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14 results for "Real Film" in Creator.

Found in catalogs (50+)

• Business Screen 1959,1960 — page 641

  …Reflects the Realtors' Personality Real estate brokers tend to be outgoing people with a lot of public savvy and the way this film was…

• Educational Screen 1933 — page 247

  …The material glass slide or film are realities, but we assume that any exjierience that we might have of seeing a mountain, for instance…

• See and Hear 1948 — page 371

  …AUDIO-VISUAL AIDS luiittion to stinuilatc reality. The nearer a learning situation can approach reality in terms of tlie learner's experiences the greater…

• Business Screen 1963,1964 — page 490

  …We all realize how important research and de- velopment is to our continued se- curity. Many of us have made many films on the…

• Educational Screen 1946-1947 — page 100

  …AUDIO-VISUAL MATERIALS (Mechanical Representations of Reality) O/Maps — Charts — Graphs — Objects — Specimens — Models — \ Q ' Pictures — Slides — Filmstrips — Motion Pictures — \^ Radio — Recordings — Dramatics — Television…

• Business Screen 1959,1960 — page 64

  …not all sponsors are suHi- cicntly sophisticated in the film medium to realize the distinction; with the result that gim- micky "entertaining" ineffective pictures…

• Educational Screen 1932 — page 99

  …Every teacher realizes this... and welcomes Eastman Classroom Films, not only for their actual content, but for their general effect in teaching children to…

• Educational Screen 1948-1949 — page 761

  …A really literal film — one which showed every step, every movement, recorded every footfall, would he un- bearable. Such a true adherence to reality…

• Educational Screen 1951,1952,1953 — page 282

  …Here was Harry, a teacher whom we had considered "on our side" — a real enthusiast who conscientiously used all the educational films we produced…

• Educational Screen 1928-1929 — page 143

  …A really well taught visual lesson, il- lustrated by slide or film material of high quality, is its own most convincing argument. There is…

• Educational Screen 1941 — page 248

  …reality, those six steps are these : 1. Documentary Materials — Books, periodicals, pamphlets, newspapers, etc. 2. Audio-Visual Aids — Drawings, photographs, slide and film strip…

• Business Screen 1947.1948 — page 665

  …To fill this need — and fill it well — you'll find the most effective means in films. They bring real "theater" to a sales…

• Educational Screen 1948-1949 — page 755

  …However, they did not really satisfy our desire to "film to a plan," to "tell a complete story." to really "produce" a film. We…

• Business Screen 1970 — page 128

  …It is realistic to say that this kind of reality is too strong for many business films. The pure Cinema Verite film is on…

• Business Screen 1939 — page 223

  …The showing was a Side Lii.- of Ihc Real practical demonstration of the dra- matic realism which is possible in illustrating many types of…

• Business Screen 1965,1966 — page 1017

  …jury notices by several prospec- I rs ( the film realistically includes the lienccs as well as the glories of the the camera moves into…

• Business Screen 1947.1948 — page 285

  …picture the excitement and Business Films fun that are to be had there— picture all these things realisticallv, colorfullv, excitinglv. The ideal medium for…

• Educational Screen 1946-1947 — page 101

  March, 1946 Page 121 level is that of direct, first-hand experience through sensory contacts with the realities of the learners' own environment ; that…

• Educational Screen 1954,1955,1956 — page 353

  …400"! SOUND FILMS PUT NEW MEANING INTO ROUTINE SUBJECTS Just watch the intense interest in those eager faces when a REAL film- showing with…

• Educational Screen 1946-1947 — page 102

  …Words, however realistic, are only abstract symbols in the classroom. Audio-visual mater- ials, however vivid, are still second-hand impressions of reality when…

• Educational Screen 1924-1925 — page 847

  September, 1925 The Film Councils of America 421 is because a crowd of unprincipled persons have gained control of the movies and use them…

• Educational Screen 1942 — page 34

  Page 28 The Educdtional Screen New BOBBY BREEN Features /n 16 mm, Sound ESCAPE TO PARADISE With Latin America as a background, this film…

• Business Screen 1938 — page 90

  …or your salesman as a potential World's Fair when you put films to work. HOW TO USE FILMS IN EXHIBITS

• Educational Screen 1936 — page 116

  …real pro- vision for differences in abilities of pupils, it is an easy matter to have producers issue different editions of the same film…

• Educational Screen 1922 — page 236

  …WHEN the first motion picture producer took his cue from David Belasco and the other realists of the theater, and used sure-enough water…

• Business Screen 1938 — page 107

  Can Business Use Realism? ANOTHER VIEW ON THE BRITISH FILMS-BY ANDREW BUCHANAN TnoucH Britain luis failed fiiiaiitially. not technically, to win success with…

• Educational Screen 1944-45 — page 352

  …play in their realiza- tion. Special and exclusive 16mm releases—eleven of them—have been prepared for this program. The films were produced from…

• Educational Screen 1943 — page 112

  …This is the role of perceptual aids, each and every type of wliich possess a degree of reality for the percipient. Educational realism is…

• Educational Screen 1932 — page 23

  January, 1932 Page 17 Title* of Film* (Acton) (Producer*) Men of Chance < Mary Antor. Ricardo Cortes) < Paramount! Ex- plolta "big money" and Cortex as…

• Educational Screen 1930-1931 — page 204

  …It was not long before the young- sters realized that to make a still- film that would give a true picture of South America…

• Business Screen 1944,1945,1946 — page 59

  …Lewis always carries a Filmo Camera when afield. Thus he has recorded many se- quences which make his films outstand* ing in realism. • • • Perhaps…

• Educational Screen 1954,1955,1956 — page 530

  Films Coronet color films rival reality Itselfl Through no other visual medium can the teacher present a more vivid reconstruction of life. Nothing can…

• Educational Screen 1957-1958 — page 874

  …IN order for greater realism to be a part of a teacher education pro- gram, a new film "Teachers?" has been created and creatively…

• Business Screen 1959,1960 — page 1136

  …a real tribute to your good judge- ment . . . BUT, the real payoff for the public information film is peo- ple, not prizes. For a…

• Educational Screen 1951,1952,1953 — page 231

  …The schools of the United States have welcomed the educational film. It has brought realism, drama, and adventure into the classroom. Films are distributed…

• Business Screen 1957 — page 267

  …Shooting films to show the work of missions of various Protestant denominations put me in contact with life as it really is. The tremendous…

• Business Screen 1957 — page 340

  …Following a simple announcement to realtors and escrow peoj>le in the area, the company offered the film and a speaker for advance bookings…

• Business Screen 1944,1945,1946 — page 339

  and a real \ for YOU, too! You not only proiit by additional supplies sell contestants in this great $10,000 ama movie contest, but…

• Business Screen 1955 — page 584

  …sponsor but 5778 isn"t a film about Champion or its products or its people. It's really Champion's gift to the .American…

• Educational Screen 1924-1925 — page 76

  …So much for the background to the real ac- tion of the film. Kaskaskia in 1779 is repre- sented by an old Jesuit Mission…

• Business Screen 1949. 1950 — page 234

  …film, "it's news because it's new," as well as other examples of how RKO Pathe Mo- lion Pictures do a real selling…

• Business Screen 1955 — page 175

  …A NO-PUNCHES-PULLED ANALYSIS of the salesman s real and difficult problems is essential in mak- ing a film that he respects and…

• Business Screen 1959,1960 — page 1026

  …Y., who is a lo) time member of the SMPTE Realist, Inc. Moves Office Headquarters to New Addre ii Realist. Inc., nianiilacturers Realist photographic…

• Business Screen 1955 — page 395

  …A NO-PUNCHES-PULLED ANALYSIS of the salesman's real and difficult problems is essential in mak- ing a film that he respects and…

• See and Hear 1951,1952,1953 — page 192

  …So there will ])e less school money for real things to help real needs . . . for films, filmstrips, equipment and |n-(i jcclion facilities in…

• Business Screen 1954 — page 329

  …A NO-PUNCHES-PULLED ANALYSIS of the salesman s real and difficult problems is essential in mak- ing a film that he respects and…

• Business Screen 1961,1962 — page 1142

  …Thi lism is the heart of United' nical training films. The picture unit attains this reatlfi filming real equipment andjll( employees of the companyn…

• Business Screen 1954 — page 405

  …A NO-PUNCHES-PULLED ANALYSIS of the salesman s real and difficult problems is essential in mak- ing a film that he respects and…

• Business Screen 1959,1960 — page 99

  …use of 35 mm cameras, projectors and films should make this predic- tion become a reality. The capac- ity crowds that packed initial showings…

• Business Screen 1939 — page 213

  …The beauty of Technicolor, the charm of the musical score, the thrill and excitement of three-dimensional realism, combine to make this film one…