| WHY WATER TREATMENT IS NECESSARY IN THE MANUFACTURE OF ICE. |
1926 |
Middle West Utilities Co. (also mentioned: A. J. Authenrieth) |
|
|
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|
| WHY WAIT? 1924. |
1924 |
Universal Pictures Corp. |
1 reel |
|
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| WHY TRUST YOUR HUSBAND. |
1921 |
Fox Film Corp |
5 reels |
|
|
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| WHY THEY LEFT HOME. |
1917 |
Universal Film Mfg. Co. Inc. |
1 reel |
|
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| WHY THERE IS NO SUBSTITUTE FOR WILLYS KNIGHT PERFORMANCE. |
1929 |
Willys-Overland Inc. |
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| WHY THE WILLYS SIX WAS UNIVERSALLY ACCEPTED. |
1930 |
Willys-Overland Inc. |
1 reel |
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| WHY THE WHIPPET SIX IS A DISTINCTIVE SIX. |
1928 |
Willys-Overland Inc. |
1 reel |
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| WHY THE WHIPPET IS YOUR 1930 OPPORTUNITY. |
1930 |
Willys-Overland Inc. |
1 reel |
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| WHY THE SUPERIOR WHIPPET SIX IS A HIGH CLASS LOW PRICE CAR. |
1929 |
Willys-Overland Inc. |
1 reel |
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| WHY THE SHERIFF IS A BACHELOR. |
1914 |
Selig Polyscope Co. |
2 reels |
|
B&W |
silent |
| WHY THE S.N.C.F. CONVERTED TO ELECTRICITY ▶ |
1920’ |
|
|
16mm |
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| WHY THE LIBERAL ARTS? |
1958 |
|
30 min |
16mm |
B&W |
Sound |
| WHY THE KNIGHT ENGINE IMPROVES WITH USE. |
1927 |
Willys-Overland Inc. |
1 reel |
|
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| WHY THE ACTOR WAS LATE. |
1908 |
|
160 |
16mm |
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| WHY STUDY SOCIAL SCIENCE |
1962 |
Produced by John F. Criswell |
10 min |
16mm |
B&W |
Sound |
| WHY STUDY MATHEMATICS |
1962 |
Produced by John F. Criswell |
10 min |
16mm |
B&W |
Sound |
| WHY SPACE ▶ |
1962 |
McDonnell Douglas Corp Film And TV Communications |
|
16mm |
|
sound |
| WHY SMITH LEFT HOME. |
1919 |
Famous Players-Lasky Corp. |
5 reels |
|
B&W |
|
| WHY SEASONS CHANGE |
1960 |
|
11 min |
16mm |
B&W |
Sound |
| WHY PROMPT PEACE-SETTLEMENTS IN ALGERIA AND PALESTINE ARE IN EVERYBODY'S INTEREST |
|
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| WHY PLAY LEAP FROG? |
1950 |
Sutherland (John) Productions Inc. |
4:00 |
16mm |
|
sound |
| WHY PLAY LEAP FROG? ▶ |
1949 |
|
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| WHY PICK ON ME? |
1918 |
Pathe Exchange Inc. |
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|
B&W |
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| WHY PEOPLE BUY LIFE INSURANCE. (Series for the Instruction of Life Insurance Salesmen, v. 3) |
1930 |
Life Insurance Sales Research Bureau |
1 reel |
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| WHY PEOPLE BUY |
1981 |
CRM/McGraw-Hill Films. |
8:00 |
16mm |
|
sound |
| WHY PAY YOUR RENT? 1924. |
1924 |
Universal Pictures Corp. |
1 reel |
|
|
|
| WHY PAY RENT? 1923. |
1923 |
Fox Film Corp |
2 reels |
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| WHY PAY RENT? |
1935 |
Vitaphone Corp. |
2 reels |
|
|
|
| WHY NOT YOU |
2020 |
Quebec TB |
10min |
16mm |
Color |
Silent |
| WHY NOT NOW? (Eddie Lyons Comedy) |
1922 |
Arrow Film Corp |
2 reels |
|
|
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| WHY MULES LEAVE HOME. (Paul Terry-Toons) |
1934 |
Moser & Terry |
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| WHY MULES LEAVE HOME. |
1927 |
Universal Pictures Corp. |
1 reel |
|
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| WHY MRS. KENTWORTH LIED. Imp. |
1916 |
Universal Film Mfg. Co. Inc. |
3 reels |
|
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| WHY MRS. JONES CHOOSES ICE. |
1932 |
Guy L. Andre |
1 reel |
|
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| WHY MICE LEAVE HOME. |
1924 |
Pathe Exchange Inc. |
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| WHY MEN WORK. (Hal Roach Comedy) |
1924 |
Pathe Exchange Inc. |
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| WHY MEN LEAVE HOME. |
1924 |
First National. |
8 reels |
|
B&W |
|
| WHY MEN FORGET. |
1922 |
R-C Pictures Corp. |
5 reels |
|
|
|
| WHY MEAT-TYPE HOGS? |
1956 |
|
12½min |
16mm |
B&W |
Sound |
| WHY ME? THE EFFECTS OF ALCOHOL AND OTHER DRUGS ON DRIVING ABILITIES ▶ |
1978 |
|
|
16mm |
|
|
| WHY LOVE IS BLIND. |
1916 |
Selig Polyscope Co. |
3 reels |
|
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| WHY LIFE INSURANCE. |
1931 |
The Northwestern Mutual Life Insurance Co. (also mentioned: Nelson D. Phelps and Russell Thierbach) |
|
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| WHY LEE! (Star Comedy) |
1920 |
Universal Film Mfg. Co. Inc. |
1 reel |
|
|
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| WHY LEAVE HOME. |
1929 |
Fox Film Corp |
|
|
B&W |
|
| WHY KOREA? |
1951 |
Edmund Reek |
30 min |
16mm |
Color & B&W |
sound |
| WHY KOREA? |
1957 |
Produced by Twentieth Century-Fox Film Corp. |
29 min |
16mm |
B&W |
Sound |
| WHY KIDS LEAVE HOME. (A Grantland Rice Sportlight) |
1925 |
Pathe Exchange Inc. |
|
|
|
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| WHY IS A PLUMBER. (Roach Star Comedies) |
1929 |
Metro-Goldwyn-Mayer Distributing Corp. |
2 reels |
|
|
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| WHY I WOULD NOT MARRY. |
1918 |
Fox Film Corp |
6 reels |
|
|
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| WHY I MARRIED MABEL |
1957 |
Produced by Florez, Inc. |
25 min |
16mm |
Color |
Sound |