| 1978 |
Code G. I. B. S |
movie produced by Anthony Wright, Alden Arteza, Tim Geary ... [et al.]; directed by Milo Ketchens [i.e. Milorad P. Ketchens] |
90 min |
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| 1978 |
Coffee, Tea, Or Cyanide |
produced in association with Talent Associates--Norton Simon, Inc., and Universal, an MCA company |
90 min |
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sound |
| 1978 |
Comes A Horseman |
Alan J. Pakula, Paul Helmick |
12:00 |
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Color |
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| 1978 |
Communication, The Receiver |
Coronet Instructional Media; produced by Don B. Klugman Films |
14 min |
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Color |
sound |
| 1978 |
Contemporary Artists At Work--Sculptors |
conceived and written [i.e. text, most filmstrip frames, sound recording] by Dan Tooker: produced by Harcourt Brace Jovanovich Films |
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| 1978 |
Controlling interest |
: the world of the multinational corporation / producer, director, Larry Adelman. |
45 |
16mm |
Color & B&W |
sound |
| 1978 |
Conway Twitty In Concert |
director, John Blanchard; producer, Nicolas Wry |
58 min |
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sound |
| 1978 |
Corvette Summer |
Metro-Goldwyn-Mayer; a Plotto Company film |
105 min |
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Color |
sound |
| 1978 |
Counterfeiters Rent Basement |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
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sound |
| 1978 |
Country weekend |
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| 1978 |
Cousin Effie's Will |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
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sound |
| 1978 |
Crazy Annie |
Roy Higgins, Public Arts Productions: produced in association with Universal, an MCA company: created by Stephen J. Cannell |
53 min |
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Color |
sound |
| 1978 |
Crib Job |
produced in association with Glen A. Larson Productions and Universal, an MCA company; producer, Edward J. Montagne; director, Alex March |
60 min |
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sound |
| 1978 |
Crippled Avengers |
Chang Cheh |
99 min |
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| 1978 |
Cry For The Kids |
director, Leo Penn; producer, Chester Krumholz |
60 min |
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sound |
| 1978 |
Damien--Omen Ii |
Released by Twentieth Century-Fox Film Corp |
107 min |
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Color |
sound |
| 1978 |
Dark Sunrise |
produced in association with Talent Associates--Norton Simon, Inc., and Universal, an MCA company |
90 min |
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sound |
| 1978 |
Dave Wilkie--Swim For Gold |
an In Motion Films production; producer, Bill Diaz |
13 min |
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sound |
| 1978 |
Deadly Wine |
a Stephen J. Cannell production; in association with Universal, an MCA company; producer, Alex Beaton; director, Lou Antonio |
60 min |
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sound |
| 1978 |
Deadman's Curve |
EMI Television Programs, Inc.; [made by] Roger Gimbel |
120 min |
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Color |
sound |
| 1978 |
Dear Tony |
Roy Higgins, Public Arts Productions; produced in association with Universal, an MCA company; created by Stephen J. Cannell |
53 min |
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Color |
sound |
| 1978 |
Death Casts A Vote |
produced in association with Glen A. Larson Productions and Universal, an MCA company; producer, Christopher Morgan; director, Ronald Satlof |
60 min |
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sound |
| 1978 |
Death Surf |
produced in association with Glen A. Larson Productions and Universal, an MCA company |
60 min |
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sound |
| 1978 |
Doctor Scorpion |
a Stephen J. Cannell production; in association with Universal, an MCA company; producer, Alex Beaton; director, Richard Lang |
120 min |
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sound |
| 1978 |
Don't Kill The Sparrows |
Roy Higgins, Public Arts Productions; produced in association with Universal, an MCA company; created by Stephen J. Cannell |
53 min |
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Color |
sound |
| 1978 |
Double Death |
produced in association with Glen A. Larson Productions and Universal, an MCA company |
60 min |
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sound |
| 1978 |
Eden's Gate |
produced in association with Glen Larson Productions |
60 min |
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Color |
sound |
| 1978 |
Eduardo the healer |
written and produced by Douglas G. Sharon and Richard Cowan ; directed by Richard Cowan. |
55 |
16mm |
Color |
sound |
| 1978 |
Elvis, Love Him Tender |
a Savadove production; in association with Lee/Raymond & Associates, Inc.; producer, Larry Savadove |
60 min |
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sound |
| 1978 |
Emergency Childbirth |
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600 |
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| 1978 |
Emergency Childbirth |
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12:00 |
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| 1978 |
Emergency childbirth |
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| 1978 |
Emily Dickinson |
GILBERT ALTSCHUL PRODUCTIONS AND PRODUCER'S GROUP |
22 min |
16mm |
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sound |
| 1978 |
Empire of Passion |
Nagisa Oshima |
104 min |
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Color |
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| 1978 |
Escape From Cain Abel |
a Stephen J. Cannell production [sic] and Bunky Productions, Inc.; produced in association with Universal, an MCA company |
45 min |
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sound |
| 1978 |
Everybody Pays The Fare |
Public Arts; produced in association with Universal |
53 min |
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Color |
sound |
| 1978 |
Exercise--Fit To Be Tried! |
Produced and distributed by Marshfilm Enterprises, Inc.; consultants, Donna L. Osness, Wayne H. Osness |
1 filmstrip |
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| 1978 |
Festival 78 |
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| 1978 |
Five Days From Home |
a Universal release |
109 min |
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Color |
sound |
| 1978 |
Fleece Of Snow |
produced in association with Glen Larson Productions |
60 min |
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Color |
sound |
| 1978 |
Folktales Of North American Indians |
[producer] Q-ED Productions, Inc.; teacher's manual prepared by Frances Talley and Roberta West-Naus |
6 filmstrips |
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| 1978 |
Forced Retirement |
a Roy Huggins--Public Arts production; produced in association with Cherokee Productions and Universal, an MCA company |
45 min |
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sound |
| 1978 |
Francesco the potter (Greece) |
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| 1978 |
From Home To School |
scripts by Herbert Morales; produced by Parents' Magazine Films, Inc., a wholly owned subsidiary of Parents' Magazine Enterprises, Inc.; prepared under the supervision of the editors of Parents' Magazine |
5 filmstrips |
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| 1978 |
Gaffing The Skim |
produced in association with Glen Larson Productions |
60 min |
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Color |
sound |
| 1978 |
Gates Of Heaven |
unknown |
85 min |
16mm |
Color |
sound |
| 1978 |
Gates of heaven |
New Yorker |
85 |
16mm |
Color |
sound |
| 1978 |
GDR Magazine 1978 G5: Education |
Camera DDR |
21:47 |
16mm |
B&W |
sound |
| 1978 |
General Laboratory Safety Procedures |
author, John C. MacDonald; science editor for CSC Media, Thomas Deacon; science editor for Prentice Hall Media, Lottie E. Mackay; produced by CSC Media, Inc |
1 filmstrip |
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| 1978 |
Getting Momma Married |
produced through the facilities of Hal Roach Studios; under the supervision of Sidney VanKeuren; directed by Charles Barton |
30 min |
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sound |