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(Dressing Room tour) [1957] ▶
…Behind her, Ruth Page leans in and waves at the camera. The film then cuts to…
|
1957 |
|
1:20 |
Chicago Film Archives |
|
(Rehearsal excerpts) [1930s & 1940s?] ▶
…The film begins with a black and white shot of a woman (Ruth Page?) standing in…
|
|
|
13:50 |
Chicago Film Archives |
|
(Six rehearsal excerpts) Pastorale - Dance of the Hours - Mignon - Furlana - Masked Ball - Adriana Lecouvreur [1957, Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage, sans…
|
1957 |
|
23:31 |
Chicago Film Archives |
|
Adolph Bolm: The International Dancer ▶
Date: circa 1923
Cfa collection: Ruth Page Collection
Notes: The film opens with a direction credit…
|
1923 |
Nick John Matsoukas |
4:30 |
Chicago Film Archives |
|
Alice in the Garden (Act I) [1970, Jacob's Pillow Dance Festival] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a few wayward frames shot from…
|
1970 |
Robert H. Savage |
18:45 |
Chicago Film Archives |
|
Alice in the Garden [1970, Jacob's Pillow Dance Festival] ▶
Cfa collection: Ruth Page Collection
Notes: As the film begins, Alice is dancing dreamily with a…
|
1970 |
Robert H. Savage |
16:07 |
Chicago Film Archives |
|
Alice In Wonderland (Act I) [Pittsburgh] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with the introduction of the White Rabbit…
|
|
|
38:00 |
Chicago Film Archives |
|
Alice in Wonderland (Act II) [1971, Pittsburgh] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of an abstract blue…
|
1971 |
|
24:02 |
Chicago Film Archives |
|
Alice In Wonderland (Act II) [Pittsburgh?] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with Alice posed before her looking glass…
|
|
|
7:40 |
Chicago Film Archives |
|
American Pattern [1938] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a partial view of a stage…
|
1938 |
|
27:56 |
Chicago Film Archives |
|
Americans in Paris [1950] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with an apparently Parisian scene--a backdrop…
|
1950 |
|
12:33 |
Chicago Film Archives |
|
Avant-garde. 3 : experimental cinema
Alternate title: Experimental cinema, 1922-1954 | Title from main menu screen: Avant-garde. Series 3 | Subtitle…
|
|
Visual Symphony Productions |
|
UCLA Film & Television Archive |
|
Aïda [1955] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of two dancers (one…
|
1955 |
|
2:22 |
Chicago Film Archives |
|
B & H Dupe (ballet demo) ▶
…The film begins with a shot of a female dancer (Ruth Page) in a ballet studio…
|
1930 |
|
2:05 |
Chicago Film Archives |
|
Balinese Cremation [1928, Bali] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with two ELSs, setting the scene for…
|
1928 |
|
3:55 |
Chicago Film Archives |
|
Beauty and the Beast [1949] ▶
…IN / BEAUTY AND THE BEAST / MUSIC BY TCHAIKOVSKY / SCENERY & COSTUMES / NICHOLAS REMISOFF / BALLET BY RUTH PAGE…
|
1949 |
|
25:00 |
Chicago Film Archives |
|
Beethoven Sonata [1951, Chicago]
Cfa collection: Ruth Page Collection
Cfa elements: Reversal Positive Print, 700 feet
Cfa records: https://collections…
|
|
|
|
Chicago Film Archives |
|
Bells ▶
Cfa collection: Ruth Page Collection
Notes: The film opens onto an empty stage and fully erected…
|
|
|
7:55 |
Chicago Film Archives |
|
Bells (1st Version) [1946] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens on a ballet already underway. The set…
|
1946 |
|
8:43 |
Chicago Film Archives |
|
Bells [1950, Paris, Théâtre des Champs-Elysées] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a shot of a chapel roof…
|
1950 |
|
27:45 |
Chicago Film Archives |
|
Billy Sunday ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage, upon…
|
|
|
19:48 |
Chicago Film Archives |
|
Billy Sunday (Angel & Billy - Wise & Foolish Virgins - Devil’s Dance) [March 23, 1948] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins in the middle of a rehearsal. It…
|
1948 |
|
10:28 |
Chicago Film Archives |
|
Billy Sunday (Bathsheba & David, Beginning of Potiphar) [March 23, 1948] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a perspective from one of the…
|
1948 |
|
8:49 |
Chicago Film Archives |
|
Billy Sunday (Virgins) [March 23, 1948] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage, shot…
|
1948 |
|
8:20 |
Chicago Film Archives |
|
Bolero [Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a few wayward shots of dancers…
|
1960 |
|
19:15 |
Chicago Film Archives |
|
Bolero [Ravinia, 1930] - Carmen [1930, Highland Park, Ravinia]
Cfa collection: Ruth Page Collection
Cfa elements: Reversal Positives, 520 feet; Print, 400 feet
Cfa records…
|
|
|
|
Chicago Film Archives |
|
Bullets and Bonbons - All’s Fair in Love and War - The Chocolate Soldier [1963] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of a man and…
|
1963 |
|
11:43 |
Chicago Film Archives |
|
Bullets and Bonbons - All’s Fair in Love and War - The Chocolate Soldier [1965, Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a young girl (in practice clothes…
|
1965 |
|
40:54 |
Chicago Film Archives |
|
Cambodian Royal Dancers [1928, Phnom Penh] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a shot of several long rows…
|
1928 |
|
9:05 |
Chicago Film Archives |
|
Camille (Armand’s Solo) ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of a stage, onto…
|
|
|
2:15 |
Chicago Film Archives |
|
Camille [1959] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of a stage, where…
|
1959 |
|
44:00 |
Chicago Film Archives |
|
Camille [April 1954]
Cfa collection: Ruth Page Collection
Cfa elements: Print, 1,600 feet
Cfa records: https://collections.chicagofilmarchives…
|
|
|
44:00 |
Chicago Film Archives |
|
Carmen (4th Act from Balcony) ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a blurry view of a stage…
|
|
|
3:02 |
Chicago Film Archives |
|
Carmen (4th Act) [1960, Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage, full…
|
1960 |
|
11:28 |
Chicago Film Archives |
|
Carmen (Act 2) [1927] ▶
…The film opens with a view of Ruth Page dancing in an elaborate Spanish-influenced dress…
|
1927 |
|
4:56 |
Chicago Film Archives |
|
Carmen (Tour Rehearsal) [1960] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a fairly distant view of a…
|
1960 |
|
46:23 |
Chicago Film Archives |
|
Carmen [1959] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a distant view of a stage…
|
1959 |
|
4:44 |
Chicago Film Archives |
|
Carmen [1962, Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage, full…
|
1962 |
|
16:21 |
Chicago Film Archives |
|
Carmen [1962?]
Cfa collection: Ruth Page Collection
Cfa elements: Reversal Positives, 400 feet
Cfa records: https://collections.chicagofilmarchives…
|
|
|
|
Chicago Film Archives |
|
Carmina Burana (Court of Love Pas de Deux) [1962] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a black & white view of a…
|
1962 |
|
5:50 |
Chicago Film Archives |
|
Carmina Burana (Hollywood East) [1978] ▶
…As the camera zooms out, the titles "Chicago Ballet in RUTH PAGE'S CARMINA BURANA" flash…
|
1978 |
Hollywood East |
50:00 |
Chicago Film Archives |
|
Carmina Burana [1965, Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage with…
|
1965 |
Josef Witt |
49:00 |
Chicago Film Archives |
|
Combinations [1963, Chicago, Civic Opera House] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with a shot of a stage with…
|
1963 |
|
20:16 |
Chicago Film Archives |
|
Combinations [1963] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a shot of a small auditorium…
|
1963 |
|
12:20 |
Chicago Film Archives |
|
Concertino Pour Trois [1960, Chicago, Civic Opera House] ▶
…He moves quickly and the camera follows him; it catches a glimpse of Ruth Page modeling…
|
1960 |
|
13:10 |
Chicago Film Archives |
|
Dance of the Hours [1949] ▶
Cfa collection: Ruth Page Collection
Notes: The film opens with a view of a stage from…
|
1949 |
|
8:47 |
Chicago Film Archives |
|
Dance Stage with Ruth Page [1960s] ▶
…As the music ends, Ruth Page enters and begins to explain that the catalyst behind an…
|
1960 |
Richard Mansfield |
30:49 |
Chicago Film Archives |
|
Danse macabre ▶
Cfa collection: Ruth Page Collection
Cfa elements: Answer Print, 300 feet
Cfa records: https://collections.chicagofilmarchives…
|
1922 |
Dudley Murphy |
6:09 |
Chicago Film Archives |
|
Danse Macabre [1922] ▶
Cfa collection: Ruth Page Collection
Notes: The film begins with opening credits, introducing the creators and…
|
1922 |
Dudley Murphy |
6:09 |
Chicago Film Archives |
|
Daphne
Cfa collection: Ruth Page Collection
Cfa elements: Reversal Positives, 165 feet
Cfa records: https://collections.chicagofilmarchives…
|
|
|
7:15 |
Chicago Film Archives |