| WHY EXPLORE SPACE? (1963) |
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| WHY ELEPHANTS LEAVE HOME. |
1924 |
Pathe Exchange Inc. |
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| WHY EAT OUR VEGETABLES? |
1962 |
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11 min |
16mm |
B&W |
Sound |
| WHY DRY |
1959 |
Produced by Edward H. Hawkins Productions |
34 min |
16mm |
Color |
Sound |
| WHY DREAM OF LOVE |
1946 |
Filmcraft (Firm) |
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16mm |
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sound |
| WHY DOWN YEAST. |
1921 |
Super Art Productions (also mentioned: Kenneth Ward) |
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| WHY DON'T YOU BELIEVE ME? [STRIP TEASE] |
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16mm |
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sound |
| WHY DON'T WE DO THIS MORE OFTEN |
1941 |
Minoco Productions |
1:00 |
16mm |
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sound |
| WHY DON'T CHA KISS ME |
1946 |
R C M Productions |
1:00 |
16mm |
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silent |
| WHY DOGS LEAVE HOME. |
1923 |
Universal Pictures Corp. |
2 reels |
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| WHY DOESN’T SOMEBODY SELL ME |
1952 |
Coca Cola Bottling Company |
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| WHY DO YOU THINK THEY CALL IT DOPE? PSAs #2 |
1970s |
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| WHY DO YOU THINK THEY CALL IT DOPE? PSAs #1 |
1970s |
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| WHY DO YOU THINK THEY CALL IT DOPE? |
1970s |
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| WHY DO WE NEED LIMITS? Mathematical Sciences Group. |
1969 |
Mathematical Sciences Group Inc. |
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Filmstripfilmstrip |
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| WHY DO WE NEED AIR? |
1962 |
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13½min |
16mm |
Color |
Sound |
| WHY DO THINGS DIFFER? |
1956 |
WGBH |
30 min |
16mm |
B&W |
Sound |
| WHY DO THEY DO IT? 1921. |
1921 |
Norman E. Wilding |
1 reel |
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| WHY DO THEY CHOOSE A STATION THE FIRST TIME? |
1950s |
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16mm |
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| WHY DO THEY CHOOSE A STATION THE FIRST TIME? |
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16mm |
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| WHY DO I DREAM THOSE DREAMS. (Merrie Melodies) |
1934 |
Warner Bros. Pictures Inc. |
1 reel |
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| WHY DID I FALL FOR ABNER |
1945 |
R C M Productions |
1:00 |
16mm |
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sound |
| WHY CONTINUE THE STRUGGLE. |
1930 |
Paramount Publix Corp. |
1 reel |
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| WHY COMMUNITIES TRADE GOODS (1966) |
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| WHY COMMUNICATION SATELLITES ? |
1963 |
Film Associates of California |
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16mm |
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| WHY CHANGE YOUR WIFE? Paramount-Artcraft. |
1920 |
Famous Players-Lasky Corp. |
7 reels |
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| WHY BRING THAT UP? 1929. |
1929 |
Paramount Famous Lasky Corp |
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| WHY BLONDES LEAVE HOME. |
1927 |
Fox Film Corp |
2 reels |
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| WHY BLAME ME? |
1918 |
Samuel H. London |
7 reels |
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| WHY BILLINGS WAS LATE. |
1915 |
Selig Polyscope Co. |
1 reel |
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B&W |
silent |
| WHY BE JEALOUS? 1924. |
1924 |
Universal Pictures Corp. |
1 reel |
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| WHY BE GOOD? 1929. |
1929 |
First National Pictures Inc. |
8 reels |
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| WHY BE GOOD. |
1929 |
Vitaphone Corp. |
1 reel |
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| WHY BE A GOOSE? 1929. |
1929 |
E. B. Lefferts |
1 reel |
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| WHY ASBESTOS? |
1970 |
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16mm |
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| WHY ARGUE. |
1926 |
Pathe Exchange Inc. |
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| WHY ANNOUNCE YOUR MARRIAGE? 1922. |
1922 |
Selznick Pictures Corp. |
5 reels |
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| WHY AMERICA WILL WIN. |
1918 |
Fox Film Corp |
7 reels |
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| WHY AM I A CATHOLIC |
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| WHW-Abzeichen aus dem bayrischen Wald. |
1939 |
Naturfilm-Hubert Schonger |
4:00 |
16mm |
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silent |
| WHOZIT. |
1939 |
J. Kenneth Cooke |
1 reel |
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| WHOSO IS WITHOUT SIN. Ideal Film Renting Co., England. |
1916 |
Paul H. Cromelin |
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| WHOSO FINDETH A WIFE. |
1917 |
U. S. Amusement Corp. |
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| WHOSO DIGGETH A PIT. |
1915 |
Paul H. Cromelin |
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B&W |
silent |
| WHOSE ZOO? |
1918 |
L-Ko Motion Picture Kompany |
2 reels |
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| WHOSE WIFE? (A Stern Brothers Comedy) |
1927 |
Universal Pictures Corp. |
2 reels |
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| WHOSE WAS THE SHAME? |
1915 |
Essanay Film Mfg. Co. |
1 reel |
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B&W |
silent |
| WHOSE SHOES? Encyclopaedia Britannica Educational Corp. |
1969 |
Encyclopaedia Britannica Educational Corp. |
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16mm |
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sound |
| WHOSE LITTLE WIFE ARE YOU. |
1918 |
Mack Sennett |
2 reels |
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| WHOSE HUSBAND? |
1915 |
Vitagraph Co Of America |
1 reel |
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B&W |
silent |