & B&W |
sound |
| 1951 |
A glimpse of the past : prehistoric American Indians |
Roland J. Faust Robert L. Gobrecht Hugh N. Davis Jr. John Taylor Harvey Frye Indiana University Audio-Visual Center Maxine Dunfee Glenn A. Black |
|
|
|
|
| 1950 |
Conquest of the Pole |
BLACK |
12 min. |
16mm |
B&W |
|
| 1950 |
V. S. Government |
UNLESS otherwise indicated the sets of slides listed a catalog are black-and-white slides. Color slides are s Each set of slides is described as follows: (a) the ti name of the producing agency and the date of productio title if the slides are part of a series; content of the slides; (e) references number of the set of slides if it has such a number, t in the set, the size of the slides, and special notati Following these descriptive data are several numbers i These code numbers refer to specific instructions for slides which are explained on pages 306-329 of this ca to obtain the first set of slides listed below, for ex where under code number 27, directions are given for b slides from the U. S. Public Health Service. Activated Sludge Process U.S. Public Health Service |
|
Filmstrip |
|
|
| 1949 |
17. S. Government Films |
ALL of the filmstrips listed and described in this cat Unless otherwise indicated, they are silent, black-and frame filmstrips. Color filmstrips and double-frame fi labeled and sound filmstrips are identified by the phr disc" which is, unless otherwise indicated, a 16-inch playing speed of 3353 rpm. Each filmstrip is described as follows: (a) the title the name of the producing agency or agencies and the d (c) title if the filmstrip is part of a seri the series summary of the content of the filmstrip; (e) referenc and (f) the order number of the filmstrip if it has su length in frames, and special notations for color film filmstrips, and sound filmstrips, i.e., the existence recording. Following these descriptive data are several numbers i These code numbers refer to specific instructions for filmstrips which are explained on pages 306-329 of thi how to obtain the first filmstrip listed below, for ex where, under code number 5, directions are given for o Acres in This Place No. 4) R U.S. Bureau of the Census |
30 frames |
16mm |
|
|
| 1948 |
Black Eagle. |
Robert Cohn production; screenplay, Edward Huebsch, Hall Smith; adaptation, Edward Huebsch; based on the O. Henry story, "The Passing of Black Eagle" ; directed by Robert Gordon. |
8 reels |
35mm |
B&W |
sound |
| 1945 |
18 U. S. GOVERN |
Black Bullets U.S. Department of the Army |
14 min |
16mm |
|
|
| 1943 |
Freeway Phobia: Bewley, J. Derek, 1943- |
Bewley J. Derek 1943- Black Michael 1932- |
|
16mm |
|
sound |
| 1942 |
Dudes are Pretty People |
BLACK |
55 min. |
16mm |
B&W |
sound |
| 1941 |
Wolfman, The |
BLACK |
9 min |
16mm |
B&W |
|
| 1939 |
Circus Slicker |
BLACK |
11 min. |
16mm |
B&W |
sound |
| 1938 |
Alexander Black : |
grandfather of picture plays directed by Adolph Zukor and Malcolm Black. |
12 |
16mm |
Color & B&W |
silent |
| 1938 |
Swiss Miss |
BLACK |
97 min. |
16mm |
B&W |
|
| 1937 |
Pigskin Palooka, The |
BLACK |
11 min. |
16mm |
B&W |
|
| 1936 |
Neptune's Nonsense |
BLACK |
7 min |
16mm |
Color |
|
| 1935 |
Thicker than Water |
BLACK |
21 min. |
16mm |
B&W |
|
| 1934 |
Big Thumb |
BLACK |
9 min |
16mm |
B&W |
|
| 1934 |
Live Ghost |
BLACK |
21 min. |
16mm |
B&W |
|
| 1934 |
Oliver the Eighth |
BLACK |
30 min. |
16mm |
B&W |
|
| 1933 |
Busy Bodies |
BLACK |
17 min. |
16mm |
B&W |
sound |
| 1933 |
Dirty Work |
BLACK |
20 min. |
16mm |
B&W |
|
| 1933 |
Kid 'N' Hollywood |
BLACK |
10 min. |
16mm |
B&W |
|
| 1933 |
Kid from Borneo |
BLACK |
17 min. |
16mm |
B&W |
|
| 1933 |
Midnight Patrol |
BLACK |
19 min. |
16mm |
B&W |
|
| 1932 |
Any Old Port |
BLACK |
20 min. |
16mm |
B&W |
|
| 1932 |
County Hospital |
BLACK |
21 min. |
16mm |
B&W |
|
| 1932 |
Dentist, The |
BLACK |
21 min. |
16mm |
B&W |
sound |
| 1932 |
Three tales of mystery (The living dead) |
directed by Richard Oswald. |
63 |
16mm |
B&W |
sound |
| 1931 |
Come Clean |
BLACK |
20 min. |
16mm |
B&W |
sound |
| 1931 |
Laughing Gravy |
BLACK |
19 min. |
16mm |
B&W |
|
| 1930s |
The Danube : |
from the Black Forest to Vienna an RDV film ; by Otto Trippel. |
20 |
16mm |
B&W |
sound |
| 1930 |
Another Fine Mess |
BLACK |
29 min. |
16mm |
B&W |
|
| 1930 |
Brats |
BLACK |
19 min. |
16mm |
B&W |
|
| 1930 |
Fontaine Fox: Toonerville Trolley;Laurel and Hardy: Dirty Work; Going Bye-Bye Compilation |
Black Hawk Films |
12:00 |
|
|
|
| 1930 |
Laurel and Hardy Murder Case |
BLACK |
25 min. |
16mm |
B&W |
|
| 1929 |
Berth Marks |
BLACK |
21 min. |
16mm |
B&W |
|
| 1929 |
Dangerous Females |
Black Hawk Films |
7:00 |
|
|
|
| 1929 |
Double Whoppee |
BLACK |
19 min. |
16mm |
B&W |
|
| 1929 |
Perfect Day, A |
BLACK |
21 min. |
16mm |
B&W |
|
| 1928 |
Spook Spoofing |
BLACK |
22 min. |
16mm |
B&W |
|
| 1927 |
Chilmark : |
a Florethel film fantasy by Alexander Black. |
7 |
16mm |
B&W |
silent |
| 1926 |
Son of the Shiek |
BLACK |
27 min. |
16mm |
B&W |
|
| 1923 |
Balloonatic (Buster Keaton) |
Black Hawk Films |
800 ft. |
|
|
|
| 1923 |
The magic circle |
by Alexander Black. |
5 |
16mm |
B&W |
silent |
| 1922 |
Cops (Buster Keaton) |
Black Hawk Films |
800 ft. |
|
|
|