Search

163 results for "Perspec" in Creator.

Found in catalogs (50+)

• Educational Screen 1926-1927 — page 592

  588 THE EDUCATIONAL SCREEN a non-perspective stereograph in the case of the even-numbered subjects. The comple- Form A To Odd-numbered Subjects…

• Educational Screen 1926-1927 — page 593

  STEREOSCOPIC PERSPECTIVE AND THE ATTENTION SPAN 589 ;n college students. Hie results Iroin the vo groups were tabulated separately and the leans computed. These…

• Educational Screen 1951,1952,1953 — page 719

  THE SEVEN LAWS OF PERSPECTIVE Surfa Size shading Surface lines Density \ \ Overlapping Foreshortaning no •I ~Tne they will have, in addition, substantial drawing vocabu…

• Educational Screen 1944-45 — page 28

  …1.) The Egyptians developed a style of perspective repre- senting distance by putting the nearest object at the bottom and building u\i ,the…

• Educational Screen 1951,1952,1953 — page 548

  …This film uses animation and spoken commentary to explain the basic elements of perspective drawing. First it points out that since the eye naturally…

• Educational Screen 1951,1952,1953 — page 536

  …Certainly as enriching experience, as leads to well-directed observation, as in- troductory avenues to the artists' perspectives (m life, little more can be…

• Educational Screen 1922 — page 78

  …As to the first type of spectacle film that adheres to a single period and is epic, not in its perspective of time but…

• Educational Screen 1957-1958 — page 59

  …2 AV FOR THE WHOLE COMMUNITY HOW TO USE AUDIO-VISUAL MATERIALS PERSPECTIVE THROUGH FILMSTRIPS CLASSROOM TV AT FISK Charlton Heston as Moses in…

• Educational Screen 1944-45 — page 852

  …nature's composition Alter nature's compo- sition and color Odd perspective shots Odd lighting shots (black auto) in bright sun light Action shots…

• Educational Screen 1957-1958 — page 78

  …If we can grasp something of the importance which adherence to the laws of perspective gives to a painting, it will be helpful in…

• Educational Screen 1951,1952,1953 — page 549

  I and three-point perspective as the number of edges par- allel to the picture plane varies. The final scene points out that all…

• Educational Screen 1957-1958 — page 575

  …instant change of perspective. 240TA. Automatic Slide Projector— Changes slides automatically or by remote con- trol. Easiest to use. Robomatic. Filmstripand Slide Projector— shows…

• Educational Screen 1935 — page 138

  …In drawing barns, houses and buildings, they learned the principles of perspective. In this topic. I felt the attendant learn- ings far exceeded the…

• Educational Screen 1957-1958 — page 1004

  …An Acted Lie, Perspective, Getting Even, and How Big Is Love. In the first we have a fine treatment, of a difficult subject, which…

• Educational Screen 1954,1955,1956 — page 1188

  …fust siqjjjose there were a different perspective, a different sense of values in this school system. Suppose they recognized that audio-visual materials are…

• Educational Screen 1946-1947 — page 100

  Page 120 Educational Screen Perspective in Audio- Visual Education A masterful exposition of the function of audio- visual materials and their proper integration with…

• Educational Screen 1924-1925 — page 521

  …Here again, this reason applied with much greater force in the case of young children, since they lack intensive training in interpretation of perspect…

• Educational Screen 1926-1927 — page 583

  …Barns 584 [tereoscopic Perspective and the Attention Span. Joseph J. Weber 586 lotion Pictures for Christmas Programs 591 .mong the Magazines and Books. Conducted…

• Educational Screen 1939 — page 139

  …The solution is through seating the audience within viewing an.gles which will minimize this eflfect of perspective. The New Da-Lite catalog has…

• Educational Screen 1924-1925 — page 344

  …If perspective, solidity, and striking realism are important factors in developing a concept, the stereograph is the best visual aid to use. In fact…

• Educational Screen 1939 — page 292

  …Among the elements which can be presented by means of visual aids are size, form, position, perspective and depth, color, and motion. Each of…

• Educational Screen 1954,1955,1956 — page 270

  …It reflects a balanced perspective of events. .\ television newscast, on the months and years might cause an un- fortunate distortion of perspective. This example…

• Educational Screen 1939 — page 116

  …those principles, most teach- ers can develop a sense of proportion, perspective, balance, rhythm, and unity. It seems futile to spend time in art…

• Educational Screen 1951,1952,1953 — page 512

  …Perspective Drawing (1 reel) — basic art film introducing students to the principles of perspective drawing by use of animation. ■ The Jam Handy Organization, 2821…

• Educational Screen 1924-1925 — page 1047

  …This gives a depth and perspective to the picture that can not be obtained with any other kind of projection or screen. The Trans…

• Educational Screen 1944-45 — page 391

  …What does this perspective offer to us in our own non-theatrical film business? It would give us, first of all, a busy world…

• Educational Screen 1957-1958 — page 1190

  …THROUGH THE AUDIO BARRIER Articled 562 THIS ADMINISTRATOR SEES AUDIOVISUAL IN PERSPECTIVE— E. Milton Crassell 565 "COLORFUL" CARD CATALOG— H. R. Halvorsen 566 GIVE…

• Educational Screen 1922 — page 72

  …mayhap these men of science and machinery with their more objective perspective and with vision untrammeled by the dense detail of the class-room…

• Educational Screen 1924-1925 — page 346

  …solved Reeling Silk from Cocoons, Kiryu, Japan and stand out in perspective, the chief data being distinguished from a mass of unimportant minutiae. Learning…

• Educational Screen 1948-1949 — page 853

  …And while so learning they're likely to see their own immediate tasks in clearer perspective with relation to the total community job to…

• Educational Screen 1946-1947 — page 7

  …J.)" Diversitorials 13 Visual Education ■from a Twenty-five Year Perspective Frank N. Freeman 15 We Really Learned about Eskimoes Naomi Fausch 17 A…

• Educational Screen 1924-1925 — page 873

  …The film gives them the industry in proper perspective and enables workers in its remotest corners to see their particular work in its relation…

• Educational Screen 1951,1952,1953 — page 132

  …demonstrator, since projected material is seen at all times in proper perspective — and not distorted, as when a speaker is obliged to stand close…

• Educational Screen 1957-1958 — page 62

  …Jessen 72 PERSPECTIVE FOR LEARNING — THROUGH FILMSTRIPS Irene F. Cypher 74 COLLEGE LIBRARIES NEED AUDIO-VISUAL MATERIALS A. Montgomery Johnston 76 HOW TO USE…

• Educational Screen 1946-1947 — page 97

  …Vineyard, Mass. (Courtesy of Philip Gendreau, New York) Diversitorials 1 19 Perspective in Audio-Visual Education Edward G. Olsen 120 Setting Our Front Yard…

• Educational Screen 1940 — page 258

  …but the true depth of perspective that one sees in viewing the actual scene. The projector is electrically operated. The slides set in trays…

• Educational Screen 1948-1949 — page 214

  …A new perspective has been gained of the organizational structure of that community. A sound factual base has been established upon which the local…

• Educational Screen 1951,1952,1953 — page 1264

  …You can count on our continued efforts to view television for its educational potential — and in balanced perspective with other audio- visual media. — PCR…

• Educational Screen 1926-1927 — page 310

  …in the descriptive matter since the content has been placed in perspective by the teacher. 2. Time is saved as pupils do not spend…

• Educational Screen 1942 — page 292

  …size painted scenes provided the idea of a background painted in perspective and curved to follow the normal horizon line ; (2) Museum habitat groups…

• Educational Screen 1922 — page 23

  …via ines of dynamic force, in the Caligari film with its perspective of depths. The American film mob bunches. A real mob does ? Very…

• Educational Screen 1926-1927 — page 1029

  …Because of its perspective. or "third dimension," it gives a vivid impres- sion of reality. The stereograph was followed (usually the next day) by…

• Educational Screen 1957-1958 — page 334

  …Your editorial entitled "Too Much Enthusiasm" in the last issue of Educational Screen is certainly an ex- cellent plea for more perspective in the…

• Educational Screen 1922 — page 187

  …They were rich in a connotation of color and mysticism, vague perspectives of ages and the infinity of men and silences. In truth the…

• Educational Screen 1926-1927 — page 846

  …When, in addition to this, follows color and true perspective, the perfection of the motion picture as an educational factor will have been reached…

• Educational Screen 1926-1927 — page 504

  …The report she the many perspectives open for such activit and describes how, by means of a scienti film exchange among the interested groups…

• Educational Screen 1922 — page 253

  …The Birth of a New Art' By George Vail rHE discovery of linear perspective freed painting from its enslavement to I flat surfaces of…

• Educational Screen 1957-1958 — page 85

  …The beginnings of a theory that might help at least place these ques- tions in perspective, even if not an- swer them immediately, emerged…

• Educational Screen 1957-1958 — page 93

  …This film is not geared to the present situation but gives excellent perspective for its un- derstanding. Highly recommended for the adult groups and…

• Educational Screen 1926-1927 — page 821

  …The picture in perspective was startling, but after Borne conversation between them, shown in he sub-titles. Cartoonist Keys with a brush of white…