| 1949 |
Teeth Are to Keep |
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| 1949 |
Teeth are to keep |
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| 1949 |
Tell It To The Judge. |
Norman Foster |
87 min. |
35mm |
B&W |
sound |
| 1949 |
That midnight kiss |
Norman Taurog |
96 min |
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| 1949 |
The Big Steal. |
Don Siegel |
71 min. |
35mm |
B&W |
sound |
| 1949 |
The Blazing Trail. |
Ray Nazarro |
57 min. |
35mm |
B&W |
sound |
| 1949 |
The Cell: Structural Unit of Life |
Coronet Films |
11 min |
|
B&W |
|
| 1949 |
The Cowboy And The Indians. |
John English |
68 min. |
35mm |
B&W |
sound |
| 1949 |
The Doolins Of Oklahoma. |
Gordon Douglas |
90 min. |
35mm |
B&W |
sound |
| 1949 |
The Fan. |
Otto Preminger |
80 min. |
35mm |
B&W |
sound |
| 1949 |
The Fighting Redhead. |
Lewis D. Collins |
61 min. |
35mm |
Color |
sound |
| 1949 |
The Fountainhead ▶ |
King Vidor |
114 min |
|
B&W |
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| 1949 |
The Gal Who Took The West. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
Color |
sound |
| 1949 |
The Grass Is Always Greener |
The Vitaphone Corporation |
17 min |
|
B&W |
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| 1949 |
The Great Dan Patch. |
Joseph M. Newman |
94 min. |
35mm |
B&W |
sound |
| 1949 |
The House Across The Street. |
Richard L. Bare |
69 min. |
35mm |
B&W |
sound |
| 1949 |
The House Of Tomorrow. |
Tex Avery |
7 min |
35mm |
Color |
sound |
| 1949 |
The Inspector general |
Films inc. |
102 mi |
16mm |
Color |
sound |
| 1949 |
The Kid From Cleveland. |
Herbert Kline |
89 min. |
35mm |
B&W |
sound |
| 1949 |
The Last Bandit. |
Joseph Kane |
80 min. |
35mm |
Color |
sound |
| 1949 |
The loon's necklace. |
Imperial Oil Ltd; Crawley Films; Encyclopedia Britannica |
10 min. |
16mm |
Color |
sound |
| 1949 |
The Magnet. |
Charles Frend |
10 min. |
16mm |
B&W |
sound |
| 1949 |
The Man On The Eiffel Tower. |
A & T Film Productions Inc. |
97 min. |
35mm |
Color |
sound |
| 1949 |
The Meaning of Pi ▶ |
Coronet Films |
11 min |
|
Color |
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| 1949 |
The Mutineers. |
Jean Yarbrough |
60 min. |
35mm |
B&W |
sound |
| 1949 |
The Rising Tide |
Natl Film Board Of Canada |
30 min |
16mm |
B&W |
sound |
| 1949 |
The Rising tide |
Jean Palardy |
30 min |
|
B&W |
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| 1949 |
THE RISING TIDE ▶ |
Jean Palardy |
30 min |
|
B&W |
|
| 1949 |
The Rocking Horse Winner |
Two Cities Films Ltd |
1:30:00 |
16mm |
B&W |
sound |
| 1949 |
The Set-Up. |
Robert Wise |
73 min. |
35mm |
B&W |
sound |
| 1949 |
The Third Man. |
London Film Productions |
93 min. |
35mm |
B&W |
sound |
| 1949 |
The Vicious Circle |
Contemporary Films |
28 min |
16mm |
B&W |
sound |
| 1949 |
The Window |
RKO Radio Pictures Inc |
1:13:00 |
16mm |
B&W |
sound |
| 1949 |
The Wyoming Bandit. |
Philip Ford |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Thieves' Highway |
Jules Dassin |
94 |
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B&W |
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| 1949 |
Thieves’ Highway. |
Twentieth Century-Fox Film Corp |
94 min. |
35mm |
B&W |
sound |
| 1949 |
This Was A Woman. |
Tim Whelan |
102 min |
35mm |
B&W |
sound |
| 1949 |
Thrill of the surf |
Ken G. Hall |
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| 1949 |
Trail Of The Yukon. |
William Beaudine |
67 min. |
35mm |
B&W |
sound |
| 1949 |
Tuna Clipper. |
William Beaudine |
77 min. |
35mm |
B&W |
sound |
| 1949 |
Twelve O’clock High. |
Twentieth Century-Fox Film Corp |
132 min |
35mm |
B&W |
sound |
| 1949 |
USE OF FORESTS ▶ |
Coronet Films |
10 min |
|
B&W |
|
| 1949 |
Vagabond Loafers. |
Edward Bernds |
16 min. |
35mm |
B&W |
sound |
| 1949 |
Vote For Huggett |
Gainsborough Pictures (1928), Ltd |
84 min |
|
B&W |
|
| 1949 |
Wake Of The Red Witch. |
Edward Ludwig |
106 min |
35mm |
B&W |
sound |
| 1949 |
Watch That Quotation. ▶ |
Coronet |
11 min. |
16mm |
B&W |
sound |
| 1949 |
Ways to good habits. ▶ |
Coronet Instructional Films |
325 |
16mm |
B&W |
sound |
| 1949 |
We Were Strangers |
John Huston |
1:06 |
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B&W |
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| 1949 |
Weekly review: new settlers |
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| 1949 |
What is a corporation? ▶ |
Coronet |
4:00 |
16mm |
B&W |
sound |