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13 results for "T.D.F. Artists" in Creator.

Found in catalogs (50+)

• See and Hear, 1949, 1951 — page 372

  …Katz. • Follows artist while he draws from pre- liminary sketch to the completed drawing. Hands, Feet, Clothing and Drapes (20 min) Sd. Library Flm…

• See and Hear 1948 — page 716

  …Katz. • Follows artist while he draws from pre- liminary sketch to the completed drawing. Hands, Feet, Clothing and Drapes (20 min) Sd. Lilnary Flm…

• Educational Screen 1944-45 — page 28

  …4.) Florentine artists of the early Renaissance developed the rules of perspective to show receding solid forms in a picture. These rules were developed…

• Educational Screen 1944-45 — page 911

  December, 1945 Page 459 FULL-COLOR PORTRAITS of FAMOUS RCAVictor RECORDING ARTISTS FULL SET, ONLY THESE magnificent color portraits are reproductions of fine paintings…

• See and Hear 1945-1946 — page 634

  …turns Look Real An Artist Draws for tt^ Movies {Stills from Pinnochio and Stoow White uued here) Out-of-Doors Picturea December 3 December…

• Educational Screen 1923 — page 140

  …artistic development during the year. "While the artistic progress of the motion picture has been great," said Mr. Zukor, "the greatest development so far…

• Educational Screen 1922 — page 43

  Musings on the Movies piculous. Furthermore, morality at of place comes dangerously close being immoral. Artistically such ocedures are criminal. Imagine iving to listen…

• Educational Screen 1936 — page 290

  …Are All Artists in their programs for the coming year, making it the basis of a visual study of design in their art courses…

• Educational Screen 1950 — page 124

  …Some of the objects illustrating this point are then displayed The artist tells the photographer that perhaps it is her fault if she does…

• Educational Screen 1942 — page 335

  …RCA VICTOR Audio Visual Service Educational Dept. • RCA Manufacturing Company, Inc., Camden, N. J. Only 50c for Photos of all these Victor Artists! Marian…

• Educational Screen 1951,1952,1953 — page 537

  …This might be followed with a film conceived around the artist's attempt to distinguish between surface appearances and underlying forces. The Rathbun and…

• Educational Screen 1957-1958 — page 718

  …They deserve serious consideration. We are grateful indeed to those who took the time to write. -W.S.H. From a Filmstrip Artist I…

• Mogulls Bros Educational Film Catalog 1936 — page 86

  …The artist who illustrates the technique of drypoint is Mr. Frederick G. Hall, of the Guild of Boston Artists, best known for his etchings…

• Educational Screen 1922 — page 42

  …different way from the manner in which the dramatist or novelist tels it; but in a way which does not alter the final artistic…

• Business Screen 1944,1945,1946 — page 265

  …tirapliBC Eleinonls Starting from scratch, the Navy itory-sketch artist can now give his ubject a thoroughly graphic third degree, with no holds barred…

• See and Hear 1947,1948 — page 370

  …in terms commensurate with the effort put foi ih. The students of secondary-school age discussed the artist's tech- nicjues and the significance…

• Educational Screen 1924-1925 — page 364

  …Ten Commandments, The — (Famous Players). *Thief of Bagdad, The — Douglas Fairbanks — (United Artists). Worthwhile Films Forever — Elsie Ferguson, "Wallace Reid — ^(Fa- mous Players). The…

• Business Screen 1970 — page 235

  …An equally adept artist and filmmaker. Mil- lie is perhaps the more outspoken, quickly interpreting, explaining or discussing some- thing in great detail, somewhat…

• Educational Screen 1944-45 — page 543

  …artist, and the times that influenced both. A B&H Filmosound can help bridge this gap by presenting art films from Filmosound Library . . . dramatic…

• Educational Screen 1928-1929 — page 260

  …Pabst is a solitary artist who is doing the finest work to-day outside of Russia. Joyless Street was unfor- gettable and poignant, harshly…

• Educational Screen 1954,1955,1956 — page 324

  …techniques and identify them- selves with the artist, as well as the skill of the demonstrating artist assure the effectiveness of the fihii with…

• Educational Screen 1948-1949 — page 541

  …Featuring leading artists of the lyric stage... Tito Gobi, Cloe Elmo, etc. Dramatic and vocal talents ably blended... perfect sound synchro- nization. Each film…

• See and Hear, 1949, 1951 — page 373

  …Livingston. • Domenico Di Mortellito, outstanding artist in this field, shows how to use elec- trically-driven tools to create a carving in transparent plastic…

• Educational Screen 1954,1955,1956 — page 816

  Contemporary films DONG KINGMAN Jfanoted at £fli*tM44Aifk 'JUu Ifeaii! "A superb biographical miniature in color on the noted Chinese-American artist." — Howard Thomson…

• Educational Screen 1954,1955,1956 — page 323

  …mm RLBI^STEII (World Artists, Inc., 9608 Heather Road, Beverly Hills, California) 23 minutes, 16mm, sound, black and white, 1952. DESCRIPTION This film presents…

• Educational Screen 1922 — page 50

  …But art lies in the doer, in the doing, in the thing done—not in any inanimate means the artist may use for his…

• Educational Screen 1936 — page 176

  …The slide, "The Artist at Work," showed the artist busily picturizing one of the delightful New England inlets. This slide is a typical scene…

• See and Hear 1948 — page 32

  …Encyclopaedia Britannica Films. • Theodore Kautzky, well-known artist in the field of pencil drawing, demonstrates effec- tive techniques to be used in the completion…

• Business Screen 1942,1943 — page 484

  …The personnel of the art studio might well give Walt Disney's staff a few pointers. Heading the soldier artists is .Sgt. Carlos Hichmond…

• See and Hear 1950,1951,1952 — page 34

  …Finger Painting Techniques (1 reel) Color. Purchase: Johnson-Hunt. • Depicts a medium through which the average person, without artistic talent can find artistic expression…

• See and Hear, 1949, 1951 — page 414

  …Finger Painting Techniques (1 reel) Color. Purchase: Johnson-Hunt. • Depicts a medium through which the average person, without artistic talent can find artistic expression…

• Educational Screen 1951,1952,1953 — page 116

  …The close-ups are well oriented and es- pecially useful for revealing each artist's techniques. The commentary is effectively designed to sharpen observation…

• Educational Screen 1951,1952,1953 — page 462

  …A remarkable warmth and sincerity pervade this film, which not only documents an artist's career but also por- trays an American woman of…

• Educational Screen 1922 — page 204

  …FOOTLIGHTS (Famous Players) (Feb.j The charm and interest of the story, thj artistry of Elsie Ferguson and Marc Md Dermot, the numerous touches…

• Business Screen 1961,1962 — page 861

  …the Trembling Earth (Warner Bros.); Bayou (United Artists); Force of the Wind (United Artists); Firebird Two (General Motors); more than five hun- dred tele…

• Business Screen 1954 — page 658

  …This is not to say that the good business film doesn't need good direction a\\A good camera work. ](>h Precedes Artistry of…

• Educational Screen 1943 — page 300

  …And today—after thousands of years—the composition of the deer is brilliant still." "Finally another artist draws what the magician told them would…

• Business Screen 1957 — page 233

  …Dunn, a member of the American Watercolor Society and the Ameri- can Artists Group, has won 21 honors and awards for his work and…

• Educational Screen 1944-45 — page 473

  …Therefore the artist set out to prove the fallacy of this story. The boy was dressed in a silk suit, a beautiful shade of…

• Business Screen 1956 — page 327

  …Part of the recognition for Dunn's work in- cludes a feature article in the American Artist Magazine. The versatile 16mm film producer is…

• Educational Screen 1924-1925 — page 363

  …Light That Failed, The — Percy Marmont — (Uni- versal). ♦Thief of Bagdad. The — Douglas Fairbanks — (United Artists). Toll of the Sea, The — Anna May Wong…

• Business Screen 1963,1964 — page 797

  …Vorce of the Wind (I'nited Artists); Virihird I wo (General Motors): more than five hun- dred television clips . . . and many others. COMPLETELY EQUIPPED…

• Educational Screen 1934 — page 16

  …the motion pictures are of diurnal occurrence. And the motion picture artist finds him- self confined by the tools of expression which the mechanic…

• See and Hear 1948 — page 717

  …Li\ingston. • Domcnico l)i .Mortellito. outstanding artist in this held, shows how to use elec- tritallv-dri\en tools to create a carving…

• Educational Screen 1950 — page 384

  …FINGERPAINTING TECHNIQUES Ruth Summers shows how the average person, without artistic talent, can find artistic expression. This demon- stration will stimulate a genuine in…

• Educational Screen 1924-1925 — page 362

  …Shoulder Arms — Charlie Chaplin — (First Na- tional). Silent Oall, The — Strongheart — (First National), Slippy McGee — (First National). Three Musketeers, The — Douglas Fairbanks — (United Artists…

• Educational Screen 1951,1952,1953 — page 122

  FULL COLOR FILMSTRIP5 Artists of Many Lands and Many Times The basic thought in this new series of nine FULL COLOR FILMSTRIP is that…

• Business Screen 1959,1960 — page 1312

  …Artist of tlie Week" records. ing plan for the iy60's that their operators could use directly and successfully at locations. .Shorter Version for…

• Educational Screen 1939 — page 279

  …I believe Hurd is working today as an artist for Walt Disney in Hollywood. The Pictograph In 1914 the new organization known as Famous…

• Educational Screen 1957-1958 — page 551

  …of the producers of filmstrips, and with the artists who work for them. They will resist this type of thinking. That they do, will…