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36 results for "NAR" in Creator.

Found in catalogs (50+)

• Educational Screen 1948-1949 — page 221

  …The voice of the narrator must be pleasant, the diction good, and the enunciation clear. 2. Sufficient variation must be provided in the production…

• Educational Screen 1954,1955,1956 — page 713

  …It was interesting to find that some of the slower students were very anxious to answer questions posed by the narrator and often offered…

• Educational Screen 1954,1955,1956 — page 712

  …The narrator asked for one student to go to the screen, a pause in the narration allowed time for the student to reach the…

• Educational Screen 1951,1952,1953 — page 1225

  …I recorded this nar- rative as I had previously done for the Mexico series. You may wonder: Why a tape narrative? Why shouldn't…

• Educational Screen 1957-1958 — page 198

  …The children are busily playing when the narrator calls attention to Johnny standing off alone in the black- ness. Jack, Kathy, Susan, Bob, and…

• Educational Screen 1922 — page 79

  …Where the larger sepa- ration, by time, of the Intolerance nar- -ative made it somewhat possible to keep them straight, the similarity of he…

• Educational Screen 1948-1949 — page 222

  …Victor Record Narrator ; Gudrun Thorne-Thomsen 2 — 12 in. Record Envelope, part of Album distributed by the American Library Association Tral! Lines North (Grades…

• Educational Screen 1922 — page 78

  …Long practice in the ways of the silent drama and a respect for the old underlying principles of dramatic narration before we make a…

• Educational Screen 1954,1955,1956 — page 1092

  …Near- by is shown a robin's nest containing four bright blue eggs while the nar- rator recites a poem about a robin who…

• Educational Screen 1957-1958 — page 725

  …Desaiption The film presents facts and general information about earthworms with ex- planations by the narrator. The beginning shots of a boy and a…

• Educational Screen 1948-1949 — page 17

  …With this background and this new e-xperience of a motion picture with a Narrator, we fell into the idea of having narrators and…

• Educational Screen 1946-1947 — page 710

  …The process of editing is slow, the more so because of the neces- sity of having a narration to explain the different scenes. The…

• Educational Screen 1954,1955,1956 — page 1272

  …Two narrators are used throughout the film — the teacher-narrator who describes each activity as it takes place and another, a man who explains…

• Educational Screen 1954,1955,1956 — page 368

  …Human life, the narrator ex- plains, is virtually non-existent in the cold and rocky terrain of northern .'\laska. In southern Alaska and Nor…

• Educational Screen 1957-1958 — page 763

  …Once the slides have been selected, and organized, the next problem is de\eloping the narration for the trav- elogue. It is a common…

• Educational Screen 1926-1927 — page 603

  AMONG THE MAGAZINES AND BOOKS 599 urnishing Community Life narratives, the lOok must meet with success. It is not a auhless book but it…

• Educational Screen 1954,1955,1956 — page 448

  …But, as the narrator points out, the cacti are alive, as are the kangaroo rat, the young western horned owl, and the ocotillo. Narration…

• Educational Screen 1957-1958 — page 533

  …I I Now! Rand McNally's famous "Elf Book" series on full color filmstrips complete with musical-narrative records For children in primary grades…

• Educational Screen 1948-1949 — page 18

  Hand-made signs set the scenes in the "make-believe" play inspired by "Tommy's Day." narrator, actor or stage hand. The characters in…

• Educational Screen 1946-1947 — page 253

  …In many cases the narration is too fast and includes many irrelevant details which confuse rather than assist learn- ing. Music is often added…

• Educational Screen 1951,1952,1953 — page 336

  …The narrative prologue — "Most of us think we know what is right. Do we? Here are some situations which involve moral decisions. Test youi…

• Educational Screen 1951,1952,1953 — page 912

  …Upon this narrow stripe, we would record our sound track. Commentary and music add interest to a movie. But most important to me, the…

• Educational Screen 1957-1958 — page 881

  …The style of narration is direct and simple using common every- day words. With the narrator enun- ciating the words clearly, correctly, and slowly…

• Educational Screen 1922 — page 77

  …But I recall Intolerance as a very different matter. [True, the narrative of the former held the film together. It was a centralized story…

• Educational Screen 1948-1949 — page 338

  …Basil Rathbone, narrator. "Peter and the Wolf" is an orchestral children's story set to music, the music being interpreted through the narrator's…

• Educational Screen 1948-1949 — page 768

  …The narrative interludes give needed information and advance the story rapidly. In essential (|ualities the recording out- matches the pictorial. This filmstrip has a…

• Educational Screen 1938 — page 250

  …Figure 5 shows a typical narrator script. The narrator should be experienced and, of course, have a voice that records well. Only a voice…

• Educational Screen 1954,1955,1956 — page 228

  …Clark. .All occasions illustrate the narrator's observation that, as social beings, people must communicate by expressing their feelings and thoughts and must achieve…

• Educational Screen 1950 — page 72

  …The narrator discusses its charac teristics and tells how it will change as it becomes full grown. The following scene shows several red newts…

• Educational Screen 1948-1949 — page 630

  …tube, eyepiece, adjusting knob, and mirror as the narrator names them and the names appear on the screen. The young man then demonstrates the…

• Educational Screen 1957-1958 — page 880

  …It opens by showing drawings of William Beaumont and Claude Ber- nard and telling that they were among the first to discover the workings…

• Educational Screen 1944-45 — page 38

  …With necessary prelimi- nary training complete, the budding pilot repeats the per- formance. The narrative is well managed, and avoids what is perhaps the…

• Educational Screen 1951,1952,1953 — page 596

  …The narrator again poses a question. This time he ask about the adequacy of translations. Miss Adams repliii that there are translations, but that…

• Educational Screen 1957-1958 — page 99

  …The narrator explains that these natives work on a contract basis, cannot leave the farm without a pass, and must get permission before moving…

• Educational Screen 1957-1958 — page 151

  of genes are shown as the narrator ex- plains that the genes in a human fer tilized egg lonn the design or pattern of…

• Educational Screen 1951,1952,1953 — page 634

  …All Concordia Filmstrips are interdenominational and closely follow Bible narrative. Costumes, settings and characterizations have been carefully authenticated by thorough research. An easy-to…

• Educational Screen 1948-1949 — page 818

  …With fourteen or more principal pictorial, musical, and narrative sequences to be seen and heard in 16 minutes, this film is not educational in…

• Educational Screen 1941 — page 406

  …Scenes and narration combine to show how badly the farmer and his wife need electricity to furnish light, power for run- ning water, heat…

• Educational Screen 1924-1925 — page 869

  …After the story is read, the continuity man must plot a treatment of which there are two schools — the narrative and dramatic. "The narrative…

• Educational Screen 1954,1955,1956 — page 111

  …The narrator states, how- ever, that idtimately all forms rely on the plant for its ability to utilize the raw materials of earth, air…

• Educational Screen 1951,1952,1953 — page 1316

  …English narration. KINESIS, INC. 566 Commercial St., San Francisco, Calif. 54 West 47th St., New York 36, N. Y. ^^RENOIR // An exciting film on…

• Educational Screen 1957-1958 — page 1225

  …Visualized in full color posed photographs, and, with a narration that combines skillfully dialogue and orchestral background music, this 35- frame filmstrip has fine…

• Educational Screen 1957-1958 — page 1215

  …The continual change of the earth's surface while these minerals change their form is emphasized by the narrator and this outer covering of…

• Educational Screen 1957-1958 — page 467

  …Guides clearly explain how to use the taped narrative in a group with best results. FREE BONUS! With every demonstration kit you'll receive…

• Educational Screen 1957-1958 — page 830

  …The narrator tells that octopuses, conches, and nudibranches are all mollusks. An amusing closing sequence shows a hermit crab giving free transporta- tion to…

• Educational Screen 1946-1947 — page 294

  …Both films are narrated by Ken Carpenter; are available on 16mm. sound-on-film. See your dealer... or mail the coupon below! FOB MUSIC…

• Educational Screen 1954,1955,1956 — page 590

  …The caterpillar, the nar- rator states, eats its weight in food daily and grows to two and one-half inches in 30 to 40…

• Educational Screen 1954,1955,1956 — page 327

  …The mother, as the narrator, intro- duces the other members of the fam- ily in the opening scenes of the film —her husband, her…

• Educational Screen 1941 — page 385

  …Since reversible film has a narrow exposure latitude our exposure had to be nearly perfect. We experi- mented with exposure on our first roll…

• Educational Screen 1948-1949 — page 209

  …AGES (2 reels) RODIN (3 reeU) (French narration) NOS TAILLEURS DES IMAGES (2 reels) (French narration) 'ee/,; o\scvJS Distributors for Universal-International and…