| 1934 |
The Private Life of Don Juan |
London Film Productions Ltd |
1:27:00 |
16mm |
B&W |
sound |
| 1934 |
THE PRIVATE LIFE OF DON JUAN. |
London Film Productions Ltd. |
10 reels |
16mm |
B&W |
sound |
| 1934 |
The pursuit of happiness. |
Paramount Productions Inc. |
8 reels |
16mm |
B&W |
sound |
| 1934 |
THE RED RIDER. |
Universal Pictures Corp. |
2 reels |
|
B&W |
|
| 1934 |
The Scarlet Empress |
Josef von Sternberg |
1:04 |
|
B&W |
|
| 1934 |
THE SCARLET LETTER. |
Majestic Producing Corp. |
8 reels |
16mm |
B&W |
Sound |
| 1934 |
The silence of Dean Maitland. |
Ken G. Hall |
2360 |
16mm |
B&W |
sound |
| 1934 |
THE SONG OF CEYLON ▶ |
John Grierson Production |
40 min |
16mm |
B&W |
sound |
| 1934 |
THE SONG YOU GAVE ME. |
Columbia Pictures Corp. |
7 reels |
|
B&W |
|
| 1934 |
The sun dance of the Cheyenne Indians |
produced by the Department of Anthropology, University of Oklahoma. |
36 |
16mm |
B&W |
|
| 1934 |
The thin man |
Metro-Goldwyn-Mayer (MGM): Distributor |
1:30:00 |
16mm |
B&W |
sound |
| 1934 |
THE VANISHING SHADOW. |
Universal Pictures Corp. |
2 reels |
|
B&W |
|
| 1934 |
The Warren case. |
British International Pictures. |
|
16mm |
B&W |
silent |
| 1934 |
THE WHITE PARADE. |
Fox Film Corp |
80 min |
|
B&W |
|
| 1934 |
THE WITCHING HOUR. |
Paramount Productions Inc. |
7 reels |
|
B&W |
|
| 1934 |
Them Thar Hills |
Hal Roach Studios. |
19 min |
|
B&W |
|
| 1934 |
THERE'S ALWAYS TOMORROW. |
Universal Pictures Corp. |
9 reels |
|
B&W |
|
| 1934 |
THIRTY DAY PRINCESS. |
Paramount Productions Inc. |
8 reels |
|
B&W |
|
| 1934 |
THREE LITTLE PIGSKINS. |
Columbia Pictures Corp. |
2 reels |
|
B&W |
|
| 1934 |
THREE ON A HONEYMOON. |
Fox Film Corp |
|
|
B&W |
|
| 1934 |
Tomorrow's Children |
Mayer MD Henry |
70 min |
16mm |
B&W |
sound |
| 1934 |
Tomorrow's children |
Crane Wilbur |
70 min |
|
B&W |
|
| 1934 |
TREASURE ISLAND |
Teaching Film Custodians, Inc |
40min |
16mm |
B&W |
Sound |
| 1934 |
Triumph of the Will |
Riefenstahl Leni |
114 min |
16mm |
Color & B&W |
sound |
| 1934 |
Triumph of the Will |
phenix |
110 min |
16mm |
B&W |
sound |
| 1934 |
Um das Menschenrecht. |
Arya-Film GmbH. |
|
16mm |
B&W |
sound |
| 1934 |
UNCERTAIN LADY. |
Universal Pictures Corp. |
7 reels |
|
B&W |
|
| 1934 |
WAGON WHEELS. |
Paramount Productions Inc. |
6 reels |
|
B&W |
|
| 1934 |
WAKE UP AND DREAM. |
Universal Pictures Corp. |
8 reels |
|
B&W |
|
| 1934 |
Washee ironee. |
Hal Roach |
460 |
16mm |
B&W |
sound |
| 1934 |
WE'RE NOT DRESSING |
Paramount Productions Inc. |
8 reels |
16mm |
B&W |
sound |
| 1934 |
Wednesday's Child |
John S. Robertson |
|
16mm |
B&W |
sound |
| 1934 |
WEDNESDAY'S CHILD |
New York University Film Library |
9 min |
16mm |
B&W |
Sound |
| 1934 |
West of the Divide |
Robert N. Bradbury |
54 min |
|
B&W |
|
| 1934 |
What happened then? |
Walter Summers |
22:00 |
16mm |
B&W |
sound |
| 1934 |
WHEN A MAN SEES RED. |
Universal Pictures Corp. |
7 reels |
|
B&W |
|
| 1934 |
WOMAN HATERS. |
Columbia Pictures Corp. |
2 reels |
16mm |
B&W |
|
| 1934 |
Wonder bar. |
Vitaphone Corp. |
10 reels |
16mm |
B&W |
sound |
| 1934 |
YOU BELONG TO ME. |
Paramount Productions Inc. |
7 reels |
|
B&W |
|
| 1934 |
You're telling me |
Erle C. Kenton |
71 min |
16mm |
B&W |
sound |
| 1934 |
You're Telling Me! |
Erle C. Kenton |
71 min |
16mm |
B&W |
sound |
| 1934 |
YOU'RE TELLING ME. |
Paramount Productions Inc. |
7 reels |
|
B&W |
|
| 1933 |
42nd Street |
Lloyd Bacon |
89 |
|
B&W |
|
| 1933 |
42nd Street |
Lloyd Bacon |
89 min |
16mm |
B&W |
|
| 1933 |
A day at the studio |
produced and directed by Hal Roach. |
15 |
16mm |
B&W |
sound |
| 1933 |
A Farewell To Arms |
unknown |
88 min |
16mm |
B&W |
sound |
| 1933 |
A SHRIEK IN THE NIGHT. |
Allied Pictures Corp. |
8 reels |
|
B&W |
|
| 1933 |
A STUDY IN SCARLET. |
K. B. S. Productions Inc. |
7 reels |
16mm |
B&W |
Sound |
| 1933 |
ANOTHER LANGUAGE. |
Metro-Goldwyn-Mayer Corp. |
8 reels |
|
B&W |
|
| 1933 |
BEAUTY FOR SALE. |
Metro-Goldwyn-Mayer Corp. |
9 reels |
|
B&W |
|