| 1964 |
The Calumet: Pipe Of Peace. ▶ |
Regents of the University of California |
23 min |
16mm |
Color |
sound |
| 1964 |
The Cat in the Bag ▶ |
Gilles Groulx |
74 min |
|
B&W |
|
| 1964 |
The Cavern. |
Twentieth Century-Fox Film Corp |
102 min |
35mm |
B&W |
sound |
| 1964 |
The City and it's regions |
|
|
|
|
|
| 1964 |
The City and the future |
|
|
|
|
|
| 1964 |
The City as man's home |
|
|
|
|
|
| 1964 |
The City: cars or people? |
|
|
|
|
|
| 1964 |
The City: heaven and hell |
|
|
|
|
|
| 1964 |
The Clinical Center |
Southern Illinois University, Film Production and Department of Printing and Photography, Carbondale, Illinois |
26 min |
|
B&W |
|
| 1964 |
The empty canvas |
producer, Carlo Ponti ; director, Damiano Damiani ; screenplay by Damiani, Tonino Guerra and Ugo Liberatore. |
118 |
16mm |
B&W |
sound |
| 1964 |
The Enduring Wilderness |
Natl Film Board Of Canada |
28 min |
16mm |
|
sound |
| 1964 |
THE EVIL OF FRANKENSTEIN. |
Universal Pictures Co. Inc. |
84 min |
35 mm |
Color |
sound |
| 1964 |
The farmer's daughter. |
[The swinger] Screen Gems ; executive producer, Harry Ackerman ; producer, Peter Kortner ; directed by Gene Reynolds ; written by Steven Gethers. |
25 |
16mm |
B&W |
sound |
| 1964 |
The Finest Hours. |
Le Vien Films Ltd. |
116 min |
35mm |
Color |
sound |
| 1964 |
The full circle. |
Affiliated Film Producers. |
1060 |
16mm |
|
sound |
| 1964 |
The Gospel According To St Matthew |
Brandon Films |
131 min |
16mm |
B&W |
sound |
| 1964 |
The Gospel according to St. Matthew |
Corinth |
136 mi |
16mm |
B&W |
sound |
| 1964 |
The Great Marlin |
Glassell Producing Co Film Enterprises Inc |
30 min |
16mm |
|
sound |
| 1964 |
The Inheritance |
Harold Mayer |
60 |
16mm |
B&W |
sound |
| 1964 |
THE INHERITANCE ▶ |
Amalgamated Clothing Workers of America |
107 min |
|
|
|
| 1964 |
The Insurance story |
|
|
|
|
|
| 1964 |
The International Court of Justice |
|
|
|
|
|
| 1964 |
The Lively Set. |
Universal Pictures Co. Inc. |
95 min |
35mm |
Color |
sound |
| 1964 |
The Miracle on Thirteenth Street |
University of Florida, Photographic Services, Gainesville, Florida |
28 min |
|
Color |
|
| 1964 |
The Night Walker. |
Universal Pictures Co. Inc. & Castle Co. |
86 min |
35mm |
B&W |
sound |
| 1964 |
The Persistent Seed |
Natl Film Board Of Canada |
14 min |
16mm |
|
sound |
| 1964 |
The Physical Environment |
ENCYCLOPEDIA BRITANNICA FILMS SEE ENCYCLOPEDIA BRITANNICA EDUCATIONAL CORP |
11 min |
16mm |
Color |
sound |
| 1964 |
The Physical Environment |
Encyclopaedia Britannica Educ Corp |
12 |
16mm |
Color |
sound |
| 1964 |
The Physical Environment |
|
|
|
|
|
| 1964 |
The Pink panther |
Films Incorporated |
113 mi |
16mm |
Color |
sound |
| 1964 |
The Seals at Point Lebatt [i.e. Labatt] |
|
|
|
|
|
| 1964 |
The Searching Eye |
Grove Press-Cinema 16 Film Lib |
11 min |
16mm |
|
sound |
| 1964 |
The Searching Eye |
Pyramid Film & Video | Pyramid Films: Publisher | Saul Bass |
0:17:00 |
16mm |
Color |
sound |
| 1964 |
The Searching eye |
Saul Bass |
|
|
|
|
| 1964 |
The Searching Eye |
Saul Bass |
|
16mm |
|
|
| 1964 |
The Secret Of Blood Island. |
Universal Pictures Co. Inc. |
84 min |
35mm |
B&W |
sound |
| 1964 |
The Secret'st Man |
Encyclopedia Britannica Films |
33 min |
16mm |
|
sound |
| 1964 |
The Secret'st man |
|
|
|
|
|
| 1964 |
The Secret'st man [b&w] |
|
|
|
|
|
| 1964 |
The Soft Skin |
François Truffaut |
1:13 |
|
B&W |
|
| 1964 |
The Soft Skin. |
Films du Carrosse Sedif-Simar |
113 min |
35mm |
B&W |
sound |
| 1964 |
The Spy With My Face |
Metro-Goldwyn-Mayer |
86 min |
|
Color |
sound |
| 1964 |
The Story of Tasmania |
|
|
|
|
|
| 1964 |
The Themes Of Macbeth |
COUNCIL FOR A TV COURSE IN THE HUMANITIES FOR SECONDARY SCH Encyclopedia Britannica Films |
28 min |
16mm |
|
sound |
| 1964 |
The Themes of Macbeth |
|
|
|
|
|
| 1964 |
The Time Travelers |
Ideal Pictures Inc |
82 min |
16mm |
Color |
sound |
| 1964 |
The umbrellas of Cherbourg. |
Jacques Demy |
91 min |
16mm |
Color |
sound |
| 1964 |
The Voyageurs |
|
|
|
|
|
| 1964 |
The Voyageurs ▶ |
|
|
|
|
|
| 1964 |
The Wild swans |
Cartoon Classics ; produced by William Clayton ; screenplay by Bernard Evslin ; directed by Bernard Evslin. |
52 |
16mm |
Color |
sound |