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9 results for "Creative Productions" in Creator.

Found in catalogs (50+)

• Educational Screen 1951,1952,1953 — page 1004

  …The finished product of sound and scene is a creative unit th/at has amazing provocative powers. *The Guitar and Eye: a series — "Blood…

• Educational Screen 1951,1952,1953 — page 1094

  …In the final step each pupil displays his own art product and discusses it as well as the creative efforts of his classmates. Committee…

• Educational Screen 1938 — page 260

  …The primary purpose of the undertaking was to per- manently portray the techniques employed in the creative projects of this teacher training institution. Then…

• Educational Screen 1951,1952,1953 — page 1306

  …Of course, the products of the children's creative work (Continued on page 448) 434 Educational Screen

• Educational Screen 1957-1958 — page 1168

  …Apprai.sal The title, Creativity, indicates the thesis of the film which is that t.f imaginative "creativity." In this film, color, art objects…

• Educational Screen 1957-1958 — page 498

  …Agriculture: "DAMS" "WORKING WATER" "DRILLING FOR OIL" "OUR NATURAL RESOURCES" "OUR PRODUCTIVE LAND" "OUR PRODUCTIVE INDUSTRY" 1056 S.Robertson Blvd., Los Angeles 35,Calif…

• Educational Screen 1934 — page 97

  …He loses himself in play production. As he grows his play becomes dramatic play, creative and constructive, reaching a higher plane than mere play…

• Educational Screen 1926-1927 — page 283

  …This is precisely the process that bars moving pictures, as a whole, from the fields of creative art. The creative irtist builds and shapes…

• Educational Screen 1930-1931 — page 411

  …The productions of the Electrical Research Products Inc. are outstanding examples of this new material. They show a quality and finish distinctly extraordinary for…

• Educational Screen 1943 — page 154

  …RADIO How Radio Can Contribute to Creative Living—Dorothy Gordon Childhood Education, 19:212 January, 1943 The author has had considerable experience in planning…

• Educational Screen 1954,1955,1956 — page 107

  …HOCKMAN YOl m BE CREATIVE A student writes, "I hear a great deal about the imaginative and creative use of audio-visual aids with…

• Educational Screen 1957-1958 — page 585

  …Independent, creative artists all over the world are working outside the orbit of commercial production. Ex- traordinarily sensitive, they translate the phenomena of life…

• Educational Screen 1954,1955,1956 — page 69

  …James Earle Fraser, and Laura Ciardin Fraser—working in their studios, surveys the finished products of tlicir creative eflorts, and suggests liow these works…

• Educational Screen 1934 — page 98

  …Her knowledge and technique of play production are assets in this achievement. Although the pupil-planned play usually consumes more time than any of…

• Educational Screen 1924-1925 — page 994

  …one of the outstanding romances of industry, con- cerning a product of creative chemistry that was discovered but a few years ago, yet today…

• Educational Screen 1924-1925 — page 867

  …one of the outstanding romances of industry, con- cerning a product of creative chemistry that was discovered but a few years ago, yet today…

• Educational Screen 1957-1958 — page 243

  …This is creative teaching through the creative use of educational films. Producing AV Materials (Continued from page 235) Facilities for Production The extent of…

• Educational Screen 1939 — page 255

  …Regular membership is open to all persons "sub- stantially interested" and "active" in the production of "independent, creative films." Associate membership is open "to…

• Educational Screen 1954,1955,1956 — page 433

  …The formation of a Creative Film Foundation, the first non-profit organi- zation devoted exclusively and specifi- cally to the development of motion pictures…

• Educational Screen 1951,1952,1953 — page 465

  …As various possibilities are considered, Weston's ideas that a photographer must feel freely, think clearly, and imagine creatively are discussed. After showing some…

• Educational Screen 1933 — page 63

  …Here the movement of abstract designs becomes a visual exi)erience highly stimulating to the creative imagination ! As in listening to nuisic. we are…

• Educational Screen 1936 — page 146

  …The experiment was designed to test a plan de- veloped by the Harmon Foundation for the crafts- manlike production by an amateur group of…

• Educational Screen 1934 — page 54

  …picture including the entertainment film as well as the educational and creative production. This course is the outgrowth of the conviction, based on research…

• Educational Screen 1926-1927 — page 220

  …White agrees with him- self most thoroughly in asserting that they are both! He seems to feel a comprehensive lack of standards in production…

• Educational Screen 1946-1947 — page 296

  …It is true, a script may be written in an attic, a production planned in a man's mind, but to translate the idea…

• Educational Screen 1936 — page 32

  …That they be creative is not necessary, because art for the average person will consist in the appreciation of the beautiful, and in the…

• Educational Screen 1957-1958 — page 980

  …The keynote of Coronet's huge production program is "Creative Quality"— that essential added ingredient of tine filmmaking which combines: the courage to pioneer…

• Educational Screen 1946-1947 — page 539

  …slide and opaque projections. .\fter .some experience along this line the group will be ready to undertake the production of a film or two…

• Educational Screen 1957-1958 — page 1048

  …The keynote of Coronet's huge production program is "Creative Quality" — that ;ssential added ingredient of fine filmmaking which combines: the courage to pioneer…

• Educational Screen 1928-1929 — page 358

  …the creative participation of the masses. Brilliant examples of this method of mass acting have been furnished, for instance, by the productions of S…

• Educational Screen 1941 — page 172

  …that lantern slides afford a splendid medium for creative work in their special stage productions. While lantern slides have been made and used for…

• Educational Screen 1938 — page 60

  …We render a complete production service including scenario work. Production ot silent and sound motion pictures and slide films. 35mm. I 6mm. Developing, printing…

• Educational Screen 1934 — page 250

  …Each finished product must show a thorough understand- ing of the project under consideration, plus the mastery of certain fundamental principles, habits, abilities, and…

• Educational Screen 1930-1931 — page 415

  …A glance at the list of titles shows the type of distinguished educators whose cooperation Electrical Research Products is obtaining in its production of…

• Educational Screen 1954,1955,1956 — page 276

  …Y.) 12 minutes, 16mm, sound, black and white, 1954. $70. (Series of three films, $195.) Produced by Knickerbocker Productions, Inc. DESCRIPTION: This film is…

• Educational Screen 1954,1955,1956 — page 1099

  …There are magnificent individual scenes, but above all the production has a continuity and conclusiveness which holds the listener rapt. Cer- tainly high school…

• Educational Screen 1948-1949 — page 217

  …Now devoted to the production of entertainment films alone are vast production facilities, superb technical equipment, experience, competent, professional, and often highly talented, creative…

• Educational Screen 1946-1947 — page 804

  …It was a cooperative and creative experience for us. Its real value is in suggesting that other churches may do likewise. The skills we…

• Educational Screen 1930-1931 — page 412

  …In The Creative Approach to Education Dr. Hughes Mearns of New York University gave a comprehensive and intensely interesting expose of the fundamentals of…

• Educational Screen 1951,1952,1953 — page 341

  …Each of these discs is imaginative in conception and production and will appeal to the creative play abilities and interests of children in the…

• Educational Screen 1957-1958 — page 604

  …EBF production units, both here and abroad, using advanced and costly new photo- graphic techniques, have achieved the production of 62 of the finest…

• Educational Screen 1957-1958 — page 1170

  …There is nothing we de- plore more than a "showing" of film- strips; but an ounce of creative think- ing, plus some common sense…

• Educational Screen 1922 — page 31

  …To analyze with fearless sincerity the current films representative of present production, remembering two facts : First and foremost, that, theoretically, we are concerned with…

• Educational Screen 1957-1958 — page 893

  …For appreciation and creative exercises Int. — HS For more information circle 128 on coupo" The Art of Photo- Engraving fs TAS 45tr. Each step…

• Educational Screen 1936 — page 149

  …Intercine (7:11-14, Dec, '35) "The Cartoon and the Tradition of Creative Arts in Motion Pictures", by Jan Kucera. The thesis is maintained…

• Educational Screen 1939 — page 89

  …Stoddard, Superintendent of Schools of Denver, for some years identified with the motion picture movement, described an interesting film-production activity in Denver. The…

• Educational Screen 1948-1949 — page 764

  …Audio-Visual Center Indiana University, Bloomington Creative Hands Series (International Film Bureau. 6 North Michigan Avenue. Chi- cago 2. Illinois^ 5 minutes each. 16nim…

• Educational Screen 1951,1952,1953 — page 1320

  …As one pupil expressed it, "We wrote and taped our own lessons, lessons we'll never forget." Children Are Creative (CONTINUED FROM PAGE 434…

• Educational Screen 1957-1958 — page 1028

  …bottle glass." Creative work by students at Immacu- late Heart College, Los Angeles, all ages. Natural Color Photo Murals LIBRARY PRODUCTS. Size 30"x40…

• Educational Screen 1957-1958 — page 977

  …In increasing num- bers, creative teachers are turning to simple forms of local production to build for themselves exactly the teaching tool they need…