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2 results for "Playing with Time/ Direct Cinema" in Creator.

Found in catalogs (50+)

• Educational Screen 1926-1927 — page 962

  …The Fifty-Fifth Street Cinema in New Yorl City, sponsored by the Art Cinema League has developed interesting programs durinj the summer months just…

• Educational Screen 1933 — page 232

  …Only the other day, one of the best-known directors in England received a script for a silent movie with the subtitles labelled "SNIPPETS…

• Educational Screen 1937 — page 191

  …Wardlaw, director of the Bureau of Visual In- struction, University System of Georgia, who ex- plained "A New Film Service for the South" ; Supt…

• Educational Screen 1926-1927 — page 219

  …yet, no director seems anxious to remove. Mr. Waldman closes his review with fur- ther interesting comments upon lighting. At no time did it…

• Educational Screen 1928-1929 — page 579

  …Here one may support the principles of good cinema classroom technique by scientific evidence as well as experience. In the first place the cinema…

• Educational Screen 1926-1927 — page 1110

  …Beau Geste was directed by Herbert Brenon. This is the seventh annual award of a Photo- play Gold Medal. The previous winners were Humoresque…

• Educational Screen 1943 — page 26

  …Hence in these modern times the school should include the cinema. In fact, education, though not always through the formal education of the schools…

• Educational Screen 1935 — page 76

  …in common with a play, a novel, painting, music, sculpture, or a dance, are : (1) The story, which has in the film a more…

• Educational Screen 1926-1927 — page 535

  …Rai finally played. For those who believe in the cinema as a future rationalizing agent between nations and within nations, Mr. Rai's account…

• Educational Screen 1926-1927 — page 22

  …Few in comparison with the whole cinema audience of hundreds of millions of people, but actually numerous enough to begin to make their wants…

• Educational Screen 1954,1955,1956 — page 1323

  …UNITED STATES A DOUBLE LIFE Ronald Colman in his Academy Award-winning performance in a play within a play." Dir*-ctcd by Ciforge Cukor…

• Educational Screen 1926-1927 — page 158

  …first time the picture play has posed as the critic of the Government. The story of the American Indian cannot be told without bringing…

• Educational Screen 1928-1929 — page 517

  …Merger of Three National Organizations of Play-goerg Announcement has been made by the executive director, George Reid Andrews, of the merger of the…

• Educational Screen 1946-1947 — page 420

  …With a sound sense of psychology, two of the big cir- cuits founded "children's cinema clubs." Yoit could attend the Saturday morning club…

• Educational Screen 1951,1952,1953 — page 280

  …with very elaborate programs. This modest growth may not reveal a headlong rush of Amer- ican universities to provide appreciation courses in the cinema…

• Educational Screen 1926-1927 — page 651

  …without any assist- ace. or to write compositions directly after ley have seen the film. The first lesson after |e visit to the Cinema…

• Educational Screen 1930-1931 — page 319

  …generations as the cinema measures time. However, the situation is gradually being overcome, and will be met more rapidly in direct ratio to the…

• Educational Screen 1924-1925 — page 469

  …Rather "we must wonder at the might of the cinema, the silent art directly accessible to all the world whatever their nationality or grade…

• Educational Screen 1937 — page 125

  …books, plays and poems as themes for pictures. A similar investigation was made of radio auditions with rather startling re- sults. "With reading interest…

• Educational Screen 1940 — page 452

  …Masters" with world-famed musicians. Each program consists of three one-reel subjects. Program No. 2 features : Vronsky and Babin—Piano Duo playing in…

• Educational Screen 1930-1931 — page 307

  …Stenhouse's "Cinema Litera- ture," Bryher's "Danger in the Cinema" and Oswell Blakeston's "Enough—No More" as a diver- sified list of…

• Educational Screen 1946-1947 — page 535

  …Inertia of readers of Educational Screen in getting others to join with us, is another cause. It's true that almost every amateur cinematographer…

• Educational Screen 1941 — page 125

  …Especially pertinent are the pages devoted to the influence of the cinema during war-time, bringing us up to the March of Time's…

• Educational Screen 1933 — page 135

  …The plan of the National Congress of Parents and Teachers is then outlined with full directions for getting into prompt communication with source ma…

• Educational Screen 1922 — page 76

  …The cinema is a new field with limitless possibilities for disre- garding the unities of time and place if not actual space, but as…

• Educational Screen 1940 — page 388

  …In the modern high school something seems to be going on all the time. There are sub-freshmen days, athletic events, plays, concerts, and…

• Educational Screen 1954,1955,1956 — page 724

  …CinemaScope in 16mni Theatrical releases in CinemaScope on 16mm with optical sound are now available. Bausch & Lomb has a new 16mm anamorphic projection lens…

• Educational Screen 1926-1927 — page 160

  …Here is much the same material that has been used any number of times in previous war films, and much the same resources with…

• Educational Screen 1946-1947 — page 375

  …the direction of the Clinic Psychologist and the classroom teacher as part of the guidance curriculum, h) .Imcricaiia All (March of Time) shown to…

• Educational Screen 1922 — page 124

  …Within 60 days, a complete directory of the principal exchanges distributii non-theatrical films will be printed and mailed to each subscriber, without charg…

• Educational Screen 1937 — page 316

  …There are many qualities of a play that do not come over into the art of the screen directly. The play deals with a…

• Educational Screen 1923 — page 189

  …Blade" by Beulah Marie Dix, "TerwilHger," directed by Frank Borzage, to be released as "Sands of Time," Norma Talmadge's next pic- ture, "Ashes…

• Educational Screen 1942 — page 198

  …Gray, Director of Field Studies, Erpi Progressive Edu- cation, 19:153 Mar. 1942 A summary of man's experiences with graphic means of communication…

• Educational Screen 1948-1949 — page 786

  …Introspection (original cinematic experiments with the dance) ; This Day (a film poem on the horror and futility of war as told by an artist…

• Educational Screen 1950 — page 370

  …The art of cinema calls in photography, painting, sculpture and musical art—which are directed toward sense beauty and, also, literary art, which is…

• Educational Screen 1941 — page 423

  …He says, "We study story con- tent, comparing with novels, plays, stories, studying how movies tell stories differently—cinematically." By using movies that "range…

• Educational Screen 1932 — page 221

  …Even with a good amount of deflation, it is still too much stressed and throws the film hack to the rigidities of its earlier…

• Educational Screen 1937 — page 258

  …High speed cameras, with film moving about one hundred times faster than usual, are in general use in certain re- searches. The English Journal…

• Educational Screen 1932 — page 85

  …He plays ball with the "kids" of the neighborhood and teaches them. IIOl only something of the fine art of hall playing, but the…

• Educational Screen 1926-1927 — page 910

  …Peck, using Beau Geste, illus- trates the elaborate and complicated processes — direction from a plane by radio, signalling with huge panels of cloth to…

• Educational Screen 1928-1929 — page 390

  …It concerns itself only with the trial and death of Joan—the bare outline of her final days—and it is played and directed…

• Educational Screen 1926-1927 — page 471

  …The film, not quite finished, was shown for us by the director at the request of the Russian Bureau of Cultural Relations with Foreign…

• Educational Screen 1923 — page 97

  …Kyne, is not impressive in spite of careful filming and direction. {Theatrical only.) THE YOUNG RAJAH (Famous Players-Lasky) This play was most patiently…

• Educational Screen 1930-1931 — page 30

  …light, using care of course not to shoot directly in- to the sun. Movies of plays are especially valuable to coaches for studying their…

• Educational Screen 1946-1947 — page 806

  …In Journey Together, script, direction, photography, and recording were carried out b\- people with a fea- ture, not a documentary, training and background. Al…

• Educational Screen 1924-1925 — page 591

  …to have a splendid time watching this film. The story deals with two students at Oxford University, in love with two young heiresses, whose…

• Educational Screen 1930-1931 — page 15

  …but the director of service, or the stylist, will be able to anticipate the demand for certain fabrics and will have time to plan…

• Educational Screen 1924-1925 — page 446

  …He returns for a time to the picturesque Spanish costume which we are al- ways to associate with memories of "The Four Horsemen," but…

• Educational Screen 1922 — page 272

  …held, either ; direction, acting power, cinematography, and last of all, ethical standard, the department editor soug to make it clear. With the same degree…

• Educational Screen 1940 — page 417

  …and Holslao, E., Making Better Movies, Amateur Cinema League, 1937. (The manual for members of the Amateur Cinema League, dealing with simple and advanced…