|
Camels and the Pitjantjara
Shows the daily life of nomadic Central Australians of the Pitjantjara tribe who have acquired camels…
|
1984 |
produced by the Australian Institute of Aboriginal Studies ; written and directed by Roger Sandall. |
28 |
Australian Centre for the Moving Image +1 |
|
Coniston muster
Describes the daily activities of Aboriginal stockmen on Coniston Station in the Northern Territory. Examines their…
|
1976 |
scenes from a stockman's life produced by the Australian Institute of Aboriginal Studies ; directed by Roger Sandall. |
30 |
Australian Centre for the Moving Image +1 |
|
Desert People Part 1
Actual life of two desert families, filmed for the Australian Institute of Aboriginal Studies. Living without…
|
1968 |
|
|
Oddball Film and Video |
|
Dingari Ceremonies At Papunya - June 1972
Presents Australian Aborigine rituals.
|
1977 |
AUSTL INSTITUTE OF ABORIGINAL STUDIES CANBERRA AUSTRALIA |
|
|
|
Goodbye Old Man part 1 of 2
…Commentary is provided by the participants. (Australian Institute of Aboriginal Studies Series)
|
1979 |
|
12:00 |
Oddball Film and Video |
|
Goodbye Old Man part 1 of 2
…Commentary is provided by the participants. (Australian Institute of Aboriginal Studies Series)
|
1979 |
|
12:00 |
Oddball Film and Video |
|
Goodbye Old Man part 2 of 2
…Commentary is provided by the participants. (Australian Institute of Aboriginal Studies Series)
|
1979 |
|
12:00 |
Oddball Film and Video |
|
Goodbye Old Man part 2 of 2
…Commentary is provided by the participants. (Australian Institute of Aboriginal Studies Series)
|
1979 |
|
12:00 |
Oddball Film and Video |
|
Malbangka country
|
19-- |
made for Australian Institute of Aboriginal Studies ; produced and directed by Curtis Levy. |
31 |
BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE |
|
Pintubi revisit Yaru-Yaru
|
19-- |
produced by the Australian Institute of Aboriginal Studies ; direction by Roger Sandall. |
31 |
BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE |
|
Takeover
Documents the bitter political confrontation between the Australian Federal government and the Aurukun Aboriginal Reserve against…
|
1981 |
AUSTL INSTITUTE OF ABORIGINAL STUDIES CANBERRA AUSTRALIA |
|
|
|
Takeover.
|
1979 |
|
91 |
BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE |
|
The House-opening
The house-opening ceremony performed at Aurukun is derived from traditional mortuary rites, but European and…
|
1980 |
Australian Institute of Aboriginal Studies ; directed by Judith MacDougall. |
45 |
Australian Centre for the Moving Image +1 |
|
Three horsemen
|
19-- |
Australian Institute of Aboriginal Studies ; a film by David and Judith MacDougall. |
55 |
BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVE |
|
Three Horsemen
Offers an ethnographic documentary about three generations of aboriginal stockmen, aged 75, 46 and 13, who…
|
1983 |
AUSTL INSTITUTE OF ABORIGINAL STUDIES CANBERRA AUSTRALIA |
|
|
|
Waiting For Harry
Illustrates some of the difficulties faced by contemporary Aborigines in maintaining ancient customs, by telling the…
|
1981 |
AUSTL INSTITUTE OF ABORIGINAL STUDIES CANBERRA AUSTRALIA |
|
|