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24 results for "Arts and Audiences Inc." in Creator.

Found in catalogs (50+)

• Business Screen 1969 — page 564

  …audiences. This writer estimates that the increases in the total hours of free TV time is declining and, further, that the rate of increase…

• Business Screen 1959,1960 — page 516

  …Orderly and Consistent? Is it free from incompatible and com- plicating ideas, symbols, art techniques and type faces? Can my audience quickly and easily…

• Educational Screen 1926-1927 — page 859

  …Those figures, no mat- ter what their possible percentage of error, denote simultaneously the audience limita- tion on the screen as an art and…

• Educational Screen 1935 — page 184

  …for the higher arts such as painting and opera, will not be enthusiastically received by a general student audience ; and conversely certain other pictures…

• Business Screen 1961,1962 — page 598

  …Canaday for the benefit of the film's audience include those of Mondrian. Braque. Whistler and Ingres. No Solicitation in the Film While showings…

• Business Screen 1970 — page 670

  …arts, and as such, pro- vided much in the way of ideas to the art directors viewing it." The full name is Melandrea, Inc…

• Educational Screen 1951,1952,1953 — page 379

  …RUPERT Color Rent: $5.00 Sound BLUNDEN HARBOUR Black-and-White Sound Rent: $4.50 Audience: General Interest, Anthropology, Art 15 Minutes Sale: $135…

• Business Screen 1958 — page 217

  …and ARTHUR FRANZ Written and Produced for J. C. PENNEY COMPANY i JULY, 1952 THROUGH DECEMBER, 1957 20,311 NON-THEATRICAL SHOWINGS AUDIENCE: 1…

• Business Screen 1939 — page 164

  …The increasing popularity of these shows is attested by the construc- tion in Chicago and Hollywood of audience theatres, and the use in New…

• Business Screen 1969 — page 771

  …whether it's strictly movie theaters, or a mix that includes television and 16mm non-theatrical . . . specific or general group audiences . . . we'd be…

• Business Screen 1969 — page 582

  …be a unique film form, providing more thoughtful audiences with an interlude of substance and art- istry. Such a film is "The Light in…

• Business Screen 1969 — page 729

  …r;se audiences are constantly increasing and .lited uses this source of fresh new audience idtacts for distributing their clients' spon- i(jpd films…

• Business Screen 1969 — page 573

  …Business Screen opens ils special report on audiences and distribution with the following article on projier planning for reaching target audiences . On the following…

• Business Screen 1970 — page 405

  …At the Academy, he serves as professional audio- visual consultant, teaches motion picture production and appreciation as part of an Art course and instructs…

• Business Screen 1970 — page 129

  …As the rela- tive cost (if equipment and materials has de- creased, portability increased, and the reli- ability and versatility of equipment im- proved…

• Educational Screen 1922 — page 64

  …and parent correspondents, film digests of the current productions possible for the child audience, and special articles on special problems of the producing and…

• Educational Screen 1926-1927 — page 137

  …SCREEN (Including MOVING PICTURE AGE and VISUAL EDUCATION) Vol. V, No. 3 Editorial Section March, 1926 WE INVITE special attention to the article by…

• Business Screen 1944,1945,1946 — page 245

  Leep an audience awake but which will be quite without lasting meaning and learning. It should now be clear that the product of he…

• Business Screen 1938 — page 357

  …Modern prepares all exploitation and publicity material including art and copy. From its wide experience Modern knows what approach in exploitation will give your…

• Business Screen 1949. 1950 — page 68

  …each print will serve a maximuni number of audiences Modern Talking Picture Service, Inc., booked, scheduled and delivered spon- sored film programs to 61…

• Business Screen 1967,1968 — page 528

  …de Jong, of Buhrmann's Sales Promotion Department, greets the lieicer audience at Amsterdam. . . programmed. And even these bring elements of art and design…

• Business Screen 1956 — page 66

  …Picture Productions. Inc.. has been cleared for television use as well I as projector audiences. Black and I «hitc prints and color prints are…

• Business Screen 1970 — page 658

  …These audiences are can- stantly increasing and United uses this source of fresh new audience contacts for distributing their clients' sponsored films. In the…

• Business Screen 1938 — page 360

  …This is a complete Modem service, including the preparation of copy, art work, press show- ings and previews for chain bookers. Publicity and ex…

• Business Screen 1949. 1950 — page 747

  …and only as part of a testing set-up that also included radio and television programs. By comparing profiles of audience likes and dislikes…

• Business Screen 1959,1960 — page 357

  The BIG Audience for Sponsored Films: (CONIIM'll) I KOM PAGi; I WENTY-EIGHT) value to llic auilicnce and thus, its accepta- bility to…

• Business Screen 1963,1964 — page 1054

  …Winning selections included; SPONSORED FILMS The Art of Detection, 27 min., col- or. Produced b>' \'ision Associates tor National Tuberculosis Associa- tion. Audience: general…

• Business Screen 1970 — page 213

  …An activity of Universal Education and Visual Arts, a division of Universal City Studios. Inc./22l Park Ave. South. New York. NY 10003 • Cable…

• Business Screen 1969 — page 562

  …The size of the public audience, however, has grown constantly and the means of reach- ing them have increased proportionately. Well over a half…

• Educational Screen 1954,1955,1956 — page 26

  …If, however, after a thorough and h o nest evaluation of the available audience, competition and program adjacencies, you still believe that the purpose…

• Business Screen 1963,1964 — page 1242

  …aims and physical resources. • United NA/orid Strives to Broaden Audience Horizon NETWORK EXPANDS AUTOMATED FACILITIES AND SERVICES >V United World Films, Inc., a…

• Business Screen 1949. 1950 — page 358

  …and Franklin Fearing in this important new field of audience reaction test- ing. Anotlier article on this subject appears on page 2i and a…

• Educational Screen 1932 — page 287

  Noicmhrr, 1952 Page 279 times increase of exposure, and the F filter about a 25 time- increase. Filters allow the light of their own…

• Business Screen 1938 — page 17

  …audiences cheer and applaud its accomplishment. E^en the numerous pitfalls of artistic and technical imperfection into which many films fall do not hinder…

• Business Screen 1947.1948 — page 616

  …F.,labli»htH 1919 Today's Growing Audience Challenges Film Sponsors —^-^ by Richard Buch ^_-_- Manaf;cr. Motion Picture Production Exhibits. Motion Picture and Art…

• Business Screen 1944,1945,1946 — page 338

  …He then turns to the real audience and invites their cooperation. The lights go up, and everyone is ready to talk. At- tached to…

• Business Screen 1970 — page 672

  …munications problem and the entire range of audiovisual technology and art media to assemble an effective package that appeals to an audience. Certainly, the…

• Business Screen 1965,1966 — page 816

  …The.se audiences are i ' increa.sing and Uniteil uses this source ( in new audience cont;icts for distribntiiii fl clients' spimsored films. In…

• Educational Screen 1943 — page 220

  …broadcasting range is increased. The second article serves to clarify the working principles and growing scope of the new and too little understood invention…

• Educational Screen 1933 — page 232

  …the audience are merely content with the Talking Picture in general, plus its escape mechanism, and the Super Cinema, ])lus its luxuries and comforts…

• Business Screen 1949. 1950 — page 518

  …Most important of all, the trend is toward more adult audiences and the note- worthy development by this company of industrial employee audiences is…

• Business Screen 1967,1968 — page 686

  …Dancers appearing on tiie screen move toward the audience and upon reaching life size, step off-screen and onto the stage as live performers…

• Educational Screen 1922 — page 257

  …This article goes far toward mswering these and other questions. What first draws an artist to try the icreen? Mr. Barrymore is precise upon…

• Business Screen 1961,1962 — page 1078

  …pitcher's art, inc^ a detailed study of the three*, pitches — fast ball, curve aniii ball. He demonstrates the pi.- play and stresses the…

• Business Screen 1965,1966 — page 24

  …iplcs and research intended prinuirilv for al audiences, including educational estab- lents. rather than for general showing like ories A, B and C ilms…

• Business Screen 1944,1945,1946 — page 682

  …The phrase "dual purpose docimientarv", inci- dentall), may hereinafter be taken to mean a film aimed at both theatrical and non- theatrical audiences for…

• Business Screen 1956 — page 679

  …Its pri- mary, intended audience includes womens groups, clubs and schools. Prints will also be made available for public service tv release. Although GE…

• Educational Screen 1943 — page 306

  …The groups included high school and college students,, YMC.\ and YWCA and YMHAS, business men's organizations, unions, business employees, housewives. Students made up…

• Business Screen 1959,1960 — page 1116

  …and once-a- month (or oftener) training meetings with films are standard operating procedure. Art I'rovfs Functional Value in Trainins Since the inception…

• Business Screen 1959,1960 — page 80

  …audience and creative production. Recognition Must Be Earned Yes, the "non-theatrical" mo- tion picture production is both an expanding industry and an art…