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2 results for "Playing with Time/ Direct Cinema" in Creator.

Found in catalogs (50+)

• Educational Screen 1926-1927 — page 962

  …The Fifty-Fifth Street Cinema in New Yorl City, sponsored by the Art Cinema League has developed interesting programs durinj the summer months just…

• Business Screen 1970 — page 125

  …what is Cinema Verite'.' Cinema Verite is uncontrolled cinema. Cin- ema that is not directed. The filmmaker shoots life as it happens. Shooting people…

• Educational Screen 1933 — page 232

  …Only the other day, one of the best-known directors in England received a script for a silent movie with the subtitles labelled "SNIPPETS…

• Business Screen 1938 — page 276

  …Productions, similarly sponsored, but de- signed for general cinema release. 3. Five hundred foot direct advertisement films, designed solely for cinemas, but re- garded…

• Educational Screen 1926-1927 — page 219

  …yet, no director seems anxious to remove. Mr. Waldman closes his review with fur- ther interesting comments upon lighting. At no time did it…

• Educational Screen 1937 — page 191

  …Wardlaw, director of the Bureau of Visual In- struction, University System of Georgia, who ex- plained "A New Film Service for the South" ; Supt…

• Educational Screen 1928-1929 — page 579

  …Here one may support the principles of good cinema classroom technique by scientific evidence as well as experience. In the first place the cinema…

• Educational Screen 1926-1927 — page 1110

  …Beau Geste was directed by Herbert Brenon. This is the seventh annual award of a Photo- play Gold Medal. The previous winners were Humoresque…

• Educational Screen 1926-1927 — page 535

  …Rai finally played. For those who believe in the cinema as a future rationalizing agent between nations and within nations, Mr. Rai's account…

• Educational Screen 1935 — page 76

  …in common with a play, a novel, painting, music, sculpture, or a dance, are : (1) The story, which has in the film a more…

• Educational Screen 1943 — page 26

  …Hence in these modern times the school should include the cinema. In fact, education, though not always through the formal education of the schools…

• Educational Screen 1928-1929 — page 517

  …Merger of Three National Organizations of Play-goerg Announcement has been made by the executive director, George Reid Andrews, of the merger of the…

• Educational Screen 1926-1927 — page 22

  …Few in comparison with the whole cinema audience of hundreds of millions of people, but actually numerous enough to begin to make their wants…

• Educational Screen 1926-1927 — page 158

  …first time the picture play has posed as the critic of the Government. The story of the American Indian cannot be told without bringing…

• Educational Screen 1954,1955,1956 — page 1323

  …UNITED STATES A DOUBLE LIFE Ronald Colman in his Academy Award-winning performance in a play within a play." Dir*-ctcd by Ciforge Cukor…

• Business Screen 1961,1962 — page 241

  …Imaginative — and in many ways daring — cinematography and direction, combined with exciting choreography, make A Touch of Magic a work of considerable beauty, impact…

• Business Screen 1967,1968 — page 200

  …HOLbom 7666 Date of Organization; 1957 James Carr, Director V. L. Price, Director J. A. Harris, Director Services; All types of TV and cinema…

• Educational Screen 1946-1947 — page 420

  …With a sound sense of psychology, two of the big cir- cuits founded "children's cinema clubs." Yoit could attend the Saturday morning club…

• Business Screen 1965,1966 — page 589

  …No warm-up time required. For display use, it will run without supervision, repeating automatically. It takes up to 22 minutes of film with…

• Educational Screen 1951,1952,1953 — page 280

  …with very elaborate programs. This modest growth may not reveal a headlong rush of Amer- ican universities to provide appreciation courses in the cinema…

• Business Screen 1967,1968 — page 517

  …And these same Kodak engineers are stay- ing with it — playing with it, putting thousands of feet through it. They know it holds the…

• Educational Screen 1922 — page 76

  …The cinema is a new field with limitless possibilities for disre- garding the unities of time and place if not actual space, but as…

• Educational Screen 1930-1931 — page 319

  …generations as the cinema measures time. However, the situation is gradually being overcome, and will be met more rapidly in direct ratio to the…

• Educational Screen 1926-1927 — page 651

  …without any assist- ace. or to write compositions directly after ley have seen the film. The first lesson after |e visit to the Cinema…

• Business Screen 1957 — page 384

  …in conjunction with the SMPTE Convention. 9 * * » "Keep 'Em in the East" Theme of Television Council Luncheon Elia Kazan, producer-director, and Joey Adams…

• Educational Screen 1937 — page 125

  …books, plays and poems as themes for pictures. A similar investigation was made of radio auditions with rather startling re- sults. "With reading interest…

• Educational Screen 1924-1925 — page 469

  …Rather "we must wonder at the might of the cinema, the silent art directly accessible to all the world whatever their nationality or grade…

• Educational Screen 1930-1931 — page 307

  …Stenhouse's "Cinema Litera- ture," Bryher's "Danger in the Cinema" and Oswell Blakeston's "Enough—No More" as a diver- sified list of…

• Business Screen 1963,1964 — page 1473

  …Working with you in the inception stage, they help you get the most from your material . . . often saving you time and money. And with…

• Business Screen 1963,1964 — page 393

  …purl H-liuh the aiidio-visucil media, es- pecially the cinema, can play in joslering culliiral exchanses between the nations. When one turns, however…

• Business Screen 1961,1962 — page 270

  NATIONAL DIRECTORY OF VISUAL EDUCATION DEALERS EASTERN STATES • MASSACHUSETTS • Cinema, Inc., 234 Clarendon St., Boston 16. • NEW JERSEY • Association Films, Inc., Broad at Elm…

• Educational Screen 1940 — page 452

  …Masters" with world-famed musicians. Each program consists of three one-reel subjects. Program No. 2 features : Vronsky and Babin—Piano Duo playing in…

• Educational Screen 1954,1955,1956 — page 724

  …CinemaScope in 16mni Theatrical releases in CinemaScope on 16mm with optical sound are now available. Bausch & Lomb has a new 16mm anamorphic projection lens…

• Business Screen 1959,1960 — page 221

  …Tors does see it with his own eyes. Whenever he shoots underwater, he and his secretary, both expert divers, go down with the director…

• Business Screen 1963,1964 — page 1358

  …to set up Sky- port Cinema theatres. Leading U.S. airports range from busy O'Hare in Chicago, with 6.270.020 annual departures…

• Educational Screen 1940 — page 388

  …In the modern high school something seems to be going on all the time. There are sub-freshmen days, athletic events, plays, concerts, and…

• Educational Screen 1933 — page 135

  …The plan of the National Congress of Parents and Teachers is then outlined with full directions for getting into prompt communication with source ma…

• Educational Screen 1941 — page 125

  …Especially pertinent are the pages devoted to the influence of the cinema during war-time, bringing us up to the March of Time's…

• Educational Screen 1946-1947 — page 535

  …Inertia of readers of Educational Screen in getting others to join with us, is another cause. It's true that almost every amateur cinematographer…

• Educational Screen 1937 — page 316

  …There are many qualities of a play that do not come over into the art of the screen directly. The play deals with a…

• Educational Screen 1922 — page 124

  …Within 60 days, a complete directory of the principal exchanges distributii non-theatrical films will be printed and mailed to each subscriber, without charg…

• Business Screen 1956 — page 547

  …One of the most inspiring scenes of the film is the interpretation of Ferde Grofes "Grand Canyon Suite." played by the National High School…

• Educational Screen 1923 — page 189

  …Blade" by Beulah Marie Dix, "TerwilHger," directed by Frank Borzage, to be released as "Sands of Time," Norma Talmadge's next pic- ture, "Ashes…

• Business Screen 1970 — page 246

  CREATE THE Right MOOD EVERY TIME with the = '1 n MAJOR IPRODUCTION [music [LIBRARY |"MAJOR" offers you a full =70 hours of background Hproduction…

• Educational Screen 1932 — page 85

  …He plays ball with the "kids" of the neighborhood and teaches them. IIOl only something of the fine art of hall playing, but the…

• Business Screen 1956 — page 704

  …exact placing ana exact timing or the picture. Does away with the human element or button push- ing. With ESI, slide film pictures change…

• Business Screen 1961,1962 — page 662

  …Equipped with one of the com- pany's specially constructed "mo- bile cinema" vans, he's off to Mount Kenya or Kilimanjaro. Purpose; Film…

• Business Screen 1961,1962 — page 1000

  …producer-director: Lewis Jacobs, associate producer: and Tonv Brooke, cinematographer. g^ The Interchangeable Fihnakers ••> Marvin Rothenberg. a leading pro- ducer-director of TV commercials…

• Business Screen 1967,1968 — page 482

  …work with the totally inadequate three-screen effort by the inexperienced still photographer. Art Kane, whose 20-minute film, A Time to Play brought…

• Educational Screen 1926-1927 — page 160

  …Here is much the same material that has been used any number of times in previous war films, and much the same resources with…