| 1968 |
The Party |
Blake Edwards |
94 min |
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Color |
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| 1968 |
The Revolving Door |
American Foundation Institute of Corrections | Vision Associates |
0:30:00 |
16mm |
B&W |
sound |
| 1968 |
The Revolving door |
Lee R. Bobker |
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| 1968 |
The Russian consumer |
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| 1968 |
The saints |
Bent Barfod presents ; produced for Kortfilmradet ; director, Bent Barfod. |
4 |
16mm |
Color |
sound |
| 1968 |
The Savages |
Gorg Allan |
25 min |
16mm |
|
sound |
| 1968 |
The Secret Life Of An American Wife. |
Twentieth Century-Fox Film Corp |
92 min |
35mm |
Color |
sound |
| 1968 |
The Sergeant |
Warner Bros -Seven Arts Inc |
1:48:00 |
16mm |
Color |
sound |
| 1968 |
The Shakiest Gun In The West |
Universal Pictures Co. Inc. |
101 min |
16mm |
Color |
sound |
| 1968 |
The Strange Affair. |
Paramount Film Service Ltd. |
106 min |
35mm |
Color |
sound |
| 1968 |
The Stranger Returns. |
Metro-Goldwyn-Mayer Inc. |
95 min |
35mm |
Color |
sound |
| 1968 |
The Sun symbol in art |
Paul Burnford Productions Released by Bailey-Film Associates 1968 |
Genre:Art |
16mm |
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sound |
| 1968 |
The Sun symbol in art |
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| 1968 |
The Swimmer |
Sydney Pollack, Frank Perry |
91 min |
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Color |
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| 1968 |
The Thread makers |
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| 1968 |
The Trail Of Stanley And Livingstone |
Metromedia Producers Corp |
53 min |
16mm |
|
sound |
| 1968 |
The Undersea World of Jacques Cousteau: Whales ▶ |
Metromedia Producers Corporation |
|
16mm |
|
sound |
| 1968 |
The Village |
UCLA Ethnographic Film Program |
26:55 |
16mm |
B&W |
sound |
| 1968 |
The Water Dwellers |
Australia News And Information Bureau |
15 min |
16mm |
|
sound |
| 1968 |
The wrecking crew. |
Columbia Pictures. |
105 min |
16mm |
Color |
sound |
| 1968 |
The Wyeth Phenomenon |
CBS NEWS |
24 |
16mm |
Color |
sound |
| 1968 |
The Young Animals |
American International Pictures |
|
35mm |
Color |
sound |
| 1968 |
The young runaways. |
Four-Leaf Productions |
91 min |
16mm |
Color |
sound |
| 1968 |
They can do it |
the Early Childhood Education Study, with the support of the Office of Economic Opportunity, Project Headstart, presents ; produced by the Early Childhood Education Study of Education Development Center ; senior producer, Quentin Brown ; producer, Allan Leitman. |
40 |
16mm |
B&W |
sound |
| 1968 |
Through Conflict to Negotiation ▶ |
WISEDCOB |
47 min. |
16mm |
Color |
|
| 1968 |
Through conflict to negotiation |
Bonnie Sherr Klein, Peter Pearson |
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| 1968 |
Through scrummage, three-quarters and all |
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| 1968 |
To Track A Shadow |
CANADA Natl Film Board Of Canada |
18 min |
16mm |
|
sound |
| 1968 |
To track a shadow |
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| 1968 |
Tuktu and his animal friends |
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| 1968 |
Tuktu and his nice new clothes |
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| 1968 |
Tuktu and the big kayak |
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| 1968 |
Tuktu and the big seal |
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| 1968 |
Tuktu and the caribou hunt |
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| 1968 |
Tuktu and the clever hands |
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| 1968 |
Tuktu and the indoor games |
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| 1968 |
Tuktu and the magic bow |
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| 1968 |
Tuktu and the snow palace |
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| 1968 |
Tuktu and the ten thousand fishes |
Laurence Hyde |
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| 1968 |
Tuktu and the trials of strength |
Laurence Hyde |
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| 1968 |
Up the junction. |
Paramount Pictures Corp. |
118 min |
35mm |
Color |
sound |
| 1968 |
Up The Macgregors. |
Jolly Film-Production D.S. |
104 min |
35mm |
Color |
sound |
| 1968 |
Villa Rides. |
Paramount Pictures Corp. |
125 min |
35mm |
Color |
sound |
| 1968 |
Vision in mathematics: linear programming |
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| 1968 |
Wait Until Dark |
warner brothers |
107 min |
16mm |
Color |
sound |
| 1968 |
Where eagles dare |
Brian G. Hutton |
158 min |
|
Color |
|
| 1968 |
Where Were You When The Lights Went Out |
Metro-Goldwyn-Mayer Inc. |
89 min |
35mm |
Color |
sound |
| 1968 |
Where Were You When The Lights Went Out? |
Hy Averback |
89 min |
16mm |
Color |
|
| 1968 |
Who's Afraid Of Virginia Woolf |
Mary Jean Parson & Alix Jeffry |
131 min |
8mm |
B&W |
sound |
| 1968 |
Who's That Knocking At My Door |
MARTIN SCORCESE |
86 min |
16mm |
B&W |
sound |