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3 results for "School Of Visual Arts" in Creator.

Found in catalogs (50+)

• See and Hear, 1949, 1951 — page 372

  Arts Visualized: ART IN EDUCATION-Continued Finger Painting (22 min) Si. Purchase or rent: NYU. • A clinical experience for students of child psychology in…

• See and Hear 1948 — page 716

  Arts Visualized: ART IN EDUCATION-Continued Finger Painting (22 rain) Si. Purchase or rent: NVU. • A clinical experience for students of child psychology in…

• Educational Screen 1951,1952,1953 — page 536

  …of art, and director of libraries at Long Island University — a combination of jobs which, he says, "makes me alert to the audio-visual…

• See and Hear, 1949, 1951 — page 373

  …Bur. • Charm of French Canada is presented through examples of its handicrafts. Arts Visualized: Holiday at School (18 min) Sd. Purchase: Can NFB. • Young…

• Educational Screen 1940 — page 36

  …An assembly program was given for the Junior High School, and the college classes in Art and Geography. This consisted of a short talk…

• See and Hear, 1949, 1951 — page 413

  …Visual Sciences. • Tools and suggested technique for rendition of artistic efforts by means of the pencil. Titan-Story of Michelangelo, The (80 frames) 35si…

• Business Screen 1958 — page 447

  …Museum of Art, Richmond; Washington County Museum of Art, Hagerstown, Md.; and Yale University Art Gallery, New Haven. Scenes in public schools of Oberlin…

• Educational Screen 1930-1931 — page 182

  …PLACE IN VISUAL EDUCATION THE Latest Achievements of all the fine arts are being put to use in the public schools of America. Is…

• See and Hear 1950,1951,1952 — page 33

  …Visual Sciences. • Tools and suggested technique for rendition of artistic efforts by means of the pencil. Titan-Story of Michelangelo, The (80 frames) 35si…

• Educational Screen 1930-1931 — page 250

  …GREA7 CHANGES ARE TAKING PLACE IN VISUAL EDUCATION THE Latest Achievements of all the fine arts being put to use in the public schools…

• Educational Screen 1951,1952,1953 — page 733

  …256 pages. $4.00. (To be reviewed in the October Ed Screen.) PLANNING SCHOOLS FOR USE OF AUDIO-VISUAL MATERIALS, NO. 1, CLASSROOMS by…

• See and Hear 1950,1951,1952 — page 264

  …Eye Gate. • This series is a visualization of the greatest artists the world has known and their major works. Michelangelo, Raphael, Leonardo Da Vinci…

• Educational Screen 1957-1958 — page 718

  …of film- strips. .\ background of some experi- ence in visual aids would be of great value. Not all the fault lies with the artist…

• Educational Screen 1936 — page 290

  …Several school systems have already included We Are All Artists in their programs for the coming year, making it the basis of a visual…

• See and Hear 1948 — page 32

  …Promotes better care and handling of such common art tools as brushes, paints, scissors, paste and glue. "Care of Art Materials" is visualized Impossible…

• See and Hear 1951,1952,1953 — page 20

  …Artists of Many Lands & Many Times Series (9 filmstrips). Color. Sale: Eye Gate. • This series is a visualization of the greatest artists the world…

• See and Hear 1948 — page 717

  …Bur. • Charm of French Canada is presented through examples of its handicrafts. Arts Visualized: Holiday at School (18 min) Scl. I'urchasc: (an NFB…

• See and Hear, 1949, 1951 — page 371

  …Visualizing the Arts A CHECKLIST OF MOTION PICTURES AND FILMSTRIPS ON ART • ARCHITECTURE • DANCE • DRAMA • MUSIC Foreword: these many hundreds of films on the…

• See and Hear 1945-1946 — page 634

  Page 1 fro« Teacher 8 Manvial t Radio Art Appreciation Pocke t No. lU Item No. 1 Cleveland Public Schools Pictiu-e Apweciuli Oft…

• See and Hear 1946,1947 — page 344

  …Supervisor of Art and Audio-Visual Education, Knoxville, Tennessee Mary Ozelle Bible South Knoxville Junior High School Virginia Parker Head of the Art Department…

• Educational Screen 1951,1952,1953 — page 537

  …Likewise, Katherine Kuh's Art Has Many Faces: the Kiiitre of art presented visually begins with observations liij\ering around the average man's…

• Educational Screen 1933 — page 62

  …School, and invited a number of artists, art teachers, and film makers. In the audience were mem- bers of the Fine Arts Faculty of…

• See and Hear 1947,1948 — page 31

  …High School. Adult; Social Studies. Art. • This is a study of the Hopi Intii ans emphasizing their arts and cus- toms. They are shown…

• Educational Screen 1930-1931 — page 162

  …Marvelous Acoma and its craftsmen—School Arts Mag., • 27: 351-58, Feb. 1928. Pennsylvania Department of Public In- struction: Visual education and the school…

• Educational Screen 1942 — page 335

  …RCA VICTOR Audio Visual Service Educational Dept. • RCA Manufacturing Company, Inc., Camden, N. J. Only 50c for Photos of all these Victor Artists! Marian…

• See and Hear 1950,1951,1952 — page 377

  Visual Tools Build Young Learners' Interest Art Creativeness & Filmstrips by Ann M. Lally of The Chicago Board of Education WHILE CREATIVE ART WORK is…

• See and Hear 1951,1952,1953 — page 131

  …Creative Arts. -These are three of the five strips in the Community Helpers Series. B- &-W, Society for Visual Education, Inc. ^Chicago—Transportation '3E…

• Business Screen 1965,1966 — page 198

  …Dean of the Schools of the Art Institute, broached the idea to Chi- cago film producer Warren Lieb. From their talks, motion pic- tures…

• Educational Screen 1951,1952,1953 — page 1094

  Evaluation of New Films L C. LARSON, Editor Director, Audio-Visual Center Indiana University, Bloomington CAROLYN GUSS, Assistant Professor, School of Education BETTY STOOPS…

• Educational Screen 1933 — page 275

  …Moreover, participants in agencies for education in- cluding stu<iv cluhs and evening schools more and more are denianding personal use of visual material…

• Educational Screen 1940 — page 343

  …Potter, Superintendent, Milwaukee Public Schools. A. G. Pelikan, Director of the Mil- waukee Art Institute and Director of .Art in the Milwaukee Public Schools…

• Educational Screen 1924-1925 — page 600

  …in the finest sort of "visual education." In the same issue Margery Sweet writes on The Child Artists of Vienna, describing in much affec…

• Educational Screen 1937 — page 126

  …The average yearly expenditure of the 220 schools participating in the study, is $40. Minnesota school administrators endorse the use of audio-visual aids…

• Educational Screen 1934 — page 16

  …Hoek, Principal Longfellow School, Teaneck, N.J. Xorvai. L. Martin, Chairman of Visual Aids Commit- tee, Shields High School, Seymour, Ind. A. J. Stoddard…

• Educational Screen 1954,1955,1956 — page 306

  Is this an audio-visual article? The purpose of this orticle, write the authors, is "to show how instructional moteriols moy be used with…

• Educational Screen 1942 — page 15

  …Whenever possible, these Audio-Visual Enrichment programs—often with appeal to the sense of touch, as well—were held in the Hunter Elementary School…

• Educational Screen 1937 — page 316

  …of years with all this until art and art appreciation are made central and fundamental in- stead of incidental in all the schools of…

• See and Hear, 1949, 1951 — page 374

  Arts Visualized: THE ARTS AND CRAFTS-Continued Toys from Odds and Ends (10 min) Sd. Purcliase or rent: Brandon. • Brief display of articles made…

• Educational Screen 1922 — page 51

  …Aspects of Visual Education I Matilde Castro, Professor of Education at Bryn Mawr and director of the Phebe Anne Thorne Model School. : is the…

• Educational Screen 1943 — page 108

  …School, Fort Knox, Ky. Industrial Arts and Vocational Education 32:8. January, 1943. Tlie principles followed in using visual aids for education . of men…

• See and Hear, 1949, 1951 — page 598

  …In the most casual review of this opportunity we see boundless possibilities for practical use of an audio-visual program on printing arts and…

• See and Hear 1950,1951,1952 — page 34

  …Art and art appreciation classes in high school and college; adult groups; museums and art galleries. • Portrait technique of Abel G. Warshawsky studied from…

• Educational Screen 1930-1931 — page 163

  …Schools and museums working jointly for visual education—School Life, 13: 124-26, Mar. 1928. Dillaway, T. M.: Cooperation of mu- seums of art…

• See and Hear, 1949, 1951 — page 414

  …Art and art appreciation classes in high school and college; adult groups; museums and art galleries. • Portrait technique of Abel G. Warshawsky studied from…

• Educational Screen 1951,1952,1953 — page 721

  …of the 284 schools of Kanawha County, West Virginia could look out the window just any day and see the Director of Art Education…

• Educational Screen 1941 — page 254

  Page 2 50 A New Source of Visual Material for Teaching the History of Art The Educational Screen OF THE many types of course…

• Educational Screen 1954,1955,1956 — page 18

  …What does this do? It shows the fine art film to "non-art" people. Thus a group of women intensely interested in school programs…

• Educational Screen 1932 — page 143

  May, 19)2 Page 135 ( >ne of the main projects is our work with the ichools. Art. more than any other suhject. demands visual…

• See and Hear 1945-1946 — page 633

  …HoRTON Assistant Supervisor of Art, Cleveland Public Schools VISUAL aids have so long been a necessity to vital teaching that we have come to…

• Educational Screen 1957-1958 — page 1112

  valuatioH of new films by L. C. LARSON Director, Audio-Visual Center Indiana University CAROLYN GUSS Associate Professor, School of Education Indiana University ART…