| 1915 |
Bank, The |
BLACK |
25 min. |
16mm |
B&W |
|
| 1915 |
Tramp, The |
BLACK |
28 min. |
16mm |
B&W |
sound |
| 1916 |
Count, The |
BLACK |
22 min. |
16mm |
B&W |
sound |
| 1916 |
Pawnshop, The |
BLACK |
20 min. |
16mm |
B&W |
sound |
| 1916 |
The Rink (Charlie Chaplin) |
Black Hawk Films |
800 ft. |
|
B&W |
silent |
| 1917 |
Adventurer, The |
BLACK |
21 min. |
16mm |
B&W |
|
| 1917 |
Cure, The |
BLACK |
22 min. |
16mm |
B&W |
|
| 1917 |
THE BLACK STORK. |
Black Stork Co. |
|
|
|
|
| 1922 |
Cops (Buster Keaton) |
Black Hawk Films |
800 ft. |
|
|
|
| 1923 |
Balloonatic (Buster Keaton) |
Black Hawk Films |
800 ft. |
|
|
|
| 1923 |
The magic circle |
by Alexander Black. |
5 |
16mm |
B&W |
silent |
| 1926 |
Son of the Shiek |
BLACK |
27 min. |
16mm |
B&W |
|
| 1927 |
Chilmark : |
a Florethel film fantasy by Alexander Black. |
7 |
16mm |
B&W |
silent |
| 1928 |
Spook Spoofing |
BLACK |
22 min. |
16mm |
B&W |
|
| 1929 |
Berth Marks |
BLACK |
21 min. |
16mm |
B&W |
|
| 1929 |
Dangerous Females |
Black Hawk Films |
7:00 |
|
|
|
| 1929 |
Double Whoppee |
BLACK |
19 min. |
16mm |
B&W |
|
| 1929 |
Perfect Day, A |
BLACK |
21 min. |
16mm |
B&W |
|
| 1930 |
Another Fine Mess |
BLACK |
29 min. |
16mm |
B&W |
|
| 1930 |
Brats |
BLACK |
19 min. |
16mm |
B&W |
|
| 1930 |
Fontaine Fox: Toonerville Trolley;Laurel and Hardy: Dirty Work; Going Bye-Bye Compilation |
Black Hawk Films |
12:00 |
|
|
|
| 1930 |
Laurel and Hardy Murder Case |
BLACK |
25 min. |
16mm |
B&W |
|
| 1930s |
The Danube : |
from the Black Forest to Vienna an RDV film ; by Otto Trippel. |
20 |
16mm |
B&W |
sound |
| 1931 |
Come Clean |
BLACK |
20 min. |
16mm |
B&W |
sound |
| 1931 |
Laughing Gravy |
BLACK |
19 min. |
16mm |
B&W |
|
| 1932 |
Any Old Port |
BLACK |
20 min. |
16mm |
B&W |
|
| 1932 |
County Hospital |
BLACK |
21 min. |
16mm |
B&W |
|
| 1932 |
Dentist, The |
BLACK |
21 min. |
16mm |
B&W |
sound |
| 1932 |
Three tales of mystery (The living dead) |
directed by Richard Oswald. |
63 |
16mm |
B&W |
sound |
| 1933 |
Busy Bodies |
BLACK |
17 min. |
16mm |
B&W |
sound |
| 1933 |
Dirty Work |
BLACK |
20 min. |
16mm |
B&W |
|
| 1933 |
Kid 'N' Hollywood |
BLACK |
10 min. |
16mm |
B&W |
|
| 1933 |
Kid from Borneo |
BLACK |
17 min. |
16mm |
B&W |
|
| 1933 |
Midnight Patrol |
BLACK |
19 min. |
16mm |
B&W |
|
| 1934 |
Big Thumb |
BLACK |
9 min |
16mm |
B&W |
|
| 1934 |
Live Ghost |
BLACK |
21 min. |
16mm |
B&W |
|
| 1934 |
Oliver the Eighth |
BLACK |
30 min. |
16mm |
B&W |
|
| 1935 |
Thicker than Water |
BLACK |
21 min. |
16mm |
B&W |
|
| 1936 |
Neptune's Nonsense |
BLACK |
7 min |
16mm |
Color |
|
| 1937 |
Pigskin Palooka, The |
BLACK |
11 min. |
16mm |
B&W |
|
| 1938 |
Alexander Black : |
grandfather of picture plays directed by Adolph Zukor and Malcolm Black. |
12 |
16mm |
Color & B&W |
silent |
| 1938 |
Swiss Miss |
BLACK |
97 min. |
16mm |
B&W |
|
| 1939 |
Circus Slicker |
BLACK |
11 min. |
16mm |
B&W |
sound |
| 1941 |
Wolfman, The |
BLACK |
9 min |
16mm |
B&W |
|
| 1942 |
Dudes are Pretty People |
BLACK |
55 min. |
16mm |
B&W |
sound |
| 1943 |
Freeway Phobia: Bewley, J. Derek, 1943- |
Bewley J. Derek 1943- Black Michael 1932- |
|
16mm |
|
sound |
| 1945 |
18 U. S. GOVERN |
Black Bullets U.S. Department of the Army |
14 min |
16mm |
|
|
| 1948 |
Black Eagle. |
Robert Cohn production; screenplay, Edward Huebsch, Hall Smith; adaptation, Edward Huebsch; based on the O. Henry story, "The Passing of Black Eagle" ; directed by Robert Gordon. |
8 reels |
35mm |
B&W |
sound |
| 1949 |
17. S. Government Films |
ALL of the filmstrips listed and described in this cat Unless otherwise indicated, they are silent, black-and frame filmstrips. Color filmstrips and double-frame fi labeled and sound filmstrips are identified by the phr disc" which is, unless otherwise indicated, a 16-inch playing speed of 3353 rpm. Each filmstrip is described as follows: (a) the title the name of the producing agency or agencies and the d (c) title if the filmstrip is part of a seri the series summary of the content of the filmstrip; (e) referenc and (f) the order number of the filmstrip if it has su length in frames, and special notations for color film filmstrips, and sound filmstrips, i.e., the existence recording. Following these descriptive data are several numbers i These code numbers refer to specific instructions for filmstrips which are explained on pages 306-329 of thi how to obtain the first filmstrip listed below, for ex where, under code number 5, directions are given for o Acres in This Place No. 4) R U.S. Bureau of the Census |
30 frames |
16mm |
|
|
| 1950 |
Conquest of the Pole |
BLACK |
12 min. |
16mm |
B&W |
|