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15 results for "Artists' Films Inc." in Creator.

Found in catalogs (50+)

• Educational Screen 1923 — page 140

  …as its artistic guide. A New Itinerant Movie And now it's traveling motion pictures shows, via truck! Industrial Displays, Inc., of New York…

• Educational Screen 1936 — page 290

  …INTERNATIONAL EDUCATIONAL PICTURES, INC. Mount Vernon & Walnut St. — Boston. Mass. "We Are All Artists"—Film Review An excellent title for one of the most…

• Educational Screen 1950 — page 124

  …the artist next discuss a number of works which are shown, including Dali's “Persistence of Memory,” “The Eternal City,” and a film sequence…

• Educational Screen 1954,1955,1956 — page 324

  …include repre- sentatives from all over the United States. Even though not explicitly stated, the theme that this artist does, and all artists should…

• Educational Screen 1954,1955,1956 — page 816

  …Michelangelo The extraordinary art film which drama- tizes the work of the great renaissance artist. "A film of incomparable excitement for students of art…

• Educational Screen 1954,1955,1956 — page 323

  …mm RLBI^STEII (World Artists, Inc., 9608 Heather Road, Beverly Hills, California) 23 minutes, 16mm, sound, black and white, 1952. DESCRIPTION This film presents…

• Business Screen 1942,1943 — page 484

  …Back of the film lies the work of numer- ous artists, photographers, writers and technical experts working to- gether as a closely knit team…

• Educational Screen 1951,1952,1953 — page 116

  …The details of Albrecht Durer's "Martyr- dom of 10,000 Christians," including the artist's self- portrait, are discussed at some length. Titian…

• Educational Screen 1951,1952,1953 — page 462

  …Films, Inc., 1600 Broadway, New York 19, New York) 22 minutes, 16mm, sound, color, 1950. $200. Pro- duced by Falcon Films, Inc. Description of…

• Business Screen 1961,1962 — page 861

  …many outstanding features and industrial films we've helped to create. PERFORMANCE IS THE YARDSTICK OF ABILITY Credits Include: Electronics and the Wonderful World…

• Business Screen 1954 — page 658

  …And yet, the best business films are artistically good. They are artistically good, as well as highly effective, when every member of the team…

• Educational Screen 1943 — page 300

  …It has the advantage of unlimited variety, suitable to the film subject, and lack of expense, plus the not inconsiderable significance of the creative…

• Business Screen 1956 — page 327

  …Part of the recognition for Dunn's work in- cludes a feature article in the American Artist Magazine. The versatile 16mm film producer is…

• Educational Screen 1924-1925 — page 363

  …If I Were Queen — Ethel Clayton — (Film Book- ing Offices). Iron Trail, The — (United Artists). L.et'.s Go — (Renown Pictures). Old Homestead, The…

• Business Screen 1963,1964 — page 797

  …many outstanding features and industrial films we've helped to create. PERFORMANCE IS THE YARDSTICK OF ABILITY Credits Inci ude: Etecln/nics mid tin…

• Educational Screen 1950 — page 384

  …BAILEY FILMS, INC. ?.O. Box 2528, HOLLWOOD 28, CALIF “Once upon a time...” Vagic words, setting the stage for won leriul adventures in the…

• Educational Screen 1951,1952,1953 — page 122

  FULL COLOR FILMSTRIP5 Artists of Many Lands and Many Times The basic thought in this new series of nine FULL COLOR FILMSTRIP is that…

• Business Screen 1959,1960 — page 1312

  …Sound Slidefilms' "Fast Draw ' Helped Seeburg Increase Sales of Music Service Uses Salosnia(<>*.s 4(ui«>k Solup lo Show >^«>n' M««l<>l…

• Educational Screen 1939 — page 279

  …In the meantime, the outraged other artists became very businesslike. They incorporated and applied for patents also. Even Barre seems to ha\e felt…

• Educational Screen 1957-1958 — page 551

  …Where are these new and needed filmstrip artists to come from? Many will have to be grown. The great art schools will need to…

• Business Screen 1944,1945,1946 — page 245

  …A qualitative analysis of any training film reveals the following ingredients in the order of their application in the training film produc- tion process…

• Educational Screen 1951,1952,1953 — page 254

  FULL COLOR FILMSTRIPS Artists of Many Lands and Many Times The basic thought in this new series of nine FULL COLOR FILMSTRIP is that…

• Educational Screen 1957-1958 — page 550

  …and now going as of Sc])tember 1st to head up filmstrip production lor Fam- ily Films, Inc. He has earne<l our respect…

• Educational Screen 1954,1955,1956 — page 69

  …MCOMMOI CLAY (International Film Bureau, Inc., 57 E. Jarkson Blvd., Chicago 4, 111.) 20 niin., 16niiii, sound, black and white. ,SIOO. Produced by Thomas…

• Educational Screen 1957-1958 — page 1027

  …15x20 to 25x30 inches. Goya mp HARRISON 20min sd b&w $110. Life of the artist told through his work. Original score composed and…

• Educational Screen 1951,1952,1953 — page 536

  …Several museum directors described the efficacy of the art film in teaching museum visitors how to look at pictures. Foremost American artists, art film…

• Educational Screen 1923 — page 137

  …include in the United Artists' Corporation a number of artists, who will have freedom to depart from the conventionalized type of picture. Film Reviews…

• Educational Screen 1922 — page 258

  …can be justly called artists—Pickford, Chaplin, Fair- banks, Jannings. (One is a bit startled to see him include Lillian Gish also!) ". . . These people…

• Educational Screen 1944-45 — page 758

  …author and close friend of many of the artists, wrote new biographical sketches of them for inclusion in Britannica's catalog of the collection…

• Educational Screen 1954,1955,1956 — page 1163

  …Our filmstrips for Audio- Visual Guide,'^ in cooperation with M-G-M, Paramount, and United Artists, meet the highest standards in color. You, too…

• Educational Screen 1930-1931 — page 334

  …Use of the original negative of "Robin Hood," scenes from which are included in the experimental film, was given by Douglas Fairbanks with the…

• Educational Screen 1950 — page 268

  …Produced by Afhlhiated Film Producers ' : ‘ ‘ ‘ ual ilabl to a large extent in this film, since remarkable clos Inc. Instructor's Manual available photography of…

• Educational Screen 1923 — page 234

  …It was the husband's fault really, be- cause he had welcomed the wicked artist into his household in the first place, and having…

• Educational Screen 1954,1955,1956 — page 814

  …Produced by Atlantic Films. Film excursion into the history of architecture, moking use of actual scenes including the famous French cathedrals, animation, diagrams, plans…

• Educational Screen 1928-1929 — page 518

  …The work of the private film societies, who specialise in showing "unus- ual" and artistic films not avail- able for the general public is…

• Educational Screen 1928-1929 — page 10

  …It includes not only the training, improvement and refinement of mind and man- ners but also the generation of an appreciation of the beautiful…

• Educational Screen 1944-45 — page 506

  …SOUND MOTION PICTURES with SUPREME CONCERT ARTISTS Produced with the Advice of Leading Musicians and Educators A Series of eight films, one reel each…

• Educational Screen 1926-1927 — page 712

  The Little Theatre Movement in the Cinema Symon Gould, Director, Film Arts Guild, New York City ALL art movements have their inception in minorities…

• Educational Screen 1934 — page 14

  …and artistic triumph, one rejects as suitable food for growing boys and girls. It is as if one must view the film with two…

• Educational Screen 1944-45 — page 418

  …The artistry of the stars, fine supporting cast, settings, costumes all add up to a film of unusual merit for schools. Study guide available…

• Educational Screen 1944-45 — page 706

  …Labora- tory groups include Introduction to Photography ; How to Make 2x2 Slides ; How to Make Motion Pictures ; Planning New Films and Slide Sets for…

• Educational Screen 1922 — page 190

  …appeal to the artistic sense which responds to the pictorially beau- tiful (elegance). "The well-balanced educational pro- gram may include a knowledge of…

• Business Screen 1970 — page 99

  …The author, Vincent J-R Kehoe, has been make-up artist for over 3000 films, tele- vision shows and stage productions. In this hook…

• Educational Screen 1922 — page 117

  …The cut edges lapped a tiny fraction of an inch. Formerly, cutting and splicing of film was done by hand, the results being in…

• Educational Screen 1930-1931 — page 609

  …film. The Guardsman, is a delightful bit of adult art, for the exceedingly simple reason that it is the work of artists. These include…

• Business Screen 1959,1960 — page 502

  …Co., Inc., 800 pages $7.95 108 — The Technique of Film Editing, compiled by Karel Reisz for the British Film .'Academy. A practical analysis…

• Educational Screen 1926-1927 — page 884

  …His dis- interestedness must be such as to check the inequalities, the inconsistencies, the small faults, which the studio forces, carried away by their…

• Business Screen 1963,1964 — page 1050

  …Illinois 60604. ' S' FILM LABORATORIES, INC. WASHINGTON. D.C. 20024 • DISTRICT 7-1717 10 BUSINESS SCREEN MAGAZINE

• Business Screen 1944,1945,1946 — page 420

  …The production values in )Our ne> motion picture can be increased by the talents and experience of our artists, animators and technician; SOUND MASTERS…

• Educational Screen 1954,1955,1956 — page 1312

  …texturing and incising the surface of clay. Part of a "Cloy Modeling for Beginners" series. El. Tragic Pursuit of Perfection mp FILM IM '55rel…