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11 results for "The Creative Establishment" in Creator.

Found in catalogs (50+)

• Educational Screen 1938 — page 60

  …The creative atmosphere generated by dozens of students working on many different projects was an added incentive to the cfjustruction. The help and encouragement…

• Educational Screen 1930-1931 — page 412

  …Two of the subjects may be mentioned here as examples not only of educational value but fascinating interest. In The Creative Approach to Education…

• Educational Screen 1951,1952,1953 — page 465

  …For both critical and lay audiences it oflFers much documentary evidence to establish photography as one of the important creative arts in America. An…

• Educational Screen 1957-1958 — page 187

  …These are classified by subject — for example, "Reading (Voice Dis- cussion and Analysis, Reading Readi- ness, Reading Development, Parent Conferences, etc.)," "Creative Dra- matics…

• Educational Screen 1957-1958 — page 805

  From the Coronet film, Gold Rurh Days Vlfhat Coronet ""creative quality" means to educational films BASIC RESEARCH The. foundation of Coronet film production is…

• Educational Screen 1926-1927 — page 208

  …He must realize that while he enjoys the fruits of his toil, he is the servant of the public. His creative gifts are to…

• Educational Screen 1954,1955,1956 — page 1099

  …are suggested by the music. Tempi are strict and major bits are prominent. "Creative Rhythms" (EME 200) is a series of piano selections designed…

• Educational Screen 1926-1927 — page 410

  …By art is meant ^.creativeness— not adherence to the formula for box-office attractions. There is plenty of room in the movie world for…

• Educational Screen 1926-1927 — page 401

  …THE permanent establishment of select- ed programs for juvenile audiences is the best evidence that the neighborhood motion picture theater is in truth a…

• Educational Screen 1946-1947 — page 539

  …This sound and color film tells interestingly the story of the missionary work of the great Congregational denomination in establishing schools in the post…

• Educational Screen 1954,1955,1956 — page 670

  …tices and techniques, appealing to the imagination and creativity of children, and establishing rapport between the teacher and the group and among members of…

• Educational Screen 1957-1958 — page 866

  …the potentialities of audio-visual procedures, the routine responsibilities of his job may be con- verted into the curricular functions of a creative leader…

• Educational Screen 1951,1952,1953 — page 948

  …It was then that they authorized the beginnings of a school loan system of audio-visual teaching mate- rials 6nd established the Educational Museum…

• Educational Screen 1957-1958 — page 243

  …This is creative teaching through the creative use of educational films. Producing AV Materials (Continued from page 235) Facilities for Production The extent of…

• Educational Screen 1948-1949 — page 961

  …The creative teacher in church and school may use the film — unless the commentary gets in the way — to promote an interest in living…

• Educational Screen 1926-1927 — page 1136

  …177 "Thirty Years of Motion Pictures" to be Preserved Permanently 177 Laemmle Establishes Annual Award 177 Film Arts Guild Leases New Theatre 178 New…

• Educational Screen 1951,1952,1953 — page 923

  …The idea is new, fresh and creative and the disc is totally unlike others we have heard. MY PLAYMATE THE WIND (Young People's…

• Educational Screen 1938 — page 194

  …The Creative Educational Society has been conduct- ing a nation-wide business of a closely allied character. Born in the depths of the depression…

• Educational Screen 1926-1927 — page 918

  …In the discussions about the future plans for the improvement of the film-industry in France, the establishment of a film depart- ment under…

• Educational Screen 1926-1927 — page 964

  320 THE EDUCATIONAL SCREEN creative branches, and the reconciling of any differences that may exist or arise between the different branches of their members…

• Educational Screen 1943 — page 55

  …to direct the thinking and planning which will undoubtedly have a part in establishing and maintaining peace in the world in the days that…

• Educational Screen 1944-45 — page 732

  …Coming from varying backgrounds, they bring into their military life the habits they have acquired since childhood. The Army instructor must establish a com…

• Educational Screen 1940 — page 160

  …Before any film is shown the teacher should establish in the minds of all pupils in the group the purposes for studying tlic film…

• Educational Screen 1944-45 — page 779

  …These men work closely with specialists in curriculum and visual education as well as with outstanding creative and production experts in the educational motion…

• Educational Screen 1944-45 — page 734

  …The value of such aids is measured by the effectiveness of their preparation technically as well as creatively. The material must be legible and…

• Educational Screen 1932 — page 241

  …Seaburv says, "\\ hatever patterns society or we as individuals may establish in the future must be sufficiently fluid so that they change with the…

• Educational Screen 1950 — page 414

  …and study The first two weeks were devoted to familiarizing the class with the fundamentals of television in an attempt to establish a common…

• Educational Screen 1937 — page 47

  …s creative imagination, and develop independence in executing a difficult enterprise? Establishing a Program of Supervised Audio-Visual Education A report on the organization…

• Educational Screen 1926-1927 — page 871

  …These weekly releases have been combined into the form of public programs for popular showing. Further, the Berlin Institute is ready to establish Dr…

• Educational Screen 1948-1949 — page 553

  …1 l'/2 reel $48.00 16 mm SD THE CURIOUS COATI Background experiences for language arts are established naturally by the desire to…

• Educational Screen 1942 — page 407

  …Within the last 12 years such courses have been established in some 200 teacher training schools. Visual Education is still in its in- fancv…

• Educational Screen 1924-1925 — page 600

  …Only by calling attention to that which is worthy on the screen can the undeniable worth of the motion picture itself be definitely established…

• Educational Screen 1926-1927 — page 544

  …The screen, with its flash-backs, its rapid movements, its restless, shifting scenes holds within it tremendous possibilities for creative competition, Mrs. Castillo believes…

• Educational Screen 1938 — page 133

  …Creative Design in Painting, produced in the Department of Fine Ans, Teachers College. Co- lumbia University, shows Professor Charles J. Martin demonstrating the principles…

• Educational Screen 1943 — page 108

  …Ten years ago the only edu- cational program was the guided tour and sometimes creative classes for children. Museum guidance has been continued and…

• Educational Screen 1944-45 — page 174

  …but their real worth will be established only when the men who teach join with the producers in pre- senting their thoughts in a…

• Educational Screen 1946-1947 — page 553

  …Miss Reynolds reported briefly on the latest steps in tiie United Nations proposal to establish an inter- national film board to service the specialized…

• Educational Screen 1935 — page 121

  …The Miniature Camera Way of Visual Instruction THE value of light-projecting devices in teaching is so thoroughly established that it may be af…

• Educational Screen 1946-1947 — page 756

  …A philosophical approach to the film by a creative pro- ducer of experimental films. Miss Deren proceeds from "the nature of forms," "the forms…

• Educational Screen 1946-1947 — page 649

  …It is the hope of this department to see Y.C.C.A, clubs established in every school, and although their aims and activities…

• Educational Screen 1951,1952,1953 — page 1101

  …Due to the rapport established between them and the director, they turned on any emotion at his request. One of the greatest satisfactions of…

• Educational Screen 1951,1952,1953 — page 109

  …To some extent an inculcation of the habit of cooperation and an increase in sympathetic understanding of other peoples will contribute to the establishment…

• Educational Screen 1957-1958 — page 587

  …These activities in no way displace the creative activities of the independ- ent religious film producer here or abroad, and the same is true…

• Educational Screen 1943 — page 79

  …The OWI suggests three ways in which educators can promote the use of these and other OWI films which are available from established 16mm…

• Educational Screen 1943 — page 54

  Page SO The Educational Screen 3—Museums a Established in many schools for permanent ex- hibit of some of the material col- lected during…

• Educational Screen 1948-1949 — page 500

  …THE CARE OF ART MATERIALS Enhance the pleasure and ef- fectiveness of creative work by portraying how to enjoy it. Simple new type animation…

• Educational Screen 1934 — page 58

  …The production of the 16 mm. sound - on - film prints of these films is being handled by the re- cently established Film Division of…

• Educational Screen 1930-1931 — page 517

  …With the lack of equilibrium between the organism and the environment, thought arises to produce action to reduce the disturbance and to re-establish…

• Educational Screen 1946-1947 — page 224

  …This address was given at the New York City luncheon meeting of the newly-established Film Council of America, on February 13th. The educational…

• Educational Screen 1946-1947 — page 1010

  …In deciding upon the special emphasis of this issue of the SCREEN we were not unmindful of the fact that the established producers of…